The Lord of Ucupe mask from Moche culture (Peru). A multianalytical study of the materials from the metals to the adhesive

Johnny Aldana, Salvatore Marceddu, Erika Ribechini, Jeannette Jacqueline Lucejko, Maria Perla Colombini, Roberta Iannaccone, A. Brunetti, I. Bertelli • 2024

Archaeology of the invisible: The scent of Kha and Merit

Andrea Carretta, Valentina Turina, Federica Facchetti, Camilla Guerrini, Erika Ribechini, E. Ferraris, Francesca Modugno, Maria Perla Colombini, I. Degano, C. Greco, J. La Nasa • 2022

Rules: a Short History of What We Live by

Will Shank, Antonio Rava, Paola Lucero-Gómez, Daniele De Luca, V. Palleschi, S. Legnaioli, Francesca Modugno, Maria Perla Colombini, Francesca Sabatini, I. Degano, B. Campanella, Lorraine Daston, J. La Nasa • 2022

The Napoleonic Wars: a Global History

Maria Perla Colombini, Francesca Sabatini, I. Degano, P. Holakooei, Alexander Mikaberidze, R. Deyjoo • 2021

Rules: a Short History of What We Live by

Will Shank, Antonio Rava, Paola Lucero-Gómez, Daniele De Luca, V. Palleschi, S. Legnaioli, Francesca Modugno, Maria Perla Colombini, Francesca Sabatini, I. Degano, B. Campanella, Lorraine Daston, J. La Nasa • 2021

Graphic vandalism: Multi-analytical evaluation of laser and chemical methods for the removal of spray paints

Claudia Giusti, Barbara Salvadori, Anna Lluveras-Tenorio, Jana Striova, Maria Perla Colombini, J. La Nasa • 2020

The Napoleonic Wars: a Global History

Maria Perla Colombini, Francesca Sabatini, I. Degano, P. Holakooei, Alexander Mikaberidze, R. Deyjoo • 2020

The chemistry of pastels: Investigation of the organic materials in a drawing by Umberto Boccioni

Francesca Modugno, Maria Perla Colombini, Barbara Ferriani, Anna Lluveras Tenorio, J. La Nasa • 2019

Violon. Céret by Pablo Picasso: The case of a lost painting. A methodological approach

Eleonora Maria Stella, Maria Perla Colombini, Roberta Iannaccone, J. La Nasa, S. Bracci • 2019

Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco)

Mustapha Raihane, Mounsif Ibnoussina, Valter Castelvetro, Azzouz Boujamid, Barbara Salvadori, Anna Lluveras-Tenorio, Giulia Lorenzetti, Maria Perla Colombini, A. Andreotti • 2018

First evidence of purple pigment production and dyeing in southern Arabia (Sumhuram, Sultanate of Oman) revealed by mass spectrometric and chromatographic techniques

Marco Zanaboni, Andrea Pavan, Erika Ribechini, Josefina Pérez-Arantegui, Maria Perla Colombini, I. Degano • 2016

The Philosophy of Food

Adriana Moroni, Jeannette Jacqueline Lucejko, Maria Perla Colombini, Elena Pecchioni, Marco Benvenuti, David M. Kaplan, A.P. Santo • 2016

Philosophical Perspectives on Social Cohesion: New Directions for Educational Policy

Francesca Di Girolamo, Isabelle Duvernois, Silvia A. Centeno, Veronica Marchiafava, Antonio Rava, Francesca Modugno, Maria Perla Colombini, Marcello Picollo, J. La Nasa, Mary Healy, G. Bartolozzi • 2016

Reply to Ira Rabin's Comment on our paper Rasmussen et al. (2012)

Andrew D. Bond, Greg Doudna, Eugenio Galano, J. Gunneweg, Kaare Lund Rasmussen, Angela Amoresano, Giulia Lorenzetti, Johannes van der Plicht, Ilaria Bonaduce, V. Palleschi, S. Legnaioli, Maria Perla Colombini, Anna Lluveras Tenorio, L. Birolo • 2014

Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech)

Mustapha Raihane, Mounsif Ibnoussina, Valter Castelvetro, Azzouz Boujamid, Anna Lluveras-Tenorio, Ilaria Bonaduce, Maria Perla Colombini, A. Andreotti • 2014

Erratum to 'Transylvanian glass icons: A GC/MS study on the binding media' [J. Culher. (2012) doi:10.1016/j.culher.2012.10.009]

Olimpia Coman-Sipeanu, Luminiţa Silaghi-Dumitrescu, Anna Lluveras-Tenorio, Márta Júlia Guttmann, Maria Perla Colombini, A. Andreotti • 2013

Philosophical Perspectives on Social Cohesion: New Directions for Educational Policy

Francesca Di Girolamo, Isabelle Duvernois, Silvia A. Centeno, Veronica Marchiafava, Antonio Rava, Francesca Modugno, Maria Perla Colombini, Marcello Picollo, J. La Nasa, Mary Healy, G. Bartolozzi • 2013

The constituents of the ink from a Qumran inkwell: new prospects for provenancing the ink on the Dead Sea Scrolls

Andrew D. Bond, Greg Doudna, Eugenio Galano, J. Gunneweg, Kaare Lund Rasmussen, Angela Amoresano, Giulia Lorenzetti, Johannes van der Plicht, Ilaria Bonaduce, V. Palleschi, S. Legnaioli, Maria Perla Colombini, Anna Lluveras Tenorio, L. Birolo • 2012

Characterization of organic media in the wall-paintings of the 'Palace of Nestor' at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age

A. Lluveras, H. Brecoulaki, Ilaria Bonaduce, Maria Perla Colombini, A. Andreotti • 2012

Archaeological wood from the Wieliczka Salt Mine Museum, Poland - Chemical analysis of wood degradation by Py(HMDS)-GC/MS

Jeannette Jacqueline Lucejko, Francesca Modugno, Maria Perla Colombini, M. Zborowska • 2012

An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto

Irina. S. Artemieva, Ilaria Bonaduce, Maria Perla Colombini, K.B. Kalinina • 2012

The Philosophy of Food

Adriana Moroni, Jeannette Jacqueline Lucejko, Maria Perla Colombini, Elena Pecchioni, Marco Benvenuti, David M. Kaplan, A.P. Santo • 2012

Characterization of an ancient 'chemical' preparation: pigments and drugs in medieval Islamic Spain

Francisco Escudero, Erika Ribechini, Josefina Pérez-Arantegui, Maria Perla Colombini • 2011

The unprecedented identification of Safflower dyestuff in a 16th century tapestry through the application of a new reliable diagnostic procedure

Jeannette Jacqueline Lucejko, Maria Perla Colombini, I. Degano • 2011

The painting of the Etruscan 'Tomba della Quadriga Infernale' (4th century BC), in Sarteano (Siena, Italy): technical features

Erika Ribechini, Francesca Modugno, Maria Perla Colombini, Pasquino Pallecchi, G. Giachi • 2009