Gayathri Rajapur Kassebaum
Biographic Data
| ID | 100541 |
|---|---|
| NAME | Gayathri Rajapur Kassebaum |
| GIVEN NAMES | Gayathri Rajapur |
| FAMILY NAME | Kassebaum |
| SIGNATURE | KASSEBAUM G R |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
Vijayawada 1963
South Indian Instrumental Ensemble
Improvisation in Alapana Performance
Improvisation is an essential aspect of Indian music and Indian culture. It is evident not only music but the other arts, literature, and the folk tradition. Improvisation is a continuous process that has flourished from the past to the present India. This paper considers one kind of improvisation, the alapana2 of Karnatak (South Indian Classical) music from a point of view that combines the experience of a Karnatak performer with the modes of en…
Bharud Vaghya-murali and the Daff-gan of the Deccan
Improvisation in Alapana Performance
Improvisation is an essential aspect of Indian music and Indian culture. It is evident not only music but the other arts, literature, and the folk tradition. Improvisation is a continuous process that has flourished from the past to the present India. This paper considers one kind of improvisation, the alapana2 of Karnatak (South Indian Classical) music from a point of view that combines the experience of a Karnatak performer with the modes of en…
Bharud Vaghya-murali and the Daff-gan of the Deccan
Improvisation in Alapana Performance
Improvisation is an essential aspect of Indian music and Indian culture. It is evident not only music but the other arts, literature, and the folk tradition. Improvisation is a continuous process that has flourished from the past to the present India. This paper considers one kind of improvisation, the alapana2 of Karnatak (South Indian Classical) music from a point of view that combines the experience of a Karnatak performer with the modes of en…
South Indian Instrumental Ensemble
Vijayawada 1963
Diverse Musicological Studies (3 works) · Music History and Culture (3 works) · Art (2 works) · Geography (2 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Psychology (2 works) · Aesthetics (1 work) · Communication (1 work)