Anna Bonifazi
Biographic Data
| ID | 1005620 |
|---|---|
| NAME | Anna Bonifazi |
| GIVEN NAMES | Anna |
| FAMILY NAME | Bonifazi |
| SIGNATURE | BONIFAZI A |
| AFFILIATIONS | University of Cologne |
| ORCID | 0000-0002-7200-2684 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Cross-modal iconicity in songs about weeping
The article explores cross-modal iconic relations in nine diverse Western-music songs ranging from 1600 to 2015, all of them thematizing dysphoric weeping. Initial input comes from five recurrent features observed in ancient Greek texts associated with performative events, including the prominence of sound, interjections and strong self-referentiality, repetitions and refrains, the motif of endlessness, and tears associated with streams of water,…
Proper names as anaphoric expressions in short crime stories
Autόs and the center-periphery image schema
The chapter suggests that the traditional interpretation of headless and nonnominative forms of auts as regular third person pronoun can be at least partially revised. An image schematic interpretation of auts implying a center and a periphery allows us to account for its various syntactical, semantic, and pragmatic meanings in a structured way. The analysis of several passages from prose and poetry provides cognitive input to the study of anapho…
Homer in Performance
Chapter Eight Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending
Chapter One. Discourse Cohesion Through Third Person Pronouns. The Case of Κεῖνος and αὐτός in Homer
Inquiring into Nostos and Its Cognates
Nostos is first considered as a poetic genre. In the epic tradition and within the Homeric poems, it typically designates the song about the sea travels of Greek heroes home from Troy. The identification of some extra-Homeric narrative motifs leads the author to explore the uses of nostos and of etymologically related words (such as nostimos, nosteō , and neomai ). The textual analysis highlights homeward as well as non-homeward, sea-oriented and…
Chapter Two. Memory And Visualization In Homeric Discourse Markers
This chapter shows that Homeric language includes several discourse markers. It presents the notion of discourse markers to the idea of Homeric poetry as discourse. The extensive role of memory in Homeric performances ranges from the ultimate source of the matter that is going to be told to the cognitive scripts that guide the performer as he unfolds the narrative sequence of events. The chapter summarizes different aspects of Homeric reception t…
Relative Pronouns and Memory
Mescolare un cratere di canti
Sull'idea di sotterfugio orale negli epinici pindarici
Tra le riflessioni di carattere gen?rale sulParte pindarica pres?n tate da C. Carey nelPintroduzione alla sua opera A Commentary of Five Odes of Pindar1 appare un'osservazione - espressa in modo re lativamente conciso - che rivela una precisa lettura interpretativa di determinate locuzioni epinicie. Si premette che il taglio di analisi adottato da Carey per tali locuzioni ? di stampo bundyano; centrale ? Faspetto convenzionale e tradizionale dell…
Inquiring into Nostos and Its Cognates
Nostos is first considered as a poetic genre. In the epic tradition and within the Homeric poems, it typically designates the song about the sea travels of Greek heroes home from Troy. The identification of some extra-Homeric narrative motifs leads the author to explore the uses of nostos and of etymologically related words (such as nostimos, nosteō , and neomai ). The textual analysis highlights homeward as well as non-homeward, sea-oriented and…
Proper names as anaphoric expressions in short crime stories
Sull'idea di sotterfugio orale negli epinici pindarici
Tra le riflessioni di carattere gen?rale sulParte pindarica pres?n tate da C. Carey nelPintroduzione alla sua opera A Commentary of Five Odes of Pindar1 appare un'osservazione - espressa in modo re lativamente conciso - che rivela una precisa lettura interpretativa di determinate locuzioni epinicie. Si premette che il taglio di analisi adottato da Carey per tali locuzioni ? di stampo bundyano; centrale ? Faspetto convenzionale e tradizionale dell…
Sull'idea di sotterfugio orale negli epinici pindarici
Tra le riflessioni di carattere gen?rale sulParte pindarica pres?n tate da C. Carey nelPintroduzione alla sua opera A Commentary of Five Odes of Pindar1 appare un'osservazione - espressa in modo re lativamente conciso - che rivela una precisa lettura interpretativa di determinate locuzioni epinicie. Si premette che il taglio di analisi adottato da Carey per tali locuzioni ? di stampo bundyano; centrale ? Faspetto convenzionale e tradizionale dell…
Mescolare un cratere di canti
Relative Pronouns and Memory
Chapter Two. Memory And Visualization In Homeric Discourse Markers
This chapter shows that Homeric language includes several discourse markers. It presents the notion of discourse markers to the idea of Homeric poetry as discourse. The extensive role of memory in Homeric performances ranges from the ultimate source of the matter that is going to be told to the cognitive scripts that guide the performer as he unfolds the narrative sequence of events. The chapter summarizes different aspects of Homeric reception t…
Inquiring into Nostos and Its Cognates
Nostos is first considered as a poetic genre. In the epic tradition and within the Homeric poems, it typically designates the song about the sea travels of Greek heroes home from Troy. The identification of some extra-Homeric narrative motifs leads the author to explore the uses of nostos and of etymologically related words (such as nostimos, nosteō , and neomai ). The textual analysis highlights homeward as well as non-homeward, sea-oriented and…
Chapter One. Discourse Cohesion Through Third Person Pronouns. The Case of Κεῖνος and αὐτός in Homer
Homer in Performance
Chapter Eight Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending
Autόs and the center-periphery image schema
The chapter suggests that the traditional interpretation of headless and nonnominative forms of auts as regular third person pronoun can be at least partially revised. An image schematic interpretation of auts implying a center and a periphery allows us to account for its various syntactical, semantic, and pragmatic meanings in a structured way. The analysis of several passages from prose and poetry provides cognitive input to the study of anapho…
Proper names as anaphoric expressions in short crime stories
Cross-modal iconicity in songs about weeping
The article explores cross-modal iconic relations in nine diverse Western-music songs ranging from 1600 to 2015, all of them thematizing dysphoric weeping. Initial input comes from five recurrent features observed in ancient Greek texts associated with performative events, including the prominence of sound, interjections and strong self-referentiality, repetitions and refrains, the motif of endlessness, and tears associated with streams of water,…
Philosophy (8 works) · Classical Antiquity Studies (7 works) · Linguistics (7 works) · Computer Science (6 works) · Linguistics and language evolution (5 works) · Narrative (4 works) · Psychology (4 works) · Art (3 works) · History (3 works) · Philosophy (3 works)