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Елена Александровна Немыкина

Biographic Data

ID10046389
NAMEЕлена Александровна Немыкина
GIVEN NAMESЕлена Александровна
FAMILY NAMEНемыкина
SIGNATUREНЕМЫКИНА Е А
AFFILIATIONSRussian Academy of Architecture and Construction Sciences
ORCID0000-0001-6458-8534
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Роль национальных святых и ктиторских композиций в фресковых программах храмов Охридской архиепископии середины – второй половины XIV века

    Open Access•Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2024

    The study is devoted to the problem of the influence of church-political ideology on the composition of the iconographic programs of the churches of the Ohrid Archbishopric during the period of Serbian rule and in the decades following the collapse of the Serbian Kingdom. The article examines the wall paintings of monuments located in the territories under the jurisdiction of the Ohrid Archbishopric during the reign of the ruling Serbian dynasty …

  • Imperial Ideology Expressed in the Church Architecture of the Tsar Dusan the Mighty and His Nobles in Macedonia

    Open Access•Elena A Nemykina, Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2021

    The article is devoted to the peculiarities of iconographic programs of the fresco cycles during the reign of Stefan Dusan the Mighty, formed under the influence of the political ideology and imperial ambitions of the Serbian ruler. The annexation of new territories, strengthening of the political ambitions of the Serbian state, and desire of the strongest king in history of Serbia, Stephen Dusan, who declared himself a tsar in 1346, to see his c…

  • Portraits of Ktetors and the Ruling Sovereign in Fresco Ensembles of the Time of Dušan the Strong

    Open Access•Elena A Nemykina, Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2020

    The first half of the 14th century in the history of the Serbian state was marked by the reign of three representatives of the Nemanich dynasty under which the Byzantine political and artistic model was adopted to the Serbian socio-cultural realities. This process, which began under the King Milutin (1282–1321), was accompanied by a transition from the national ideological platform to the imperial one and reached its apogee under the reign of Ste…

No prominent works on this page.

  • Portraits of Ktetors and the Ruling Sovereign in Fresco Ensembles of the Time of Dušan the Strong

    Open Access•Elena A Nemykina, Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2020

    The first half of the 14th century in the history of the Serbian state was marked by the reign of three representatives of the Nemanich dynasty under which the Byzantine political and artistic model was adopted to the Serbian socio-cultural realities. This process, which began under the King Milutin (1282–1321), was accompanied by a transition from the national ideological platform to the imperial one and reached its apogee under the reign of Ste…

  • Imperial Ideology Expressed in the Church Architecture of the Tsar Dusan the Mighty and His Nobles in Macedonia

    Open Access•Elena A Nemykina, Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2021

    The article is devoted to the peculiarities of iconographic programs of the fresco cycles during the reign of Stefan Dusan the Mighty, formed under the influence of the political ideology and imperial ambitions of the Serbian ruler. The annexation of new territories, strengthening of the political ambitions of the Serbian state, and desire of the strongest king in history of Serbia, Stephen Dusan, who declared himself a tsar in 1346, to see his c…

  • Роль национальных святых и ктиторских композиций в фресковых программах храмов Охридской архиепископии середины – второй половины XIV века

    Open Access•Елена Александровна Немыкина•ARTICLE•Actual Problems of Theory and…•2024

    The study is devoted to the problem of the influence of church-political ideology on the composition of the iconographic programs of the churches of the Ohrid Archbishopric during the period of Serbian rule and in the decades following the collapse of the Serbian Kingdom. The article examines the wall paintings of monuments located in the territories under the jurisdiction of the Ohrid Archbishopric during the reign of the ruling Serbian dynasty …

Byzantine Studies and History (3 works) · Ancient history (2 works) · Art (2 works) · Art history (2 works) · Byzantine architecture (2 works) · Empire (2 works) · Fresco (2 works) · History (2 works) · Law (2 works) · Painting (2 works)

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