Gnessin Russian Academy of Music
Institution data
| Type | EDUCATION (active) |
|---|---|
| Country | Moscow, RU |
| Works | 50 |
| Researchers | 39 |
| Citations | 1 |
| h-index | 1 |
| Coverage | 1998 - 2026 |
| ROR | 0433hvq53 |
| GRID | grid.446255.4 |
| OpenAlex | I4210132496 |
| Website | https://gnesin-academy.ru |
| Also known as | Gnessin Russian Academy of Music; Gnessin State Musical College; Российская академия музыки имени Гнесиных |
Fiametta’s Four Dead Men by Nikolai Evreinov
Pierre Boulez’s Anthèmes I for solo violin
Dutch choral music of the twentieth century
On Viktor Ekimovsky’s Minimalism
Pantomimes in the repertoire of the Crooked Mirror Miniature Theater
Operatic forms of Mikhail Glinka in the context of Western European theory and practice
La finta giardiniera by Pasquale Anfossi and Wolfgang Amadeus Mozart
Folk Songs in the Organ Music of Basque Composers
Shostakovich and Khrapchenko
Rachmaninoff and France
“The Black Box” of Musical Feeling
Small-Scale Opera Genres in Vienna before and after Christoph Willibald Gluck’s Orfeo ed Euridice
Sergei Raсhmaninoff and American Press at the Turn of the 1920s and 1930s
The Structural Poetics of Nikolai Korndorf’s Piano Trio
Georges Bizet in the Service of the Opera
The Imposter by Jurgis Karnavicius
Orchestral Texture in Wang Xilin’s Symphonic Works
Concert in the Golden Age Hollywood Cartoons
Ballet in the Theaters of the Radziwill Princes in the 18th Century
About the Interpretation of a Work of Art
On the Narrative and Architectonics Applied to Daniil Kharms’ Prose
My Academic Advisor Natalia Sergeevna Gulyanitskaya
On N.S. Gulyanitskaya’s Scientific Creation
Gregorian Chant in Organ Sonatas by J.-N. Lemmens
Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century
To What Extent is Requiem a Requiem? Unheard FemaleVoices in Akhmatova’s Requiem
«The Composer’s word and the Composer as seen by others
Musicology
Music in the service of the Habsburgs
Vienna metamorphoses
Russian musician Johann Leopold Fuchs (1783-1853)
Ravel the arranger
The theme of childhood in French 19th-century music
‘Serious’ and ‘non-serious’ music by Natalya Khondo
Masterpieces made to order
“The shadow of night” by Harrison Birtwistle
Improving the Technology for Training Personnel in the Service Sector
An Experience of Narratological Analysis
Haydn, Mozart and Pleyel
Wilhelm Friedemann Bach’s Clavier Fantasies
Fugues for chorus and soloist ensemble in Joseph Haydn's late masses
Gregorian Chant in Organ Sonatas by J.-N. Lemmens
Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century
On the Structure of the 16thcentury Madrigals on Texts in Fixed Poetic Forms
Western Slavic Motifs in the Works of Russian Composers of the Second Half of the 19th Century
The Forms in Giovanni Simone Mayr’s Opera Arias
Political Intrigues of the Court of Florence as a Prerequisite for Giulio Caccini’s Opera The Abduction of Cephalus
The Leitmotif of Laughter in Sergei Prokofiev’s The Love for Three Oranges
A Fugue as Art
Thomas Tallis’ Magnificats
| ARTICLE | 50 |
|---|
| 2026 | 5 |
|---|---|
| 2025 | 6 |
| 2024 | 6 |
| 2023 | 6 |
| 2022 | 11 |
| 2021 | 4 |
| 2020 | 4 |
| 2019 | 7 |
| 1998 | 1 |