Michèle Hannoosh
Biographic Data
| ID | 1007294 |
|---|---|
| NAME | Michèle Hannoosh |
| GIVEN NAMES | Michèle |
| FAMILY NAME | Hannoosh |
| SIGNATURE | HANNOOSH M |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Julia Caterina Hartley , Iran and French Orientalism
Practices of Photography
Recent theoretical work on the Mediterranean has emphasised the sea as an agent of ‘connectivity’ over a highly fragmented space, bringing peoples, goods, languages, and ideas into contact. Early photography in the Mediterranean manifests this connectivity and mixedness across the whole field of its practice: among photographers, sitters, printers, dealers, consumers, patrons, and even the photographs themselves. Focusing on the eastern Mediterra…
Text and Visuality
Painting and the "Journal" of Eugene Delacroix
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once private and public, it is also one of the richest and most fascinating documents of the 19th century, as Delacroix reflects throughout on the relations betweeb the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized h…
The allegorical artist and the crises of history
Thus wrote Walter Benjamin of the caricaturist and illustrator Grandville in the section devoted to him of the 1935 essay, 'Paris, Capital of the Nineteenth Century'.1 In the larger work on the nineteenth-century Parisian arcades, of which the essay was an expose, Grandville was meant to figure prominently as an artist of the kind of Baudclairean modernity that Benjamin discerned in the commodity culture of Second Empire Paris, in which specialty…
Etching and Modern Art
Journal Article ETCHING AND MODERN ART: BAUDELAIRE'S PEINTRES ET AQUAFORTISTES Get access MICHELE HANNOOSH MICHELE HANNOOSH UNIVERSITY OF CALIFORNIADAVIS Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIII, Issue 1, January 1989, Pages 47–60, https://doi.org/10.1093/fs/XLIII.1.47 Published: 01 January 1989
Practices of Photography
Recent theoretical work on the Mediterranean has emphasised the sea as an agent of ‘connectivity’ over a highly fragmented space, bringing peoples, goods, languages, and ideas into contact. Early photography in the Mediterranean manifests this connectivity and mixedness across the whole field of its practice: among photographers, sitters, printers, dealers, consumers, patrons, and even the photographs themselves. Focusing on the eastern Mediterra…
The allegorical artist and the crises of history
Thus wrote Walter Benjamin of the caricaturist and illustrator Grandville in the section devoted to him of the 1935 essay, 'Paris, Capital of the Nineteenth Century'.1 In the larger work on the nineteenth-century Parisian arcades, of which the essay was an expose, Grandville was meant to figure prominently as an artist of the kind of Baudclairean modernity that Benjamin discerned in the commodity culture of Second Empire Paris, in which specialty…
Etching and Modern Art
Journal Article ETCHING AND MODERN ART: BAUDELAIRE'S PEINTRES ET AQUAFORTISTES Get access MICHELE HANNOOSH MICHELE HANNOOSH UNIVERSITY OF CALIFORNIADAVIS Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XLIII, Issue 1, January 1989, Pages 47–60, https://doi.org/10.1093/fs/XLIII.1.47 Published: 01 January 1989
The allegorical artist and the crises of history
Thus wrote Walter Benjamin of the caricaturist and illustrator Grandville in the section devoted to him of the 1935 essay, 'Paris, Capital of the Nineteenth Century'.1 In the larger work on the nineteenth-century Parisian arcades, of which the essay was an expose, Grandville was meant to figure prominently as an artist of the kind of Baudclairean modernity that Benjamin discerned in the commodity culture of Second Empire Paris, in which specialty…
Painting and the "Journal" of Eugene Delacroix
The Journal of Eugene Delacroix is one of the most important works in the literature of art history: the record of a life at once private and public, it is also one of the richest and most fascinating documents of the 19th century, as Delacroix reflects throughout on the relations betweeb the arts, especially painting and writing. Indeed, he approaches the question from a unique perspective, that of a painter who wrote extensively and theorized h…
Text and Visuality
Practices of Photography
Recent theoretical work on the Mediterranean has emphasised the sea as an agent of ‘connectivity’ over a highly fragmented space, bringing peoples, goods, languages, and ideas into contact. Early photography in the Mediterranean manifests this connectivity and mixedness across the whole field of its practice: among photographers, sitters, printers, dealers, consumers, patrons, and even the photographs themselves. Focusing on the eastern Mediterra…
Julia Caterina Hartley , Iran and French Orientalism
Art (4 works) · Visual arts (3 works) · Art history (2 works) · French Literature and Poetry (2 works) · History (2 works) · Literature (2 works) · Anthropology (1 work) · Archaeology (1 work) · Capital (architecture (1 work) · Chapel (1 work)