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Lament and Death instead of Marriage

The Iconography of Deceased Maidens on Attic Grave Reliefs of the Classical Period

Datos Bibliográficos

ID9857930
AutoresKatia Margariti (0000-0002-8995-6345, autor de correspondencia), Katia Margariti Katia Margariti
Año2018
Volumen87
Número1
Páginas91
Fecha de publicación2018-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaHesperia The Journal of the American School of Classical Studies at Athens (JOURNAL)
Identificadores de la revistaISSN: 0018-098X • E-ISSN: 1553-5622
EditorialAmerican School of Classical Studies at Athens (ASCSA) (PUBLISHER)
DOI10.2972/hesperia.87.1.0091
OpenAlexW2792897117
IdiomaEN
Citas recibidas5
Referencias citadas34

This article examines the iconography of Athenian maidens (parthenoi) from Classical-period funerary reliefs. By challenging the long-standing loutrophoros theory that this vessel is a symbol of untimely death before marriage, it becomes apparent that this meaning applies only when it is used in specific iconographic configurations in scenes on grave stelai or when it appears on top of a stele. The consideration of additional iconography exclusively characteristic of maiden figures on funerary reliefs, in conjunction with the iconography of prepubescent girls and young married women, leads to the conclusion that the Attic peplos and the shoulder-pinned back-mantle prove to be the most useful iconographical features for the identification of maidens

Aesthetics · Ancient history · Archaeology · Art · Art history · Attic · Iconography · Literature · Period (music · Ancient Egypt and Archaeology · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History

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Obras citantes distintas5
Citas por año0,63
Intervalo de citas2018 - 2024 (7)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 5
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