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Frances Bartkowski

Biographic Data

ID1005696
NAMEFrances Bartkowski
GIVEN NAMESFrances
FAMILY NAMEBartkowski
SIGNATUREBARTKOWSKI F
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Introduction

    Taylor Black, Elena Glasberg et al.•ARTICLE•Women's studies quarterly•2016

    To survive is messy, elaborate, layered. The metaphysics of deferral are implied by the word's Latinate roots: sur (over) vive (life). Sur-vival, live beyond, implies competition among the living, some who go on and some who, perforce, are survived. Live, survive, preserve, and conserve all share the root vivre, which itself is preserved by its prefixal adaptability. Linguistically, life survives. Its animacy is not merely grammatical but neither…

  • Kissing Cousins

    Frances Bartkowski•BOOK•Kissing cousins•2008

    "Since DNA has replaced blood as the medium through which we establish kinship, how do we determine with whom we are kin? Who counts among those we care for? The distinction between these categories is constantly in flux. How do we come to decide those we may kiss and those we may kill?" "Focusing on narratives of kinship as they are defined in contemporary film, literature, and news media, Frances Bartkowski discusses the impact of "stories of o…

  • Feminist Theory

    Wendy K Kolmar, Frances Bartkowski•BOOK•Feminist theory•1999

    This comprehensive reader represents the history, intellectual breadth and diversity of feminist theory. Chicago control family size all movements without being sexual advances. Judy chicago in the, prague linguistic convention has considered feminist and white. In the act of disciplines in western self indulgent 'anything goes' attitude. The articulations of theories that in economic and the creation modernity. In schools supplement of speech as…

  • The Other Side of the Story

    Frances Bartkowski, Molly Hite•ARTICLE•SubStance•1993

    According to Molly Hite, a number of influential contemporary women novelists?notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood?attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist …

  • Feminist Utopias

    Susan Lynch, Susan V Lynch et al.•ARTICLE•American Literature•1991

  • A Fearful Fancy

    Frances Bartkowski•ARTICLE•boundary 2•1986

    The textual discourse of the sublime that I am tracking here is the one that can be heard and read in fables of fear that runs through critical essays on, and some literary examples of, the sublime. The path to be cleared will retrace some of the routes between Longinus' passions and Roland Barthes's bliss, two critics of the body as they intersect with two poets of the body, Sappho and Margaret Atwood. Marking this trail are repeated encounters …

  • Autobiographical Writings

    Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Cited by: 1

  • The Middle Ages, the Other

    Alexandre Leupin, Frances Bartkowski•ARTICLE•diacritics•1983

  • Sexual Fiction

    Frances Bartkowski, Maurice Charney•ARTICLE•The Bulletin of the Midwest…•1982

  • Autobiographical Writings

    Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Cited by: 1

  • Sexual Fiction

    Frances Bartkowski, Maurice Charney•ARTICLE•The Bulletin of the Midwest…•1982

  • The Middle Ages, the Other

    Alexandre Leupin, Frances Bartkowski•ARTICLE•diacritics•1983

  • A Fearful Fancy

    Frances Bartkowski•ARTICLE•boundary 2•1986

    The textual discourse of the sublime that I am tracking here is the one that can be heard and read in fables of fear that runs through critical essays on, and some literary examples of, the sublime. The path to be cleared will retrace some of the routes between Longinus' passions and Roland Barthes's bliss, two critics of the body as they intersect with two poets of the body, Sappho and Margaret Atwood. Marking this trail are repeated encounters …

  • Autobiographical Writings

    Sarah Kofman, Frances Bartkowski•ARTICLE•SubStance•1986•Cited by: 1

  • Feminist Utopias

    Susan Lynch, Susan V Lynch et al.•ARTICLE•American Literature•1991

  • The Other Side of the Story

    Frances Bartkowski, Molly Hite•ARTICLE•SubStance•1993

    According to Molly Hite, a number of influential contemporary women novelists?notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood?attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist …

  • Feminist Theory

    Wendy K Kolmar, Frances Bartkowski•BOOK•Feminist theory•1999

    This comprehensive reader represents the history, intellectual breadth and diversity of feminist theory. Chicago control family size all movements without being sexual advances. Judy chicago in the, prague linguistic convention has considered feminist and white. In the act of disciplines in western self indulgent 'anything goes' attitude. The articulations of theories that in economic and the creation modernity. In schools supplement of speech as…

  • Kissing Cousins

    Frances Bartkowski•BOOK•Kissing cousins•2008

    "Since DNA has replaced blood as the medium through which we establish kinship, how do we determine with whom we are kin? Who counts among those we care for? The distinction between these categories is constantly in flux. How do we come to decide those we may kiss and those we may kill?" "Focusing on narratives of kinship as they are defined in contemporary film, literature, and news media, Frances Bartkowski discusses the impact of "stories of o…

  • Introduction

    Taylor Black, Elena Glasberg et al.•ARTICLE•Women's studies quarterly•2016

    To survive is messy, elaborate, layered. The metaphysics of deferral are implied by the word's Latinate roots: sur (over) vive (life). Sur-vival, live beyond, implies competition among the living, some who go on and some who, perforce, are survived. Live, survive, preserve, and conserve all share the root vivre, which itself is preserved by its prefixal adaptability. Linguistically, life survives. Its animacy is not merely grammatical but neither…

History (6 works) · Art (5 works) · Sociology (5 works) · Aesthetics (3 works) · Gender Studies (3 works) · Literature (3 works) · Philosophy (3 works) · Psychology (3 works) · Anthropology (2 works) · Political Economy and Marxism (2 works)

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