Athinodoros Chronis
Biographic Data
| ID | 100282 |
|---|---|
| NAME | Athinodoros Chronis |
| GIVEN NAMES | Athinodoros |
| FAMILY NAME | Chronis |
| SIGNATURE | CHRONIS A |
| AFFILIATIONS | California State University, Stanislaus |
| ORCID | 0000-0001-9514-9067 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 129 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 5 |
Moving bodies and the staging of the tourist experience
Tourists as Story-Builders: Narrative Construction at a Heritage Museum
Although tourism scholarship supports the idea that the appreciation of a tourism experience depends on the availability and communication of stories, attention has been paid almost exclusively on marketers and tourism organizers as the main designers and promoters of narratives, ignoring the role of tourists themselves in this process. Using heritage museums as an empirical context, this research suggests that the success of a narrative presenta…
Between place and story: Gettysburg as tourism imaginary
Gettysburg re-imagined: The Role of Narrative Imagination in Consumption Experience
We investigate the role of imagination in the consumption experience and we theorize the ways in which important collective narratives are (re)imagined at storyscapes - consumption spaces where narratives are the focal object of consumption. We ground our empirical investigation in the historical narrative of the American Civil War and we explore ethnographically the ways in which this historical episode is (re)imagined and articulated in tourism…
Heritage of the senses: Collective remembering as an embodied praxis
Tourist sites are seen not merely as stages where tourists perform, but as the physical platforms for collective reflection and articulation of group identities. In the context of a Byzantine exhibition in Thessaloniki, Greece, it is argued that notions of Byzantine heritage for contemporary Greeks are a joint enterprise among multiple constituents. Museum organizers purposefully design heritage exhibitions in order to shape a national character …
Coconstructing heritage at the gettysburg storyscape
Coconstructing heritage at the gettysburg storyscape
Between place and story: Gettysburg as tourism imaginary
Moving bodies and the staging of the tourist experience
Gettysburg re-imagined: The Role of Narrative Imagination in Consumption Experience
We investigate the role of imagination in the consumption experience and we theorize the ways in which important collective narratives are (re)imagined at storyscapes - consumption spaces where narratives are the focal object of consumption. We ground our empirical investigation in the historical narrative of the American Civil War and we explore ethnographically the ways in which this historical episode is (re)imagined and articulated in tourism…
Heritage of the senses: Collective remembering as an embodied praxis
Tourist sites are seen not merely as stages where tourists perform, but as the physical platforms for collective reflection and articulation of group identities. In the context of a Byzantine exhibition in Thessaloniki, Greece, it is argued that notions of Byzantine heritage for contemporary Greeks are a joint enterprise among multiple constituents. Museum organizers purposefully design heritage exhibitions in order to shape a national character …
Coconstructing heritage at the gettysburg storyscape
Heritage of the senses: Collective remembering as an embodied praxis
Tourist sites are seen not merely as stages where tourists perform, but as the physical platforms for collective reflection and articulation of group identities. In the context of a Byzantine exhibition in Thessaloniki, Greece, it is argued that notions of Byzantine heritage for contemporary Greeks are a joint enterprise among multiple constituents. Museum organizers purposefully design heritage exhibitions in order to shape a national character …
Tourists as Story-Builders: Narrative Construction at a Heritage Museum
Although tourism scholarship supports the idea that the appreciation of a tourism experience depends on the availability and communication of stories, attention has been paid almost exclusively on marketers and tourism organizers as the main designers and promoters of narratives, ignoring the role of tourists themselves in this process. Using heritage museums as an empirical context, this research suggests that the success of a narrative presenta…
Between place and story: Gettysburg as tourism imaginary
Gettysburg re-imagined: The Role of Narrative Imagination in Consumption Experience
We investigate the role of imagination in the consumption experience and we theorize the ways in which important collective narratives are (re)imagined at storyscapes - consumption spaces where narratives are the focal object of consumption. We ground our empirical investigation in the historical narrative of the American Civil War and we explore ethnographically the ways in which this historical episode is (re)imagined and articulated in tourism…
Moving bodies and the staging of the tourist experience
Diverse Aspects of Tourism Research (5 works) · Sociology (5 works) · Art (4 works) · Culinary Culture and Tourism (4 works) · Tourism (4 works) · Aesthetics (3 works) · Archaeology (3 works) · Epistemology (3 works) · Law (3 works) · Law (3 works)