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Ken-Ichi Sasaki

Biographic Data

ID1007257
NAMEKen-Ichi Sasaki
GIVEN NAMESKen-Ichi
FAMILY NAMESasaki
SIGNATURESASAKI K
AFFILIATIONSNihon University
ORCID0000-0002-0658-4911
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Le feeling, ou la faculté de sentir

    Ken-Ichi Sasaki, Brigitte Rollet•ARTICLE•Diogène•2012

    The paper attempts to elucidate the nature and action of feeling: a subject corresponding to the original conception of aesthetics by Baumgarten. It analyzes several different uses of the verb “to feel” in order to bring out the difference between simple perception and feeling. Feeling, it emerges, is an overtone given to a perception that has something particular, or ineffable, about it. With reference to Nelson Goodman’s notion of exemplificati…

  • The Faculty of Feeling

    Open Access•Ken-Ichi Sasaki•ARTICLE•Diogenes•2012•References: 2

    The paper attempts to elucidate the nature and action of feeling: a subject corresponding to the original conception of aesthetics by Baumgarten. It analyzes several different uses of the verb "to feel" in order to bring out the difference between simple perception and feeling. Feeling, it emerges, is an overtone given to a perception that has something particular, or ineffable, about it. With reference to Nelson Goodman's notion of exemplificati…

  • L'« Esprit » en japonais ancien

    Ken-Ichi Sasaki•ARTICLE•Diogène•2010

    What I am planning to write for Diogenes is an essay of elucidating the original meaning of “kokoro” in ancient Japanese. “Kokoro” is regarded as corresponding to mind in English; for example, we call philosophy of mind “philosophy of kokoro”. We can compare English with French in order to notice the problem concerning this notion. While we say in English “mind-body problem”, in French we call the problem (or rather “l’union”) of “l’âme et du cor…

  • "Mind" in ancient Japanese

    Open Access•Ken-Ichi Sasaki•ARTICLE•Diogenes•2010•Cited by: 1

    What I am planning to write for Diogenes is an essay of elucidating the original meaning of "kokoro" in ancient Japanese."Kokoro" is regarded as corresponding to mind in English; for example, we call philosophy of mind "philosophy of kokoro". We can compare English with French in order to notice the problem concerning this notion. While we say in English "mind-body problem", in French we call the problem (or rather "l'union") of "l'âme et du corp…

  • Landscape as atmosphere. An aspect of japanese sensibility

    Open Access•Ken-Ichi Sasaki•ARTICLE•Rivista di estetica•2006

    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscap…

  • "Mind" in ancient Japanese

    Open Access•Ken-Ichi Sasaki•ARTICLE•Diogenes•2010•Cited by: 1

    What I am planning to write for Diogenes is an essay of elucidating the original meaning of "kokoro" in ancient Japanese."Kokoro" is regarded as corresponding to mind in English; for example, we call philosophy of mind "philosophy of kokoro". We can compare English with French in order to notice the problem concerning this notion. While we say in English "mind-body problem", in French we call the problem (or rather "l'union") of "l'âme et du corp…

  • Landscape as atmosphere. An aspect of japanese sensibility

    Open Access•Ken-Ichi Sasaki•ARTICLE•Rivista di estetica•2006

    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscap…

  • L'« Esprit » en japonais ancien

    Ken-Ichi Sasaki•ARTICLE•Diogène•2010

    What I am planning to write for Diogenes is an essay of elucidating the original meaning of “kokoro” in ancient Japanese. “Kokoro” is regarded as corresponding to mind in English; for example, we call philosophy of mind “philosophy of kokoro”. We can compare English with French in order to notice the problem concerning this notion. While we say in English “mind-body problem”, in French we call the problem (or rather “l’union”) of “l’âme et du cor…

  • "Mind" in ancient Japanese

    Open Access•Ken-Ichi Sasaki•ARTICLE•Diogenes•2010•Cited by: 1

    What I am planning to write for Diogenes is an essay of elucidating the original meaning of "kokoro" in ancient Japanese."Kokoro" is regarded as corresponding to mind in English; for example, we call philosophy of mind "philosophy of kokoro". We can compare English with French in order to notice the problem concerning this notion. While we say in English "mind-body problem", in French we call the problem (or rather "l'union") of "l'âme et du corp…

  • Le feeling, ou la faculté de sentir

    Ken-Ichi Sasaki, Brigitte Rollet•ARTICLE•Diogène•2012

    The paper attempts to elucidate the nature and action of feeling: a subject corresponding to the original conception of aesthetics by Baumgarten. It analyzes several different uses of the verb “to feel” in order to bring out the difference between simple perception and feeling. Feeling, it emerges, is an overtone given to a perception that has something particular, or ineffable, about it. With reference to Nelson Goodman’s notion of exemplificati…

  • The Faculty of Feeling

    Open Access•Ken-Ichi Sasaki•ARTICLE•Diogenes•2012•References: 2

    The paper attempts to elucidate the nature and action of feeling: a subject corresponding to the original conception of aesthetics by Baumgarten. It analyzes several different uses of the verb "to feel" in order to bring out the difference between simple perception and feeling. Feeling, it emerges, is an overtone given to a perception that has something particular, or ineffable, about it. With reference to Nelson Goodman's notion of exemplificati…

Psychology (3 works) · Art (2 works) · Epistemology (2 works) · Feeling (2 works) · Geography (2 works) · Perception (2 works) · Philosophy (2 works) · Social Psychology (2 works) · Visual Culture and Art Theory (2 works) · Cognitive psychology (1 works)

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