Raymond Federman
Biographic Data
| ID | 1000389 |
|---|---|
| NAME | Raymond Federman |
| GIVEN NAMES | Raymond |
| FAMILY NAME | Federman |
| SIGNATURE | FEDERMAN R |
| AFFILIATIONS | Buffalo State University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
An Idealistic Utopian Thought
In 1974, visitors to the Newspace Gallery on Melrose Avenue experienced a studio tour very different from the one tourists might have encountered just a few blocks west at Paramount Studios.1 Viewers passed through a dimly lit room into a dark space illuminated by two black-and-white television monitors on tall stands. The video shown on the monitors was Paul McCarthy's Meat Cake #5, in which the artist, wearing a black dress and alternating wigs…
The Last Stand of Literature
Stakes, Fetishes, Merchandise
exactitude, this perfect utopia outside the world without which knowledge will only be laughable, only be an accumulation, a copy. To be sure, no one has ever seen, touched, felt, heard, nor tasted this strange non-sensible space, no one has ever experienced the curious objects which fill it, and yet we know nothing about our world without that space and without these objects. It is pure utopia, and the objects of the world are gathered in it. If…
An Interview with Stanislaw Lem
The Twofold Vibration
From Moinous & Sucette (A Love Story of Sorts) Chapter I
Raymond Federman, From Moinous & Sucette (A Love Story of Sorts) Chapter I, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 7-27
It's All There in the Beginning
as for the space colonies, as will be eventually explained, where our old man is going to be deported, unless we do something about it soon, they were set up around 1994, or that's the date I was given, no I do not think it too obvious, or too soon, there is nothing symbolic, nothing premature in that date, don't start making all sorts of literary connections, it's simply that I have to work within a logical time span from the present so that my …
Playgiarism
Imagination as Plagiarism [An Unfinished Paper…]
Where and how to begin this questioning?. How is a discourse written (and notice I say HOW and not WHO writes a discourse)? That is to say, what are the rules (interior and exterior), and the fundamental norms which permit the formulation of a discourse? And moreover, how is a discourse read? That is to say, what is the process by which one apprehends a discourse, what are we looking for in a discourse
Surfiction
Dream Sequences from Nights without Night
I. December 22-23, 1923. In a movie, I meet a woman, I speak to her and caress her. Arm in arm we walk to her little flat, in a street crowded with brothels. She opens the door herself and leads me into the room: a maiden's room. There, as we are about to make love, a thought comes to me: this woman is a prostitute, and probably diseased. I rise quickly and jump into the garden, climb (as a woman does on an armchair at the sight of a mouse or a h…
Au Pied du livre
nie : lecture cinema en images. Redoublant notre vie, finie (eh y en a assez) dans des histoires. Toujours les memes ' la branque. Ou, debut de gauche a droite, ' peu pres, entre les couvertures -pas moyen d'en sortir -aux bords cartonnes : bourres de faits divers. Au pied : du lit : la famille! P*re/mere/fils/fille s'entrecroisant entre les draps (les cuisses) s'entrel'chant, sans scrupules, dans les plumards du realisme. Et plus 9a jouit plus g…
No prominent works on this page.
Au Pied du livre
nie : lecture cinema en images. Redoublant notre vie, finie (eh y en a assez) dans des histoires. Toujours les memes ' la branque. Ou, debut de gauche a droite, ' peu pres, entre les couvertures -pas moyen d'en sortir -aux bords cartonnes : bourres de faits divers. Au pied : du lit : la famille! P*re/mere/fils/fille s'entrecroisant entre les draps (les cuisses) s'entrel'chant, sans scrupules, dans les plumards du realisme. Et plus 9a jouit plus g…
Dream Sequences from Nights without Night
I. December 22-23, 1923. In a movie, I meet a woman, I speak to her and caress her. Arm in arm we walk to her little flat, in a street crowded with brothels. She opens the door herself and leads me into the room: a maiden's room. There, as we are about to make love, a thought comes to me: this woman is a prostitute, and probably diseased. I rise quickly and jump into the garden, climb (as a woman does on an armchair at the sight of a mouse or a h…
Imagination as Plagiarism [An Unfinished Paper…]
Where and how to begin this questioning?. How is a discourse written (and notice I say HOW and not WHO writes a discourse)? That is to say, what are the rules (interior and exterior), and the fundamental norms which permit the formulation of a discourse? And moreover, how is a discourse read? That is to say, what is the process by which one apprehends a discourse, what are we looking for in a discourse
Surfiction
Playgiarism
It's All There in the Beginning
as for the space colonies, as will be eventually explained, where our old man is going to be deported, unless we do something about it soon, they were set up around 1994, or that's the date I was given, no I do not think it too obvious, or too soon, there is nothing symbolic, nothing premature in that date, don't start making all sorts of literary connections, it's simply that I have to work within a logical time span from the present so that my …
An Interview with Stanislaw Lem
The Twofold Vibration
From Moinous & Sucette (A Love Story of Sorts) Chapter I
Raymond Federman, From Moinous & Sucette (A Love Story of Sorts) Chapter I, SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue from the Center for Twentieth Century Studies (1982/1983), pp. 7-27
Stakes, Fetishes, Merchandise
exactitude, this perfect utopia outside the world without which knowledge will only be laughable, only be an accumulation, a copy. To be sure, no one has ever seen, touched, felt, heard, nor tasted this strange non-sensible space, no one has ever experienced the curious objects which fill it, and yet we know nothing about our world without that space and without these objects. It is pure utopia, and the objects of the world are gathered in it. If…
The Last Stand of Literature
An Idealistic Utopian Thought
In 1974, visitors to the Newspace Gallery on Melrose Avenue experienced a studio tour very different from the one tourists might have encountered just a few blocks west at Paramount Studios.1 Viewers passed through a dimly lit room into a dark space illuminated by two black-and-white television monitors on tall stands. The video shown on the monitors was Paul McCarthy's Meat Cake #5, in which the artist, wearing a black dress and alternating wigs…
Art (7 works) · Psychology (4 works) · Art history (3 works) · Computer Science (3 works) · Epistemology (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Geology (2 works) · Geology (2 works)