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Michael Musgrave

Biographic Data

ID1006643
NAMEMichael Musgrave
GIVEN NAMESMichael
FAMILY NAMEMusgrave
SIGNATUREMUSGRAVE M
ORCID0000-0003-1733-2784
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS1
WORKS AS AUTHOR14
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2001
H-INDEX1
  • London (i)

    Nicholas Temperley, Philip Olleson et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, (Johann) Gottlieb

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider family

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, Johann

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Wiedebein, Gottlob

    PIERO WEISS, Michael Musgrave•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, Theodor

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Logier, Johann Bernhard

    D G Charlton, David Charlton et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • London (i), Musical life, 1800–1945, Concert life

    Cyril Ehrlich, Simon Mcveigh et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, (Johann Christian) Friedrich

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Robert Schumann and the Study of Orchestral Composition

    Michael Musgrave, Jon W Finson et al.•ARTICLE•Music Analysis•1990

  • The Music of Chopin

    Carl Schachter, Jim Samson et al.•ARTICLE•Music Analysis•1989

  • Analysis

    Michael Musgrave, Ian Bent et al.•ARTICLE•Music Analysis•1989•Cited by: 1

  • Brahms's First Symphony

    Michael Musgrave•ARTICLE•Music Analysis•1983

    The resource of Brahms's thematic working has for long been one of the most frequently observed characteristics of his music, and with every reason. Without denying the richness of his language as a whole, it is particularly difficult to ignore the thematic features which were of such interest to his successors, especially Schoenberg. Yet the thematic processes gain a new dimension when they are related not only to a work as we know it, but also …

  • The Critical Study-Score

    Michael Musgrave•ARTICLE•Music Analysis•1982

  • Free Composition (Der freie Satz)

    Michael Musgrave, Heinrich Schenker et al.•ARTICLE•Music Analysis•1982

  • Historical Influences in the Growth of Brahms's ‘Requiem’

    Michael Musgrave•ARTICLE•Music and Letters•1972

    Journal Article HISTORICAL INFLUENCES IN THE GROWTH OF BRAHMS'S ‘REQUIEM’ Get access MICHAEL MUSGRAVE MICHAEL MUSGRAVE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 3–17, https://doi.org/10.1093/ml/LIII.1.3 Published: 01 January 1972

  • Analysis

    Michael Musgrave, Ian Bent et al.•ARTICLE•Music Analysis•1989•Cited by: 1

  • Historical Influences in the Growth of Brahms's ‘Requiem’

    Michael Musgrave•ARTICLE•Music and Letters•1972

    Journal Article HISTORICAL INFLUENCES IN THE GROWTH OF BRAHMS'S ‘REQUIEM’ Get access MICHAEL MUSGRAVE MICHAEL MUSGRAVE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 3–17, https://doi.org/10.1093/ml/LIII.1.3 Published: 01 January 1972

  • The Critical Study-Score

    Michael Musgrave•ARTICLE•Music Analysis•1982

  • Free Composition (Der freie Satz)

    Michael Musgrave, Heinrich Schenker et al.•ARTICLE•Music Analysis•1982

  • Brahms's First Symphony

    Michael Musgrave•ARTICLE•Music Analysis•1983

    The resource of Brahms's thematic working has for long been one of the most frequently observed characteristics of his music, and with every reason. Without denying the richness of his language as a whole, it is particularly difficult to ignore the thematic features which were of such interest to his successors, especially Schoenberg. Yet the thematic processes gain a new dimension when they are related not only to a work as we know it, but also …

  • The Music of Chopin

    Carl Schachter, Jim Samson et al.•ARTICLE•Music Analysis•1989

  • Analysis

    Michael Musgrave, Ian Bent et al.•ARTICLE•Music Analysis•1989•Cited by: 1

  • Robert Schumann and the Study of Orchestral Composition

    Michael Musgrave, Jon W Finson et al.•ARTICLE•Music Analysis•1990

  • London (i)

    Nicholas Temperley, Philip Olleson et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, (Johann) Gottlieb

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider family

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, Johann

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Wiedebein, Gottlob

    PIERO WEISS, Michael Musgrave•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, Theodor

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Logier, Johann Bernhard

    D G Charlton, David Charlton et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • London (i), Musical life, 1800–1945, Concert life

    Cyril Ehrlich, Simon Mcveigh et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Schneider, (Johann Christian) Friedrich

    Franz Gehring, E M Oakeley et al.•CHAPTER•The new Grove dictionary of music…•2001

Art (10 works) · Musicology and Musical Analysis (5 works) · Art history (4 works) · Literature (3 works) · Physics (3 works) · Psychology (3 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · German Literature and Culture Studies (2 works) · Music Technology and Sound Studies (2 works)

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