The End of the Seven Against Thebes

The essential purpose of the present article (which is quarried from my Cambridge doctoral dissertation, ‘A Study of the Seven against Thebes of Aeschylus’, 1975) is to put forward a new theory concerning the last scene of the Septem , 1005–78. The problem of the play's ending as a whole has been very thoroughly discussed by P. Nicolaus, Die Frage nach der Echtheit der Schlussszene von Aischylos' Sieben gegen Theben (Tübingen, 1967); since I have no wish to duplicate Nicolaus's work I shall deal only very briefly with those aspects of the problem on which I find myself in agreement with him and with other scholars

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  Open Access•A L Brown, Alan Brown•The Classical Quarterly•1984

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• Aeschylus, Septem Contra Thebas 780–7

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• Aeschylus' Supplices

  A F Garvie•Aeschylus' Supplices•2006

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• The End of the Seven Against Thebes

  Open Access•Hugh Lloyd-Jones•The Classical Quarterly•1959

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• The Collation and Investigation of Manuscripts of Aeschylus

  John Peradotto, John J Peradotto et al.•The American Journal of Philology•1966

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• The Ritual Lament in Greek Tradition

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• The Collation and Investigation of Manuscripts of Aeschylus

  Stephen G Daitz, R D Dawe•The Classical World•1966

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• The End of Seven against Thebes

  Open Access•R D Dawe•The Classical Quarterly•1967

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  G M Kirkwood•Phoenix•1969

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