Creative or Coercive?: Cities, Workspaces, and Business Anthropology in the Near Aftermath of the Covid-19 Pandemic E. Wilf
Phaticity as a technical mystique: the genred, multi-sited mediation of the innovation architect's expertise E. Wilf • 2022
Pandian, Anand (with a foreword by Walter Murch). Reel world: an anthropology of creation. xv, 339 pp., illus., bibliogr. Durham, N.C.: Duke Univ. Press, 2015. £18.99 (paper) E. Wilf • 2017
The Post-it Note Economy: Understanding Post-Fordist Business Innovation through One of Its Key Semiotic Technologies E. Wilf • 2016
Condry, Ian. The soul of anime: collaborative creativity and Japan's media success story. x, 241 pp., illus., bibliogr. Durham, N.C.: Duke Univ. Press, 2013. £16.99 (paper) E. Wilf • 2015
Modernity, Cultural Anesthesia, and Sensory Agency: Technologies of the Listening Self in a US Collegiate Jazz Music Program E. Wilf • 2015
Streamlining the Muse: Creative Agency and the Reconfiguration of Charismatic Education as Professional Training in Israeli Poetry Writing Workshops E. Wilf • 2013
Sociable robots, jazz music, and divination: Contingency as a cultural resource for negotiating problems of intentionality E. Wilf • 2013
Rituals of Creativity: Tradition, Modernity, and the 'Acoustic Unconscious' in a U.S. Collegiate Jazz Music Program E. Wilf • 2012
SINCERITY VERSUS SELF-EXPRESSION: Modern Creative Agency and the Materiality of Semiotic Forms E. Wilf • 2011
Swinging within the iron cage: Modernity, creativity, and embodied practice in American postsecondary jazz education E. Wilf • 2010