Nadezhda Anatol'evna Nalimova
Biographic Data
| ID | 10046702 |
|---|---|
| NAME | Nadezhda Anatol'evna Nalimova |
| GIVEN NAMES | Nadezhda Anatol'evna |
| FAMILY NAME | Nalimova |
| SIGNATURE | NALIMOVA N A E |
| AFFILIATIONS | Lomonosov Moscow State University |
| ORCID | 0000-0002-3697-0848 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Reliefs of the Phaedrus Bema in the Theatre of Dionysus in Athens: Reflections on Original Destination and Sources of Inspiration
This publication deals with a wide range of issues relating to the 2nd-century relief cycle which is partly preserved in a later monument known as the Phaedrus Bema. The authors support the hypothesis that the frieze was originally a part of the stage building of the Athenian theatre and provide further arguments in favor of this statement. Four surviving slabs depict significant events from the life of Dionysus. At the same time, the frieze cont…
Sculptural Display of the Smintheion in Troas: Visual rhetoric in the context of a Hellenistic sanctuary
The temple of Apollo Smintheus near the village of Gülpınar (north-western Turkey, Troas) is undoubtedly among the most important monuments of the Hellenistic Age. The latest publications on the temple and sanctuary complex allow a more accurate and precise assessment of this remarkable building. Apollo bearing the epithet “Smintheus” (“Lord of mice”) appears in the opening lines of the Iliad and the very place of action is localized in the vicin…
“Joying in War as in a Feast”. The Construction of Imagery in Greek Ceremonial Armor of the 4th Century B. C
This paper offers an attempt to interpret the Classical and Hellenistic ceremonial armaments as constructed artistic images. It concentrates on a group of luxurious armor of the 4th–3rd centuries B.C., which represents or imitates anatomical details, both real and fantastic, as well as clothing and jewelry (e.g. the helmets of the so-called Conversano group, the cuirass from Laos). This characteristic suggests the idea of a certain mythological t…
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“Joying in War as in a Feast”. The Construction of Imagery in Greek Ceremonial Armor of the 4th Century B. C
This paper offers an attempt to interpret the Classical and Hellenistic ceremonial armaments as constructed artistic images. It concentrates on a group of luxurious armor of the 4th–3rd centuries B.C., which represents or imitates anatomical details, both real and fantastic, as well as clothing and jewelry (e.g. the helmets of the so-called Conversano group, the cuirass from Laos). This characteristic suggests the idea of a certain mythological t…
Sculptural Display of the Smintheion in Troas: Visual rhetoric in the context of a Hellenistic sanctuary
The temple of Apollo Smintheus near the village of Gülpınar (north-western Turkey, Troas) is undoubtedly among the most important monuments of the Hellenistic Age. The latest publications on the temple and sanctuary complex allow a more accurate and precise assessment of this remarkable building. Apollo bearing the epithet “Smintheus” (“Lord of mice”) appears in the opening lines of the Iliad and the very place of action is localized in the vicin…
Reliefs of the Phaedrus Bema in the Theatre of Dionysus in Athens: Reflections on Original Destination and Sources of Inspiration
This publication deals with a wide range of issues relating to the 2nd-century relief cycle which is partly preserved in a later monument known as the Phaedrus Bema. The authors support the hypothesis that the frieze was originally a part of the stage building of the Athenian theatre and provide further arguments in favor of this statement. Four surviving slabs depict significant events from the life of Dionysus. At the same time, the frieze cont…
Ancient Mediterranean Archaeology and History (3 works) · Art (3 works) · Classical Antiquity Studies (3 works) · History (3 works) · Literature (3 works) · Visual arts (3 works) · Ancient history (2 works) · Archaeology (2 works) · Art history (2 works) · Cult (2 works)