Dionysiac Poetics and Euripides' Bacchae
Datos Bibliográficos
| ID | 9672009 |
|---|---|
| Autores | Ann N Michelini, Charles Segal |
| Año | 1984 |
| Volumen | 77 |
| Número | 5 |
| Páginas | 317 |
| Fecha de publicación | 1984-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The Classical World (JOURNAL) |
| Identificadores de la revista | ISSN: 0009-8418 • E-ISSN: 1558-9234 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/4349606 |
| OpenAlex | W2001277950 |
| Idioma | EN |
| Citas recibidas | 36 |
In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension
Art · Literature · Poetics · Poetry · Linguistic, Cultural, and Literary Studies · Literary Theory and Cultural Hermeneutics · Philosophy
Minds on Stage
Euripides and the Poetics of Nostalgia
Metatheatre in Aeschylus’ Oresteia
The Mockery of Madness
Oedipus the Queen
Vision and Knowledge in Greek Tragedy
The “aetiology” of tragedy in the Oresteia
Antigone, the political and the ethics of psychoanalysis
Misogyny, Dionysianism and a new model of Greek tragedy
Staging the Ephebeia
Perspectives on Violence in Euripides’ Bacchae
Madness and Bestialization in Euripides' Heracles
Ovid's Theban History
Impiety’ and ‘Atheism’ in Euripides' Dramas
The Snake Sheds Its Skin
Dionysos Comes to Thrace
Freedom, Form, and Formlessness
In the Footprints of Aeschylus
Pentheus and the Spectator in Euripides' Bacchae
Something to do with Demeter
Control of Costume in Three Plays of Aristophanes
Minds on Stage
Euripides and the Poetics of Nostalgia
Virgil's Ascanius
The Delian Maidens and their relevance to choral mimesis in classical drama
Old Greek Wine in New Bottles
Melizein Pathe or the Tonal Dimension in Aeschylus’ Agamemnon
The Asexuality of Dionysus
Myth, Literature, and the Creation of the Topography of Thebes
The Pregnant Male as Myth and Metaphor in Classical Greek Literature
Greek Tragedy on the Move
Greek Tragedy in Vergil's Aeneid
The Great Dionysia and civic ideology
The dionysiac dance in William Inge's picnic
Monasticism, utopias and comparative social theory
Dionysiac Elements in Spartan Cult Dances
| Obras citantes distintas | 36 |
|---|---|
| Citas por año | 0,84 |
| Intervalo de citas | 1983 - 2023 (41) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 15 |