Ahmed Tahsin Shams
Biographic Data
| ID | 10070790 |
|---|---|
| NAME | Ahmed Tahsin Shams |
| GIVEN NAMES | Ahmed Tahsin |
| FAMILY NAME | Shams |
| SIGNATURE | SHAMS A T |
| AFFILIATIONS | Indiana University Bloomington |
| ORCID | 0000-0003-0577-4753 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Ecofeminist Sensorium Mise-en-scène in The Scent of Green Papaya
This paper proposes a new theoretical framework for analyzing the role of gendered sensorium mise-en-scène in the context of the Anthropocene. Through theoretical inquiry and textual analysis, this study explores the shift from anthropocentrism to feminist ecocentrism in film, examining how this gendered approach enhances storytelling and frames the relationship between spectatorship, cinema, and environmental justice. Specifically, it investigat…
Waiting with the Void
Samuel Beckett’s Waiting for Godot questions the idea of time as astraight line, much like quantum physics views time as something thatarises from connections, emerges through actions, and unfolds in realways. In the play, Beckett’s repeating scenes of waiting and emptinessturn the void into a lively space where things take shape and change.This study examines how the play’s repeating scenes, significantsilences, and connections between character…
Publishing with Tree-Media
In response to the ecological and epistemic crises of the Capitalocene, this paper examines how eco-artist Thijs Biersteker develops tree-media—sensor-driven AI installations that treat trees and fungi not as metaphors or data sources, but as co-authors of environmental knowledge. Through the concept of arbo-real aesthetics, the paper proposes an elemental model of publishing rooted in multispecies reciprocity, latency, and refusal. Biersteker’s …
Ecologized Humanity Versus Humanized Ecology
In postmodern cinematic arts, specifically commercially successful ones, the presence of the director on screen through the camera's position could be perceived as a limitation against the notion of heteroglossia, even if the script requires an objective narrative technique. When the script suggests only characters’ Point of View shots (PoV) or multi-vocal narratives, camera position from the director’s or audience’s eye level is a common filming…
No prominent works on this page.
Ecologized Humanity Versus Humanized Ecology
In postmodern cinematic arts, specifically commercially successful ones, the presence of the director on screen through the camera's position could be perceived as a limitation against the notion of heteroglossia, even if the script requires an objective narrative technique. When the script suggests only characters’ Point of View shots (PoV) or multi-vocal narratives, camera position from the director’s or audience’s eye level is a common filming…
Ecofeminist Sensorium Mise-en-scène in The Scent of Green Papaya
This paper proposes a new theoretical framework for analyzing the role of gendered sensorium mise-en-scène in the context of the Anthropocene. Through theoretical inquiry and textual analysis, this study explores the shift from anthropocentrism to feminist ecocentrism in film, examining how this gendered approach enhances storytelling and frames the relationship between spectatorship, cinema, and environmental justice. Specifically, it investigat…
Waiting with the Void
Samuel Beckett’s Waiting for Godot questions the idea of time as astraight line, much like quantum physics views time as something thatarises from connections, emerges through actions, and unfolds in realways. In the play, Beckett’s repeating scenes of waiting and emptinessturn the void into a lively space where things take shape and change.This study examines how the play’s repeating scenes, significantsilences, and connections between character…
Publishing with Tree-Media
In response to the ecological and epistemic crises of the Capitalocene, this paper examines how eco-artist Thijs Biersteker develops tree-media—sensor-driven AI installations that treat trees and fungi not as metaphors or data sources, but as co-authors of environmental knowledge. Through the concept of arbo-real aesthetics, the paper proposes an elemental model of publishing rooted in multispecies reciprocity, latency, and refusal. Biersteker’s …
Posthumanist Ethics and Activism (3 works) · Mainstream (2 works) · Storytelling (2 works) · Active listening (1 work) · Aesthetics (1 work) · Anthropocentrism (1 work) · Art (1 work) · Contemporary Cultural and Social Studies (1 work) · Contemporary Literature and Criticism (1 work) · Digital Education and Society (1 work)