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Alexander Sesonske

Biographic Data

ID1000269
NAMEAlexander Sesonske
GIVEN NAMESAlexander
FAMILY NAMESesonske
SIGNATURESESONSKE A
AFFILIATIONSUniversity of California, Santa Barbara
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS3
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR1985
H-INDEX1
  • A la Recherches du Temps Perdu

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1985

    Richard Abel. French Cinema: The First Wave, 1915–1929. Princeton, New Jersey: Princeton University Press, 1984. 672 pages

  • Jean Renoir

    Alexander Sesonske•BOOK•Jean Renoir•1980

  • Jean Renoir, 1894‐1979

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1979

  • Nothing but the truth

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1977

    Uno Asplund. Chaplin's Films. Translated by Paul Britten Austin. South Brunswick and New York: A. S. Barnes and Company, 1976. 216 pp. $10.00. Daniel Moews. Keaton: The Silent Features Close Up. Berkeley, Los Angeles, London: University of California Press, 1977. x +337 pp. $11.95 cloth, $4.50 paper. Walter Kerr. The Silent Clowns. New York: Alfred A. Knopf, 1975. 373 pp. $17.95

  • Les Petits souvenirs de Jean Renoir

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1977

    Jean Renoir. My Life and My Films. Translated by Norman Denny. New York: Atheneum, 1974. 287 pp. Raymond Durgnat. Jean Renoir. Berkeley and Los Angeles: University of California Press, 1974. xiv + 429 pp

  • A Commentary on Plato's Meno

    Alexander Sesonske, Jacob Klein•ARTICLE•The Philosophical Review•1967

    The Meno, one of the most widely read of the Platonic dialogues, is seen afresh in this original interpretation that explores the dialogue as a theatrical presentation. Just as Socrates's listeners would have questioned and examined their own thinking in response to the presentation, so, Klein shows, should modern readers become involved in the drama of the dialogue. Klein offers a line-by-line commentary on the text of the Meno itself that anima…

  • Hedonism in the Protagoras

    Alexander Sesonske•ARTICLE•Journal of the history of…•1963

  • Plato's Apology

    Alexander Sesonske•ARTICLE•Phronesis•1961•Cited by: 2

    29 Plato's Apology: Republic I ALEXANDER SESONSKE " T is at this point, I believe, that Plato's thought takes a different I direction from the philosophy of his master, Socrates. There are two ways in which a man may approach the task of conceiving an ideal society. One is to start with the moral reformation of the individual, and then to imagine a society consisting of perfect individuals. This is the logical outcome of Socrates' mission to his …

  • Value and Obligation

    Arthur Berndtson, Alexander Sesonske•ARTICLE•Philosophy and Phenomenological…•1960

  • Cognitive" and "Normative

    Alexander Sesonske•ARTICLE•Philosophy and Phenomenological…•1956•Cited by: 1

  • Plato's Apology

    Alexander Sesonske•ARTICLE•Phronesis•1961•Cited by: 2

    29 Plato's Apology: Republic I ALEXANDER SESONSKE " T is at this point, I believe, that Plato's thought takes a different I direction from the philosophy of his master, Socrates. There are two ways in which a man may approach the task of conceiving an ideal society. One is to start with the moral reformation of the individual, and then to imagine a society consisting of perfect individuals. This is the logical outcome of Socrates' mission to his …

  • Cognitive" and "Normative

    Alexander Sesonske•ARTICLE•Philosophy and Phenomenological…•1956•Cited by: 1

  • Cognitive" and "Normative

    Alexander Sesonske•ARTICLE•Philosophy and Phenomenological…•1956•Cited by: 1

  • Value and Obligation

    Arthur Berndtson, Alexander Sesonske•ARTICLE•Philosophy and Phenomenological…•1960

  • Plato's Apology

    Alexander Sesonske•ARTICLE•Phronesis•1961•Cited by: 2

    29 Plato's Apology: Republic I ALEXANDER SESONSKE " T is at this point, I believe, that Plato's thought takes a different I direction from the philosophy of his master, Socrates. There are two ways in which a man may approach the task of conceiving an ideal society. One is to start with the moral reformation of the individual, and then to imagine a society consisting of perfect individuals. This is the logical outcome of Socrates' mission to his …

  • Hedonism in the Protagoras

    Alexander Sesonske•ARTICLE•Journal of the history of…•1963

  • A Commentary on Plato's Meno

    Alexander Sesonske, Jacob Klein•ARTICLE•The Philosophical Review•1967

    The Meno, one of the most widely read of the Platonic dialogues, is seen afresh in this original interpretation that explores the dialogue as a theatrical presentation. Just as Socrates's listeners would have questioned and examined their own thinking in response to the presentation, so, Klein shows, should modern readers become involved in the drama of the dialogue. Klein offers a line-by-line commentary on the text of the Meno itself that anima…

  • Nothing but the truth

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1977

    Uno Asplund. Chaplin's Films. Translated by Paul Britten Austin. South Brunswick and New York: A. S. Barnes and Company, 1976. 216 pp. $10.00. Daniel Moews. Keaton: The Silent Features Close Up. Berkeley, Los Angeles, London: University of California Press, 1977. x +337 pp. $11.95 cloth, $4.50 paper. Walter Kerr. The Silent Clowns. New York: Alfred A. Knopf, 1975. 373 pp. $17.95

  • Les Petits souvenirs de Jean Renoir

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1977

    Jean Renoir. My Life and My Films. Translated by Norman Denny. New York: Atheneum, 1974. 287 pp. Raymond Durgnat. Jean Renoir. Berkeley and Los Angeles: University of California Press, 1974. xiv + 429 pp

  • Jean Renoir, 1894‐1979

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1979

  • Jean Renoir

    Alexander Sesonske•BOOK•Jean Renoir•1980

  • A la Recherches du Temps Perdu

    Alexander Sesonske•ARTICLE•Quarterly Review of Film Studies•1985

    Richard Abel. French Cinema: The First Wave, 1915–1929. Princeton, New Jersey: Princeton University Press, 1984. 672 pages

Philosophy (8 works) · Art (7 works) · Epistemology (5 works) · Philosophy (5 works) · Classical Philosophy and Thought (4 works) · Art history (3 works) · French Historical and Cultural Studies (3 works) · SOCRATES (3 works) · Argument (complex analysis) (2 works) · Cinema and Media Studies (2 works)

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