Michaela Hulstyn
Biographic Data
| ID | 1006322 |
|---|---|
| NAME | Michaela Hulstyn |
| GIVEN NAMES | Michaela |
| FAMILY NAME | Hulstyn |
| SIGNATURE | HULSTYN M |
| AFFILIATIONS | Reed College |
| ORCID | 0000-0002-7069-8032 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Djibril Diop Mambéty, Sony Labou Tansi, and the Recourse to the Imaginary
This paper examines the relationship between the imaginary and political engagement in two experimental Francophone African works: Djibril Diop Mambéty’s Touki Bouki and Sony Labou Tansi’s La Vie et demie. Rather than explicating the political motives for writing and filming imaginatively, this paper analyzes the effect that experimental postcolonial fictions have on their viewers and readers. It argues that the concept of as-if imagining offers …
Unselfing as Disruption in Paul Valéry and Charlotte Delbo
Unselfing as Disruption in Paul Valéry and Charlotte Delbo: the Self and Other in Pain Michaela Hulstyn (bio) At first blush, it may seem strange to consider both Paul Valéry’s La Soirée avec Monsieur Teste (1895) and Charlotte Delbo’s Aucun de nous ne reviendra (1965) in a discussion on the way the self encounters others during painful experiences. The first text, an intellectual thought experiment on the power of pain on a pure mind, seems to h…
Unselfing as Disruption
Unselfing as Disruption:The Self and Other in Pain in Valéry and Delbo Michaela Hulstyn (bio) At first blush, it may seem strange to consider both Paul Valéry’s La Soirée avec Monsieur Teste (1895) and Charlotte Delbo’s Aucun de nous ne reviendra (1965) in a discussion on the way the self encounters others during painful experiences. The first text, an intellectual thought experiment on the power of pain on a pure mind, seems to have little in co…
No prominent works on this page.
Unselfing as Disruption
Unselfing as Disruption:The Self and Other in Pain in Valéry and Delbo Michaela Hulstyn (bio) At first blush, it may seem strange to consider both Paul Valéry’s La Soirée avec Monsieur Teste (1895) and Charlotte Delbo’s Aucun de nous ne reviendra (1965) in a discussion on the way the self encounters others during painful experiences. The first text, an intellectual thought experiment on the power of pain on a pure mind, seems to have little in co…
Unselfing as Disruption in Paul Valéry and Charlotte Delbo
Unselfing as Disruption in Paul Valéry and Charlotte Delbo: the Self and Other in Pain Michaela Hulstyn (bio) At first blush, it may seem strange to consider both Paul Valéry’s La Soirée avec Monsieur Teste (1895) and Charlotte Delbo’s Aucun de nous ne reviendra (1965) in a discussion on the way the self encounters others during painful experiences. The first text, an intellectual thought experiment on the power of pain on a pure mind, seems to h…
Djibril Diop Mambéty, Sony Labou Tansi, and the Recourse to the Imaginary
This paper examines the relationship between the imaginary and political engagement in two experimental Francophone African works: Djibril Diop Mambéty’s Touki Bouki and Sony Labou Tansi’s La Vie et demie. Rather than explicating the political motives for writing and filming imaginatively, this paper analyzes the effect that experimental postcolonial fictions have on their viewers and readers. It argues that the concept of as-if imagining offers …
Aesthetics (3 works) · Art (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Consciousness (2 works) · Empathy (2 works) · French Literature and Poetry (2 works) · Literary Analysis and Cultural Studies (2 works) · Narrative (2 works) · Perspective (graphical) (2 works)