Ekaterina A Skvortcova
Biographic Data
| ID | 10046194 |
|---|---|
| NAME | Ekaterina A Skvortcova |
| GIVEN NAMES | Ekaterina A |
| FAMILY NAME | Skvortcova |
| SIGNATURE | SKVORTCOVA E A |
| AFFILIATIONS | St Petersburg University |
| ORCID | 0000-0001-5033-9780 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Personification of Russia in the 18th-Century Art
В статье особенности персонификации России в XVIII в. (пол, возраст, физическое сложение, черты лица, костюм, атрибуты) выявлены на материале разных видов искусства и рассмотрены в сопоставлении с её словесными описаниями, а также европейской иконографией персонификаций государств. Наравне с традиционной женской фигурой страны, предметом исследования стали имеющие прецеденты в европейском искусстве примеры, когда Россия в композициях по поводу за…
Monarch’s Costume as the Means of Representation of Unity with the Population in Europe in the 17th — Early 19th Century
В статье рассматривается практика облачения монарха иноземной династии в местный костюм, характерная для композитарных монархий, но осуществлявшаяся и в государствах, не входивших в подобные образования, в случае появления правителя из новой, “чужой” династии. В русскоязычной искусствоведческой историографии эта проблематика не рассматривались. В европейской научной литературе нет обобщающего труда, который бы суммировал результаты, изложенные в …
Sense and Sensibility
In the policed society of the 18th century, the phenomenon of friendship, as M. W. Reddy asserts, evolved into a new form of sociability which offered an emotional refuge from the code of honor and became central for the culture of the Enlightenment. Although there was no necessary contradiction between reason and emotion, sense and sensibility were understood as opposite poles and the concept of friendship was oscillating between them. The prese…
Portrait of the Empress Elizaveta Petrovna by Georg Kaspar von Prenner (1754, State Tretyakov gallery) and European Tradition of Portraits in Flower Wreath
This research was supported by the grant of the President of the Russian Federation for theyoung PhDs no. МК–1510.2019.6 “Female and Children Images in Discourse of Imperial Power: On the Example of 18th-Century Russian Art”. “Portrait of Empress Elizaveta Petrovna” by G. K. von Prenner is the only 18th-century secular easel portrait in a painted flower frame in Russian art. “Complimentary symbolism” of flowers was deciphered by L. Markina who al…
Illustrations to “Gespräche in dem Reiche derer Todten zwischen dem vortreflichen Moscowitischen Czaar Petro Magno und dem grossen Tyrannen Ivan Basilowiz II” (Peter the Great and Ivan the Terrible) b…
The journal created by David Fassmann (1683–1744), Gespräche in dem Reiche derer Todten, edited in Leipzig, was a huge success. Each of the 240 issues presents a dialogue between two historical figures from the afterworld. In the 83rd–86th Entrevuë, the interlocutors are Peter the Great and Ivan the Terrible. The texts of the four conversations were thoroughly examined by Eckhard Matthes (1987). The present paper explores how the illustrations to…
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Illustrations to “Gespräche in dem Reiche derer Todten zwischen dem vortreflichen Moscowitischen Czaar Petro Magno und dem grossen Tyrannen Ivan Basilowiz II” (Peter the Great and Ivan the Terrible) b…
The journal created by David Fassmann (1683–1744), Gespräche in dem Reiche derer Todten, edited in Leipzig, was a huge success. Each of the 240 issues presents a dialogue between two historical figures from the afterworld. In the 83rd–86th Entrevuë, the interlocutors are Peter the Great and Ivan the Terrible. The texts of the four conversations were thoroughly examined by Eckhard Matthes (1987). The present paper explores how the illustrations to…
Sense and Sensibility
In the policed society of the 18th century, the phenomenon of friendship, as M. W. Reddy asserts, evolved into a new form of sociability which offered an emotional refuge from the code of honor and became central for the culture of the Enlightenment. Although there was no necessary contradiction between reason and emotion, sense and sensibility were understood as opposite poles and the concept of friendship was oscillating between them. The prese…
Portrait of the Empress Elizaveta Petrovna by Georg Kaspar von Prenner (1754, State Tretyakov gallery) and European Tradition of Portraits in Flower Wreath
This research was supported by the grant of the President of the Russian Federation for theyoung PhDs no. МК–1510.2019.6 “Female and Children Images in Discourse of Imperial Power: On the Example of 18th-Century Russian Art”. “Portrait of Empress Elizaveta Petrovna” by G. K. von Prenner is the only 18th-century secular easel portrait in a painted flower frame in Russian art. “Complimentary symbolism” of flowers was deciphered by L. Markina who al…
Personification of Russia in the 18th-Century Art
В статье особенности персонификации России в XVIII в. (пол, возраст, физическое сложение, черты лица, костюм, атрибуты) выявлены на материале разных видов искусства и рассмотрены в сопоставлении с её словесными описаниями, а также европейской иконографией персонификаций государств. Наравне с традиционной женской фигурой страны, предметом исследования стали имеющие прецеденты в европейском искусстве примеры, когда Россия в композициях по поводу за…
Monarch’s Costume as the Means of Representation of Unity with the Population in Europe in the 17th — Early 19th Century
В статье рассматривается практика облачения монарха иноземной династии в местный костюм, характерная для композитарных монархий, но осуществлявшаяся и в государствах, не входивших в подобные образования, в случае появления правителя из новой, “чужой” династии. В русскоязычной искусствоведческой историографии эта проблематика не рассматривались. В европейской научной литературе нет обобщающего труда, который бы суммировал результаты, изложенные в …
Art (5 works) · Art history (5 works) · History (4 works) · Law (4 works) · Literature (4 works) · Political science (4 works) · Politics (4 works) · Philosophy (3 works) · Portrait (3 works) · Aesthetics (2 works)