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J L Styan

Biographic Data

ID1007536
NAMEJ L Styan
GIVEN NAMESJ L
FAMILY NAMEStyan
SIGNATURESTYAN J L
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR1998
H-INDEX1
  • Pirandellian Theatre Games

    J L Styan, Christopher Innes et al.•CHAPTER•Modernism in European Drama :…•1998

  • Restoration Comedy in Performance

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

    Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

  • Restoration Comedy in Performance

    Michael Wilson, Michael S Wilson et al.•ARTICLE•Theatre Journal•1988•Cited by: 1

  • The Discipline of Performance Criticism

    J L Styan•ARTICLE•South African Theatre Journal•1987

  • Modern Drama in Theory and Practice, Volume III

    John O''Connor, John O’connor et al.•ARTICLE•Theatre Journal•1983

  • Chekhov in Performance

    Toby W Clyman, J L Styan•ARTICLE•The Slavic and East European…•1980

  • The Drama

    J L Styan•ARTICLE•Theatre Journal•1980

    Apollo and Dionysus are still with us. Did they ever leave? The point is clear enough when we stop to consider what dramatic activity expects of its audience, whether the occasion is a religious celebration of the most devout kind, or, with another kind of devotion, a matter of switching on the TV. Viewing a play is an act of extraordinary human irrationality, one which no scientific theory can exactly explain. Plays are a primary example of our …

  • Chekhov in Performance

    Thomas G Winner, J L Styan•ARTICLE•The Russian Review•1973

  • Chekhov in Performance

    Thomas Eekman, J L Styan•ARTICLE•The Slavic and East European…•1971

  • Restoration Comedy in Performance

    Michael Wilson, Michael S Wilson et al.•ARTICLE•Theatre Journal•1988•Cited by: 1

  • Chekhov in Performance

    Thomas Eekman, J L Styan•ARTICLE•The Slavic and East European…•1971

  • Chekhov in Performance

    Thomas G Winner, J L Styan•ARTICLE•The Russian Review•1973

  • Chekhov in Performance

    Toby W Clyman, J L Styan•ARTICLE•The Slavic and East European…•1980

  • The Drama

    J L Styan•ARTICLE•Theatre Journal•1980

    Apollo and Dionysus are still with us. Did they ever leave? The point is clear enough when we stop to consider what dramatic activity expects of its audience, whether the occasion is a religious celebration of the most devout kind, or, with another kind of devotion, a matter of switching on the TV. Viewing a play is an act of extraordinary human irrationality, one which no scientific theory can exactly explain. Plays are a primary example of our …

  • Modern Drama in Theory and Practice, Volume III

    John O''Connor, John O’connor et al.•ARTICLE•Theatre Journal•1983

  • The Discipline of Performance Criticism

    J L Styan•ARTICLE•South African Theatre Journal•1987

  • Restoration Comedy in Performance

    Jack Canfield, J Douglas Canfield et al.•ARTICLE•Eighteenth-Century Studies•1988

    Introduction and approach 2. The playhouse and the performance 3. The actor 4. The actress 5. Stage and sexual tactics 6. A mode of speech 7. The spirit of the performance Appendices Selected bibliography Index

  • Restoration Comedy in Performance

    Michael Wilson, Michael S Wilson et al.•ARTICLE•Theatre Journal•1988•Cited by: 1

  • Pirandellian Theatre Games

    J L Styan, Christopher Innes et al.•CHAPTER•Modernism in European Drama :…•1998

Art (6 works) · Theatre and Performance Studies (6 works) · Psychology (5 works) · Literature (4 works) · Musicology and Musical Analysis (3 works) · Theater, Performance, and Music History (3 works) · Comedy (2 works) · Drama (2 works) · History (2 works) · Philosophy (2 works)

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