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Екатерина Александровна Скворцова

Biographic Data

ID10046367
NAMEЕкатерина Александровна Скворцова
GIVEN NAMESЕкатерина Александровна
FAMILY NAMEСкворцова
SIGNATUREСКВОРЦОВА Е А
AFFILIATIONSSt Petersburg University
ORCID0000-0003-4867-5915
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Сцены из древнерусской истории в книжной иллюстрации 1750-х‒начала 1830-х годов

    Open Access•Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2024

    Whereas the theme of Old Russian history in academic painting and sculpture of the 2nd half of the 18th ‒ 1st third of the 19th century has justly attracted considerable scholarly attention, the prints and, specifically, book illustrations dealing with the same subject have remained largely ignored. The paper presents the results of the research which revealed 37 editions dating from the 1750s to the 1830s and illustrated with scenes from Old Rus…

  • Природа вокруг дворца

    Open Access•Анна Владимировна Ляшко, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2024

    The paper offers a survey of the papers presented at the conference “Nature [around] the Palace” which was held in Peterhof on October 21st‒22nd, 2024. The event celebrated the completion of a large-scale project, i.e. the restoration of the Upper Garden. Saint-Petersburg State University was a co-organizer of the conference. The primary focus was on gardening as an economic phenomenon. The attention was focused on utilitarian structures, such as…

  • Personification of Russia in the 18th-Century Art

    Open Access•Polina A Chebakova, Ekaterina A Skvortcova et al.•ARTICLE•Actual Problems of Theory and…•2022

    В статье особенности персонификации России в XVIII в. (пол, возраст, физическое сложение, черты лица, костюм, атрибуты) выявлены на материале разных видов искусства и рассмотрены в сопоставлении с её словесными описаниями, а также европейской иконографией персонификаций государств. Наравне с традиционной женской фигурой страны, предметом исследования стали имеющие прецеденты в европейском искусстве примеры, когда Россия в композициях по поводу за…

  • Monarch’s Costume as the Means of Representation of Unity with the Population in Europe in the 17th — Early 19th Century

    Open Access•Ekaterina A Skvortcova, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2022

    В статье рассматривается практика облачения монарха иноземной династии в местный костюм, характерная для композитарных монархий, но осуществлявшаяся и в государствах, не входивших в подобные образования, в случае появления правителя из новой, “чужой” династии. В русскоязычной искусствоведческой историографии эта проблематика не рассматривались. В европейской научной литературе нет обобщающего труда, который бы суммировал результаты, изложенные в …

  • Sense and Sensibility

    Open Access•Polina A Chebakova, Ekaterina A Skvortcova et al.•ARTICLE•Actual Problems of Theory and…•2020

    In the policed society of the 18th century, the phenomenon of friendship, as M. W. Reddy asserts, evolved into a new form of sociability which offered an emotional refuge from the code of honor and became central for the culture of the Enlightenment. Although there was no necessary contradiction between reason and emotion, sense and sensibility were understood as opposite poles and the concept of friendship was oscillating between them. The prese…

  • Portrait of the Empress Elizaveta Petrovna by Georg Kaspar von Prenner (1754, State Tretyakov gallery) and European Tradition of Portraits in Flower Wreath

    Open Access•Ekaterina A Skvortcova, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2020

    This research was supported by the grant of the President of the Russian Federation for theyoung PhDs no. МК–1510.2019.6 “Female and Children Images in Discourse of Imperial Power: On the Example of 18th-Century Russian Art”. “Portrait of Empress Elizaveta Petrovna” by G. K. von Prenner is the only 18th-century secular easel portrait in a painted flower frame in Russian art. “Complimentary symbolism” of flowers was deciphered by L. Markina who al…

No prominent works on this page.

  • Sense and Sensibility

    Open Access•Polina A Chebakova, Ekaterina A Skvortcova et al.•ARTICLE•Actual Problems of Theory and…•2020

    In the policed society of the 18th century, the phenomenon of friendship, as M. W. Reddy asserts, evolved into a new form of sociability which offered an emotional refuge from the code of honor and became central for the culture of the Enlightenment. Although there was no necessary contradiction between reason and emotion, sense and sensibility were understood as opposite poles and the concept of friendship was oscillating between them. The prese…

  • Portrait of the Empress Elizaveta Petrovna by Georg Kaspar von Prenner (1754, State Tretyakov gallery) and European Tradition of Portraits in Flower Wreath

    Open Access•Ekaterina A Skvortcova, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2020

    This research was supported by the grant of the President of the Russian Federation for theyoung PhDs no. МК–1510.2019.6 “Female and Children Images in Discourse of Imperial Power: On the Example of 18th-Century Russian Art”. “Portrait of Empress Elizaveta Petrovna” by G. K. von Prenner is the only 18th-century secular easel portrait in a painted flower frame in Russian art. “Complimentary symbolism” of flowers was deciphered by L. Markina who al…

  • Personification of Russia in the 18th-Century Art

    Open Access•Polina A Chebakova, Ekaterina A Skvortcova et al.•ARTICLE•Actual Problems of Theory and…•2022

    В статье особенности персонификации России в XVIII в. (пол, возраст, физическое сложение, черты лица, костюм, атрибуты) выявлены на материале разных видов искусства и рассмотрены в сопоставлении с её словесными описаниями, а также европейской иконографией персонификаций государств. Наравне с традиционной женской фигурой страны, предметом исследования стали имеющие прецеденты в европейском искусстве примеры, когда Россия в композициях по поводу за…

  • Monarch’s Costume as the Means of Representation of Unity with the Population in Europe in the 17th — Early 19th Century

    Open Access•Ekaterina A Skvortcova, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2022

    В статье рассматривается практика облачения монарха иноземной династии в местный костюм, характерная для композитарных монархий, но осуществлявшаяся и в государствах, не входивших в подобные образования, в случае появления правителя из новой, “чужой” династии. В русскоязычной искусствоведческой историографии эта проблематика не рассматривались. В европейской научной литературе нет обобщающего труда, который бы суммировал результаты, изложенные в …

  • Сцены из древнерусской истории в книжной иллюстрации 1750-х‒начала 1830-х годов

    Open Access•Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2024

    Whereas the theme of Old Russian history in academic painting and sculpture of the 2nd half of the 18th ‒ 1st third of the 19th century has justly attracted considerable scholarly attention, the prints and, specifically, book illustrations dealing with the same subject have remained largely ignored. The paper presents the results of the research which revealed 37 editions dating from the 1750s to the 1830s and illustrated with scenes from Old Rus…

  • Природа вокруг дворца

    Open Access•Анна Владимировна Ляшко, Екатерина Александровна Скворцова•ARTICLE•Actual Problems of Theory and…•2024

    The paper offers a survey of the papers presented at the conference “Nature [around] the Palace” which was held in Peterhof on October 21st‒22nd, 2024. The event celebrated the completion of a large-scale project, i.e. the restoration of the Upper Garden. Saint-Petersburg State University was a co-organizer of the conference. The primary focus was on gardening as an economic phenomenon. The attention was focused on utilitarian structures, such as…

Art (4 works) · Art history (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Portrait (3 works) · Aesthetics (2 works)

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