Artistic Verisimilitude (II)
Datos Bibliográficos
| ID | 9687388 |
|---|---|
| Autores | J P Day, John Day (0000-0002-0086-9529, Keele University, autor de correspondencia) |
| Año | 1962 |
| Volumen | 1 |
| Número | 3 |
| Páginas | 278-304 |
| Fecha de publicación | 1962-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Dialogue (JOURNAL) |
| Identificadores de la revista | ISSN: 0012-2173 • E-ISSN: 1759-0949 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0012217300042621 |
| OpenAlex | W4236436770 |
| Idioma | EN |
We are now in a position to answer the question of importance or relevance : the question, namely, whether it is true, as it is often claimed to be, that works of fine art which are ∼ AN, in particular tragedies and novels, should be AV; and, if so, why. Briefly, it seems to me that the claim is true for a variety of reasons which I shall now detail. I pointed out earlier that a literary work is not a tragedy or a work of fiction at all unless it is ∼ AN. (Subsecs. 2.1.1., 2.1.3.) But if it is AV, then it is of course ∼ AN, so that this condition is met. Moreover, it is met n i the most satisfactory way; for, although a work is also ∼ AN if it is ∼ AV, it is evident that the better way of being ∼ AN is to be AV
Aesthetics · Art · Epistemology · Literature · Political science · Relevance (law) · Tragedy (event) · Variety (cybernetics) · Verisimilitude · Work (physics) · Computer Science · Engineering · Ethics, Aesthetics, and Art · Law · Philosophy · Philosophy and Theoretical Science
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |