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Achim Timmermann

Biographic Data

ID1006118
NAMEAchim Timmermann
GIVEN NAMESAchim
FAMILY NAMETimmermann
SIGNATURETIMMERMANN A
AFFILIATIONSUniversity of Michigan
ORCID0000-0002-5665-843X
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2021
H-INDEX0
  • The Late Medieval City and Its Peri-Urban Sacred Landscape

    Achim Timmermann•ARTICLE•Sixteenth Century Journal•2021

  • The ship in the shop

    Open Access•Achim Timmermann•ARTICLE•International Journal of Maritime…•2021

    This contribution represents an attempt at a first outline of an art history of late medieval ship models and their contexts of use. Focusing on the mid-thirteenth through early sixteenth centuries, an age of rapidly expanding horizons, this study examines the design and role of miniature vessels at the intersection between devotional practices, courtly culture, modes of patronage and technological change. It explores three categories of ship mod…

  • Calvary in Kitzingen

    Achim Timmermann•ARTICLE•Material Religion•2021•References: 7

    This article represents the first substantial study of the image of the Kreuzschlepper (cross-dragger), a monumental roadside sculpture of Christ carrying his instrument of martyrdom to Mount Calvary only found in the cultural region of Franconia and first introduced to these lands at the end of the seventeenth century. Drawing on a database of more than 300 surviving figures, the study investigates this fascinating imagery from a variety of comp…

  • The Microarchitectural Stage-Management of Baptism from Lateran IV to the Counter-Reformation

    Open Access•Achim Timmermann•ARTICLE•The Journal of Ecclesiastical…•2020

    Although not liturgically mandated, the ostentatious microarchitectural font cover became one of the most significant ecclesiastical furnishings of the later Middle Ages. In fact, as a church fixture it survived well into the seventeenth century, not only in Catholic but also in Protestant regions, even though its eye-catching forms represented an obvious target for radical reformers and iconoclasts. Despite their enduring presence and their obvi…

  • Freedom I do reveal to you’

    Open Access•Achim Timmermann•ARTICLE•Art History•2015

  • Vain Labor

    Open Access•Achim Timmermann•ARTICLE•Res: Anthropology and Aesthetics•2015•References: 6

  • Wayside Shrines

    Achim Timmermann•DATASET•Encyclopedia of Medieval Pilgrimage•2014

  • Müstair

    Achim Timmermann•ARTICLE•Speculum•2008

  • The Sunday Christ

    Achim Timmermann•ARTICLE•Journal of the British…•2002

  • The Sunday Christ

    Achim Timmermann•ARTICLE•Journal of the British…•2002

    This study constitutes the first book-length monograph on the late medieval image of the Sunday Christ,! found almost exclusively in wall paintings from the mid-14th to the mid-16th century. The image occurs in two geographically distinct areas, namely southern England and Wales, and the Alpine regions of France, Germany, Austria, Switzerland, Slovenia and northern Italy. Some isolated examples also appear in Bohemia and on the Baltic coast. Imag…

No prominent works on this page.

  • The Sunday Christ

    Achim Timmermann•ARTICLE•Journal of the British…•2002

  • The Sunday Christ

    Achim Timmermann•ARTICLE•Journal of the British…•2002

    This study constitutes the first book-length monograph on the late medieval image of the Sunday Christ,! found almost exclusively in wall paintings from the mid-14th to the mid-16th century. The image occurs in two geographically distinct areas, namely southern England and Wales, and the Alpine regions of France, Germany, Austria, Switzerland, Slovenia and northern Italy. Some isolated examples also appear in Bohemia and on the Baltic coast. Imag…

  • Müstair

    Achim Timmermann•ARTICLE•Speculum•2008

  • Wayside Shrines

    Achim Timmermann•DATASET•Encyclopedia of Medieval Pilgrimage•2014

  • Freedom I do reveal to you’

    Open Access•Achim Timmermann•ARTICLE•Art History•2015

  • Vain Labor

    Open Access•Achim Timmermann•ARTICLE•Res: Anthropology and Aesthetics•2015•References: 6

  • The Microarchitectural Stage-Management of Baptism from Lateran IV to the Counter-Reformation

    Open Access•Achim Timmermann•ARTICLE•The Journal of Ecclesiastical…•2020

    Although not liturgically mandated, the ostentatious microarchitectural font cover became one of the most significant ecclesiastical furnishings of the later Middle Ages. In fact, as a church fixture it survived well into the seventeenth century, not only in Catholic but also in Protestant regions, even though its eye-catching forms represented an obvious target for radical reformers and iconoclasts. Despite their enduring presence and their obvi…

  • The Late Medieval City and Its Peri-Urban Sacred Landscape

    Achim Timmermann•ARTICLE•Sixteenth Century Journal•2021

  • The ship in the shop

    Open Access•Achim Timmermann•ARTICLE•International Journal of Maritime…•2021

    This contribution represents an attempt at a first outline of an art history of late medieval ship models and their contexts of use. Focusing on the mid-thirteenth through early sixteenth centuries, an age of rapidly expanding horizons, this study examines the design and role of miniature vessels at the intersection between devotional practices, courtly culture, modes of patronage and technological change. It explores three categories of ship mod…

  • Calvary in Kitzingen

    Achim Timmermann•ARTICLE•Material Religion•2021•References: 7

    This article represents the first substantial study of the image of the Kreuzschlepper (cross-dragger), a monumental roadside sculpture of Christ carrying his instrument of martyrdom to Mount Calvary only found in the cultural region of Franconia and first introduced to these lands at the end of the seventeenth century. Drawing on a database of more than 300 surviving figures, the study investigates this fascinating imagery from a variety of comp…

Art (9 works) · History (8 works) · Art history (4 works) · Ancient history (3 works) · Geography (3 works) · History (3 works) · Literature (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Archaeology (2 works)

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