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Victor Brombert

Biographic Data

ID1006345
NAMEVictor Brombert
GIVEN NAMESVictor
FAMILY NAMEBrombert
SIGNATUREBROMBERT V
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS25
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1948
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Novels of Flaubert: A Study of Themes and Techniques

    Victor Brombert, Victor H Brombert•BOOK•Novels of Flaubert•2015

  • Stendhal et le comique

    Open Access•Sheila Bell, Victor Brombert et al.•BOOK•Stendhal et le comique•1999

    Stendhal - le sait-on ? - a passé une bonne partie de sa vie à étudier l'art de Molière et à essayer d'écrire des comédies. Si ses tentatives de comic bard ont toutes échoué, elles ont néanmoins laissé des traces profondes dans son œuvre, marquant en particulier ses romans. Les contributions réunies dans le présent ouvrage tirent les conséquences de l'intérêt manifesté par Stendhal pour toutes les formes de comique. Elles analysent l'empreinte de…

  • The Hidden Reader. Stendhal, Balzac, Hugo, Baudelaire, Flaubert

    Open Access•Stirling Haig, Victor Brombert•ARTICLE•South Central Review•1990

  • Victor Hugo and the Visionary Novel

    Charles J Stivale, Victor Brombert•ARTICLE•SubStance•1986

  • Sartre, Hugo, a Grandfather

    Victor Brombert•ARTICLE•Yale French Studies•1985

  • Opening Signals in Narrative

    Victor Brombert•ARTICLE•New Literary History•1980•Cited by: 1

    L -OUIS ARAGON, having agreed to improvise on the subject of his own creative processes, proposed an impertinent title: Never Learned to Write.' This title, which also provides the last sentence of the essay (Je n'ai jamais appris ecrire) becomes less scabrous if one remembers to quote it in full, with its coordinating particle and its final Latin word pointing to the problem of poetic or fictional beginnings: Je n'ai jamais appris ecrire ou 'les…

  • The Romantic Prison: The French Tradition

    David I Grossvogel, Victor Brombert•ARTICLE•Modern Language Notes•1979

  • Les Travailleurs de la mer: Hugo's Poem of Effacement

    Victor Brombert•ARTICLE•New Literary History•1978•Cited by: 1

    IV Les Travailleurs de la mer must be treated as prose poetry, it is not because the fictional hero assumes a mythic rather than a psychological reality, nor because he takes his place in a cosmic choreography. Far more important is Hugo's subversion of narrativity and sequential illusion, the creation of a textual space endowed with a memory that cancels the double rule of events and chance. Hugo himself, in the middle of the novel, commenting o…

  • The Subject of Power

    Leo Bersani, Michel Foucault et al.•ARTICLE•diacritics•1977•Cited by: 23

  • The Will to Ecstasy: "The Example of Baudelaire's "La Chevelure

    Victor Brombert•ARTICLE•Yale French Studies•1974

  • Stendhal: Fiction and the Themes of Freedom

    Phyllis Zuckerman, Victor Brombert•ARTICLE•Modern Language Notes•1970

  • Sartre et la biographie impossible

    Victor Brombert•ARTICLE•Cahiers de l Association…•1967

    Brombert Victor. Sartre et la biographie impossible. In: Cahiers de l'Association internationale des études francaises, 1967, n°19. pp. 155-166.

  • Pascal's Happy Dungeon

    Victor Brombert•ARTICLE•Yale French Studies•1967

  • Baudelaire: "City Images and the "Dream of Stone

    Victor Brombert•ARTICLE•Yale French Studies•1964

  • L'Evolution du Romantisme: L'Annee 1826

    Victor Brombert, Christian A E Jensen•ARTICLE•Modern Language Notes•1962

  • "The Renegade" or the Terror of the Absolute

    Victor Brombert•ARTICLE•Yale French Studies•1960

  • Secondary Education

    Victor Brombert•ARTICLE•Yale French Studies•1958

  • Malraux: Passion and Intellect

    Victor Brombert•ARTICLE•Yale French Studies•1957

  • Stendhal et la voie oblique

    André Bourgeois, Victor Brombert•ARTICLE•Books Abroad•1955

  • Raymond Aron and the French Intellectuals

    Victor Brombert•ARTICLE•Yale French Studies•1955

  • T. S. Eliot and the Romantic Heresy

    Victor Brombert•ARTICLE•Yale French Studies•1954

  • Stendhal, Analyst or Amorist

    Victor Brombert, Victor H Brombert•ARTICLE•Yale French Studies•1953

  • "Camus and the Novel of the "Absurd

    Victor Brombert•ARTICLE•Yale French Studies•1948

  • The Subject of Power

    Leo Bersani, Michel Foucault et al.•ARTICLE•diacritics•1977•Cited by: 23

  • Opening Signals in Narrative

    Victor Brombert•ARTICLE•New Literary History•1980•Cited by: 1

    L -OUIS ARAGON, having agreed to improvise on the subject of his own creative processes, proposed an impertinent title: Never Learned to Write.' This title, which also provides the last sentence of the essay (Je n'ai jamais appris ecrire) becomes less scabrous if one remembers to quote it in full, with its coordinating particle and its final Latin word pointing to the problem of poetic or fictional beginnings: Je n'ai jamais appris ecrire ou 'les…

  • Les Travailleurs de la mer: Hugo's Poem of Effacement

    Victor Brombert•ARTICLE•New Literary History•1978•Cited by: 1

    IV Les Travailleurs de la mer must be treated as prose poetry, it is not because the fictional hero assumes a mythic rather than a psychological reality, nor because he takes his place in a cosmic choreography. Far more important is Hugo's subversion of narrativity and sequential illusion, the creation of a textual space endowed with a memory that cancels the double rule of events and chance. Hugo himself, in the middle of the novel, commenting o…

  • "Camus and the Novel of the "Absurd

    Victor Brombert•ARTICLE•Yale French Studies•1948

  • Stendhal, Analyst or Amorist

    Victor Brombert, Victor H Brombert•ARTICLE•Yale French Studies•1953

  • T. S. Eliot and the Romantic Heresy

    Victor Brombert•ARTICLE•Yale French Studies•1954

  • Stendhal et la voie oblique

    André Bourgeois, Victor Brombert•ARTICLE•Books Abroad•1955

  • Raymond Aron and the French Intellectuals

    Victor Brombert•ARTICLE•Yale French Studies•1955

  • Malraux: Passion and Intellect

    Victor Brombert•ARTICLE•Yale French Studies•1957

  • Secondary Education

    Victor Brombert•ARTICLE•Yale French Studies•1958

  • "The Renegade" or the Terror of the Absolute

    Victor Brombert•ARTICLE•Yale French Studies•1960

  • L'Evolution du Romantisme: L'Annee 1826

    Victor Brombert, Christian A E Jensen•ARTICLE•Modern Language Notes•1962

  • Baudelaire: "City Images and the "Dream of Stone

    Victor Brombert•ARTICLE•Yale French Studies•1964

  • Sartre et la biographie impossible

    Victor Brombert•ARTICLE•Cahiers de l Association…•1967

    Brombert Victor. Sartre et la biographie impossible. In: Cahiers de l'Association internationale des études francaises, 1967, n°19. pp. 155-166.

  • Pascal's Happy Dungeon

    Victor Brombert•ARTICLE•Yale French Studies•1967

  • Stendhal: Fiction and the Themes of Freedom

    Phyllis Zuckerman, Victor Brombert•ARTICLE•Modern Language Notes•1970

  • The Will to Ecstasy: "The Example of Baudelaire's "La Chevelure

    Victor Brombert•ARTICLE•Yale French Studies•1974

  • The Subject of Power

    Leo Bersani, Michel Foucault et al.•ARTICLE•diacritics•1977•Cited by: 23

  • Les Travailleurs de la mer: Hugo's Poem of Effacement

    Victor Brombert•ARTICLE•New Literary History•1978•Cited by: 1

    IV Les Travailleurs de la mer must be treated as prose poetry, it is not because the fictional hero assumes a mythic rather than a psychological reality, nor because he takes his place in a cosmic choreography. Far more important is Hugo's subversion of narrativity and sequential illusion, the creation of a textual space endowed with a memory that cancels the double rule of events and chance. Hugo himself, in the middle of the novel, commenting o…

  • The Romantic Prison: The French Tradition

    David I Grossvogel, Victor Brombert•ARTICLE•Modern Language Notes•1979

  • Opening Signals in Narrative

    Victor Brombert•ARTICLE•New Literary History•1980•Cited by: 1

    L -OUIS ARAGON, having agreed to improvise on the subject of his own creative processes, proposed an impertinent title: Never Learned to Write.' This title, which also provides the last sentence of the essay (Je n'ai jamais appris ecrire) becomes less scabrous if one remembers to quote it in full, with its coordinating particle and its final Latin word pointing to the problem of poetic or fictional beginnings: Je n'ai jamais appris ecrire ou 'les…

  • Sartre, Hugo, a Grandfather

    Victor Brombert•ARTICLE•Yale French Studies•1985

  • Victor Hugo and the Visionary Novel

    Charles J Stivale, Victor Brombert•ARTICLE•SubStance•1986

  • The Hidden Reader. Stendhal, Balzac, Hugo, Baudelaire, Flaubert

    Open Access•Stirling Haig, Victor Brombert•ARTICLE•South Central Review•1990

  • Stendhal et le comique

    Open Access•Sheila Bell, Victor Brombert et al.•BOOK•Stendhal et le comique•1999

    Stendhal - le sait-on ? - a passé une bonne partie de sa vie à étudier l'art de Molière et à essayer d'écrire des comédies. Si ses tentatives de comic bard ont toutes échoué, elles ont néanmoins laissé des traces profondes dans son œuvre, marquant en particulier ses romans. Les contributions réunies dans le présent ouvrage tirent les conséquences de l'intérêt manifesté par Stendhal pour toutes les formes de comique. Elles analysent l'empreinte de…

  • Novels of Flaubert: A Study of Themes and Techniques

    Victor Brombert, Victor H Brombert•BOOK•Novels of Flaubert•2015

Art (22 works) · Philosophy (11 works) · Art history (9 works) · French Literature and Criticism (8 works) · Literature (8 works) · Historical and Literary Analyses (7 works) · Philosophy (7 works) · French Literature and Poetry (6 works) · Renaissance Literature and Culture (5 works) · Historical and Literary Studies (4 works)

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