Kevin M Anzzolin
Biographic Data
| ID | 1007818 |
|---|---|
| NAME | Kevin M Anzzolin |
| GIVEN NAMES | Kevin M |
| FAMILY NAME | Anzzolin |
| SIGNATURE | ANZZOLIN K M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Todo lo que amamos y dejamos atrás by Elisa De Gortari (review)
Fish Soup by Margarita García Robayo
for science, we have artists dispassionately utilizing those parts for art. The attempt to connect the two falls flat. At one point we discover that a “modern-day” character is in fact related to Quintana. An artist wants to build a system of guillotines based on plans he’s found from the old sanatorium. It feels, paradoxically, simultaneously like being fed a cliché and not quite getting what the book is trying to say. With clear prose, dark hum…
ParÃs D.F by Roberto Wong
Vu Tran. Dragonfish. New York. W.W. Norton. 2015. isbn 9780393077803. When someone who holds a reputation as a literary writer publishes a crime novel, mystery writers grimace. Too often the novel originated in a misbegotten quest for the imaginary fortune that crime writers make. Too often the elements are handled wrong. Too often in condescending to the genre, the writer intends to “improve” it but totally mucks it up. Vu Tran has been building…
No prominent works on this page.
ParÃs D.F by Roberto Wong
Vu Tran. Dragonfish. New York. W.W. Norton. 2015. isbn 9780393077803. When someone who holds a reputation as a literary writer publishes a crime novel, mystery writers grimace. Too often the novel originated in a misbegotten quest for the imaginary fortune that crime writers make. Too often the elements are handled wrong. Too often in condescending to the genre, the writer intends to “improve” it but totally mucks it up. Vu Tran has been building…
Fish Soup by Margarita García Robayo
for science, we have artists dispassionately utilizing those parts for art. The attempt to connect the two falls flat. At one point we discover that a “modern-day” character is in fact related to Quintana. An artist wants to build a system of guillotines based on plans he’s found from the old sanatorium. It feels, paradoxically, simultaneously like being fed a cliché and not quite getting what the book is trying to say. With clear prose, dark hum…
Todo lo que amamos y dejamos atrás by Elisa De Gortari (review)
Art (2 works) · Art history (2 works) · History (2 works) · Literature (2 works) · Casual (1 work) · Crime and Detective Fiction Studies (1 work) · Fish (1 work) · Garcia (1 work) · Humanities (1 work) · Humanity (1 work)