Natasha Loges
Biographic Data
| ID | 1001737 |
|---|---|
| NAME | Natasha Loges |
| GIVEN NAMES | Natasha |
| FAMILY NAME | Loges |
| SIGNATURE | LOGES N |
| AFFILIATIONS | Royal College of Music |
| ORCID | 0000-0003-2648-9425 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Deranging Schubert’s Winterreise
This essay explores the concept of repertoire diversification through a modern concert inspired by Clara Schumann and Julius Stockhausen’s 1862 performance of Schubert’s Winterreise. The modern concert, titled Winterreise-Weltreise, aimed to juxtapose Schubert’s canonical songs with compositions by non-western composers, thereby confronting geographically limited notions of classical music. The essay discusses the context of concert programming a…
Lieder in America
Letting Beethoven’s Hair Down
It feels fitting to have worked on this review in Baden bei Wien, in which Beethoven spent many summers. This pretty town southwest of Vienna boasts not only a Beethoven-Haus, but also a Beethoven-Panoramaweg, Beethoven-Rundwanderweg, Beethoven-Spazierweg, and even an imposing Beethoven-Tempel, offering a scenic view; notions of decentring, decolonizing, or even critically engaging with Beethoven’s canonic status feel not only remote, but also fa…
Schumann [née Wieck], Clara
Detours on a Winter’s Journey
This article traces the concert performance history of Schubert’s song cycle Winterreise, D. 911, during the second half of the nineteenth century. It begins by presenting a two-part theoretical framework, according to which the songs are understood as ontologically related to Friedrich Schlegel’s idea of the fragment, while the theoretical and practical treatments by musicians, critics, and scholars are viewed in relation to Walter Benjamin’s co…
Buying and Selling Music in the (Very) Long Nineteenth Century
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Singing in the Age of Anxiety
Reviewed by: Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge Natasha Loges Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars. By Laura Tunbridge. Chicago: University of Chicago Press, 2018. [viii, 168 p. ISBN 978-0-226-56357-2. $55] There seems to be no end to what the history of performance can teach us about ourselves, musicians an…
The Social Worlds of Nineteenth-Century Chamber Music
Historians who try to eavesdrop upon everyday music-making are constantly thwarted by the patchiness of the documentary evidence. It is also unclear how much those meagre records can be taken as representative of wider tendencies. Marie Sumner Lott is all too aware that private performance is poorly documented; thus, at the opening of this study, she cautions that ‘it is important to note what we can and cannot know and what we must infer from a …
How to Make a 'Volkslied
Matthew Gelbart’s recent volume, The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner , demonstrates that ‘folk music and art music are not timeless, objective truths, but very human constructions’. This article argues that even after the concepts of folk music and art music had emerged, figures like Johannes Brahms shaped an individual understanding of folk music that diverged from the prevailing view. Brahms’…
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How to Make a 'Volkslied
Matthew Gelbart’s recent volume, The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner , demonstrates that ‘folk music and art music are not timeless, objective truths, but very human constructions’. This article argues that even after the concepts of folk music and art music had emerged, figures like Johannes Brahms shaped an individual understanding of folk music that diverged from the prevailing view. Brahms’…
The Social Worlds of Nineteenth-Century Chamber Music
Historians who try to eavesdrop upon everyday music-making are constantly thwarted by the patchiness of the documentary evidence. It is also unclear how much those meagre records can be taken as representative of wider tendencies. Marie Sumner Lott is all too aware that private performance is poorly documented; thus, at the opening of this study, she cautions that ‘it is important to note what we can and cannot know and what we must infer from a …
Buying and Selling Music in the (Very) Long Nineteenth Century
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Singing in the Age of Anxiety
Reviewed by: Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge Natasha Loges Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars. By Laura Tunbridge. Chicago: University of Chicago Press, 2018. [viii, 168 p. ISBN 978-0-226-56357-2. $55] There seems to be no end to what the history of performance can teach us about ourselves, musicians an…
Schumann [née Wieck], Clara
Detours on a Winter’s Journey
This article traces the concert performance history of Schubert’s song cycle Winterreise, D. 911, during the second half of the nineteenth century. It begins by presenting a two-part theoretical framework, according to which the songs are understood as ontologically related to Friedrich Schlegel’s idea of the fragment, while the theoretical and practical treatments by musicians, critics, and scholars are viewed in relation to Walter Benjamin’s co…
Letting Beethoven’s Hair Down
It feels fitting to have worked on this review in Baden bei Wien, in which Beethoven spent many summers. This pretty town southwest of Vienna boasts not only a Beethoven-Haus, but also a Beethoven-Panoramaweg, Beethoven-Rundwanderweg, Beethoven-Spazierweg, and even an imposing Beethoven-Tempel, offering a scenic view; notions of decentring, decolonizing, or even critically engaging with Beethoven’s canonic status feel not only remote, but also fa…
Lieder in America
Deranging Schubert’s Winterreise
This essay explores the concept of repertoire diversification through a modern concert inspired by Clara Schumann and Julius Stockhausen’s 1862 performance of Schubert’s Winterreise. The modern concert, titled Winterreise-Weltreise, aimed to juxtapose Schubert’s canonical songs with compositions by non-western composers, thereby confronting geographically limited notions of classical music. The essay discusses the context of concert programming a…
Art (7 works) · Musicology and Musical Analysis (6 works) · History (4 works) · Music History and Culture (4 works) · Musical (4 works) · Visual arts (4 works) · Archaeology (3 works) · Art history (3 works) · Diverse Musicological Studies (3 works) · Literature (3 works)