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What is Living and What is Dead in the Philosophy of Croce

Datos Bibliográficos

ID9688949
AutoresH S Harris (0009-0005-1594-1254, York University, autor de correspondencia)
Año1967
Volumen6
Número3
Páginas399-405
Fecha de publicación1967-12-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaDialogue (JOURNAL)
Identificadores de la revistaISSN: 0012-2173 • E-ISSN: 1759-0949
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0012217300034843
OpenAlexW2147676602
IdiomaEN

When Croce published his celebrated essay on “What is living and what is dead in the philosophy of Hegel” in 1907, Hegel was already seventy-six years dead. In 1966 we reached the centennial of Croce's birth; but even now, in 1968, it is only sixteen years since death took the pen from the hand of the indefatigable “Don Benedetto.” Clearly therefore, it is still too early to draw up anything like a final balance sheet for the heritage that he has left us. But since the centennial was marked for us by the appearance of an English translation of the great anthology of essays on Philosophy, Poetry, History selected by the author himself at the very end of his life and often referred to in Italy as “Croce in one volume,” it is perhaps appropriate now to raise the question about the enduring heritage of Croce, if only to see more clearly how far, and in what ways, we are still not in a position either to appropriate it or to estimate it

Art · Art history · Centennial · Epistemology · Hegelianism · Literature · History · Italian Fascism and Post-war Society · Italian Literature and Culture · Philosophy · Political theory and Gramsci

Velocidad de citaciónhistorical
Altamente citadoNo

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