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Joan Delaney Grossman

Biographic Data

ID1006762
NAMEJoan Delaney Grossman
GIVEN NAMESJoan Delaney
FAMILY NAMEGrossman
SIGNATUREGROSSMAN J D
AFFILIATIONSUniversity of California, Berkeley
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS7
WORKS AS AUTHOR22
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Briusov and the Healing Art

    Open Access•Joan Delaney Grossman•ARTICLE•The Russian Review•2003

  • The Fallacy of the Silver Age in Twentieth-Century Russian Literature

    Joan Delaney Grossman, Omry Ronen•ARTICLE•The Slavic and East European…•1998

    The notion of Russian the Parnassus of age or the second Russian renaissance? of Akhmatova, Tsvetaeva Manel'shtam, and Gumilev the age of numbers Vladimir Piast's chronology and original meaning on term silver age of Russian poetry. (Part contents)

  • Creating Life

    Yvonne Howell, Irina Paperno et al.•ARTICLE•South Atlantic Review•1996

  • The Perception of English Literature in Russia

    Joan Delaney Grossman, Yu D Levin et al.•ARTICLE•The Russian Review•1996

  • Creating Life

    Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Cited by: 2

    Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

  • Neo-Kantianism, pantheism, and the ego

    Open Access•Joan Delaney Grossman•ARTICLE•Studies in East European Thought•1995

  • Creating Life

    Nancy Lynn Cooper, Irina Paperno et al.•ARTICLE•The Slavic and East European…•1995

  • Ivan Konevskoi

    Joan Delaney Grossman•CHAPTER•Silver Age in Russian Literature•1992

    The accidental drowning of Ivan Konevskoi in 1901 at the age of twenty-three left Russian Symbolism with the small icon for which Valerii Briusov provided the inscription: 'Wise child'.1 The posthumous volume of Konevskoi's writings edited by Briusov and published by Scorpio was meant to fix his image in the memory of his generation, and it succeeded in doing so, at least for an important few: Blok, Belyi, Ivanov, along with Briusov and Bal'mont.…

  • Shekspir i russkaia literatura XIX veka

    Joan Delaney Grossman, Iu D Levin•ARTICLE•The Russian Review•1990

  • The Russian Symbolist Theatre

    Joan Delaney Grossman, Michaël Green et al.•ARTICLE•The Slavic and East European…•1987

    Bely, Blok, Sologub, Annensky, and their contemporaries may be best known for writing influential verse and narrative prose. However, they also authored Symbolist plays, thus collectively adding to a revolutionary new Russian performance style. This is an extensive anthology of their works, including several first English play translations, detailed prefaces, and critical essays on the theatre

  • Valery Bryusov and the Riddle of Russian Decadence

    Greta N Slobin, Joan Delaney Grossman•ARTICLE•The Slavic and East European…•1987

  • Valery Bryusov and the Riddle of Russian Decadence

    Maria Carlson, Joan Delaney Grossman•ARTICLE•The Russian Review•1987•Cited by: 1

  • Malen'kaia Tereza

    Joan Delaney Grossman, Dmitrii Merezhkovskii et al.•ARTICLE•The Russian Review•1986

  • Turgenev's Russia

    Joan Delaney Grossman, Victor Ripp•ARTICLE•The Slavic and East European…•1982

  • The Diary of Valery Bryusov, 1893-1905

    J Marin King, Valery Bryusov et al.•ARTICLE•The Slavic and East European…•1981

  • Me Eum Esse

    Joan Delaney Grossman•ARTICLE•The Russian Review•1980

    Mention of the Caucasus tradition in Russian literature instantly evokes the names of Lermontov, Pushkin, and Bestuzhev-Marlinskii from the first half of the nineteenth century and Tolstoi from the second. In the twentieth, works of Pasternak, Maiakovskii, and possibly Nabokov's Ada stem from Lermontov's contribution. However, an intriguing and integral link in this chain that is less often mentioned is Valerii Briusov's 1897 collection of poetry…

  • Russian Romanticism

    Joan Delaney Grossman, Joan Grossman et al.•ARTICLE•The Russian Review•1977

  • Quelques lettres d'Ivan Tourguenev a Pauline Viardot

    Joan Delaney Grossman, Henri Granjard•ARTICLE•The Russian Review•1976

  • E.T.A. Hoffmann's Reception in Russia

    Joan Delaney Grossman, Norman W Ingham•ARTICLE•The Russian Review•1975

  • Church, State and Opposition in the USSR

    Joan Delaney Grossman, Gerhard Simon et al.•ARTICLE•The Russian Review•1974•Cited by: 4

  • Edgar Allan Poe in Russia

    Carl L Anderson, Joan Delaney Grossman•ARTICLE•American Literature•1974

  • Khrushchev's anti‐religious policy and the campaign of 1954

    Joan Delaney Grossman•ARTICLE•Soviet Studies•1973•References: 2

    (1973). Khrushchev's anti‐religious policy and the campaign of 1954. Soviet Studies: Vol. 24, No. 3, pp. 374-386

  • Church, State and Opposition in the USSR

    Joan Delaney Grossman, Gerhard Simon et al.•ARTICLE•The Russian Review•1974•Cited by: 4

  • Creating Life

    Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Cited by: 2

    Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

  • Valery Bryusov and the Riddle of Russian Decadence

    Maria Carlson, Joan Delaney Grossman•ARTICLE•The Russian Review•1987•Cited by: 1

  • Khrushchev's anti‐religious policy and the campaign of 1954

    Joan Delaney Grossman•ARTICLE•Soviet Studies•1973•References: 2

    (1973). Khrushchev's anti‐religious policy and the campaign of 1954. Soviet Studies: Vol. 24, No. 3, pp. 374-386

  • Church, State and Opposition in the USSR

    Joan Delaney Grossman, Gerhard Simon et al.•ARTICLE•The Russian Review•1974•Cited by: 4

  • Edgar Allan Poe in Russia

    Carl L Anderson, Joan Delaney Grossman•ARTICLE•American Literature•1974

  • E.T.A. Hoffmann's Reception in Russia

    Joan Delaney Grossman, Norman W Ingham•ARTICLE•The Russian Review•1975

  • Quelques lettres d'Ivan Tourguenev a Pauline Viardot

    Joan Delaney Grossman, Henri Granjard•ARTICLE•The Russian Review•1976

  • Russian Romanticism

    Joan Delaney Grossman, Joan Grossman et al.•ARTICLE•The Russian Review•1977

  • Me Eum Esse

    Joan Delaney Grossman•ARTICLE•The Russian Review•1980

    Mention of the Caucasus tradition in Russian literature instantly evokes the names of Lermontov, Pushkin, and Bestuzhev-Marlinskii from the first half of the nineteenth century and Tolstoi from the second. In the twentieth, works of Pasternak, Maiakovskii, and possibly Nabokov's Ada stem from Lermontov's contribution. However, an intriguing and integral link in this chain that is less often mentioned is Valerii Briusov's 1897 collection of poetry…

  • The Diary of Valery Bryusov, 1893-1905

    J Marin King, Valery Bryusov et al.•ARTICLE•The Slavic and East European…•1981

  • Turgenev's Russia

    Joan Delaney Grossman, Victor Ripp•ARTICLE•The Slavic and East European…•1982

  • Malen'kaia Tereza

    Joan Delaney Grossman, Dmitrii Merezhkovskii et al.•ARTICLE•The Russian Review•1986

  • The Russian Symbolist Theatre

    Joan Delaney Grossman, Michaël Green et al.•ARTICLE•The Slavic and East European…•1987

    Bely, Blok, Sologub, Annensky, and their contemporaries may be best known for writing influential verse and narrative prose. However, they also authored Symbolist plays, thus collectively adding to a revolutionary new Russian performance style. This is an extensive anthology of their works, including several first English play translations, detailed prefaces, and critical essays on the theatre

  • Valery Bryusov and the Riddle of Russian Decadence

    Greta N Slobin, Joan Delaney Grossman•ARTICLE•The Slavic and East European…•1987

  • Valery Bryusov and the Riddle of Russian Decadence

    Maria Carlson, Joan Delaney Grossman•ARTICLE•The Russian Review•1987•Cited by: 1

  • Shekspir i russkaia literatura XIX veka

    Joan Delaney Grossman, Iu D Levin•ARTICLE•The Russian Review•1990

  • Ivan Konevskoi

    Joan Delaney Grossman•CHAPTER•Silver Age in Russian Literature•1992

    The accidental drowning of Ivan Konevskoi in 1901 at the age of twenty-three left Russian Symbolism with the small icon for which Valerii Briusov provided the inscription: 'Wise child'.1 The posthumous volume of Konevskoi's writings edited by Briusov and published by Scorpio was meant to fix his image in the memory of his generation, and it succeeded in doing so, at least for an important few: Blok, Belyi, Ivanov, along with Briusov and Bal'mont.…

  • Neo-Kantianism, pantheism, and the ego

    Open Access•Joan Delaney Grossman•ARTICLE•Studies in East European Thought•1995

  • Creating Life

    Nancy Lynn Cooper, Irina Paperno et al.•ARTICLE•The Slavic and East European…•1995

  • Creating Life

    Yvonne Howell, Irina Paperno et al.•ARTICLE•South Atlantic Review•1996

  • The Perception of English Literature in Russia

    Joan Delaney Grossman, Yu D Levin et al.•ARTICLE•The Russian Review•1996

  • Creating Life

    Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Cited by: 2

    Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

  • The Fallacy of the Silver Age in Twentieth-Century Russian Literature

    Joan Delaney Grossman, Omry Ronen•ARTICLE•The Slavic and East European…•1998

    The notion of Russian the Parnassus of age or the second Russian renaissance? of Akhmatova, Tsvetaeva Manel'shtam, and Gumilev the age of numbers Vladimir Piast's chronology and original meaning on term silver age of Russian poetry. (Part contents)

  • Briusov and the Healing Art

    Open Access•Joan Delaney Grossman•ARTICLE•The Russian Review•2003

Art (13 works) · History (9 works) · Literature (7 works) · Political science (7 works) · Eastern European Communism and Reforms (6 works) · Philosophy (6 works) · Art history (5 works) · Linguistics and language evolution (5 works) · Philosophy (5 works) · Russian Literature and Bakhtin Studies (5 works)

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