Elena Vyacheslavovna Litvikh
Biographic Data
| ID | 10085997 |
|---|---|
| NAME | Elena Vyacheslavovna Litvikh |
| GIVEN NAMES | Elena Vyacheslavovna |
| FAMILY NAME | Litvikh |
| SIGNATURE | LITVIKH E V |
| AFFILIATIONS | Herzen University |
| ORCID | 0000-0002-3370-7825 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
On the technical and expressive features of Chinese cello music, using the example of the cycle "Seven Tunes Heard in China" by Sheng Zongliang (Bright Sheng)
The subject of research in this article is the suite Seven Tunes Heard in China by Sheng Zongliang (Bright Sheng), considered in two aspects: as one of the outstanding works of contemporary Chinese composers for cello and as an example of musical multiculturalism. Particular attention is paid to the synthesis of various stylistic influences, which is manifested in all components of the musical language of the work: modal organization, rhythm, tex…
The interaction of traditional Chinese and Western musical instruments in Tang Dong's work as a multicultural dialogue
The article is devoted to the study of the role of traditional Chinese instruments in the chamber and symphonic music of Tang Dong. In this aspect, such works as Ghost Opera, Concerto for String Orchestra and pipas and Crouching Tiger Concerto are analyzed. The authors consider in detail various types of interaction between traditional Chinese instruments and Western ones in terms of their influence on the general artistic idea of Tang Dong's wor…
No prominent works on this page.
The interaction of traditional Chinese and Western musical instruments in Tang Dong's work as a multicultural dialogue
The article is devoted to the study of the role of traditional Chinese instruments in the chamber and symphonic music of Tang Dong. In this aspect, such works as Ghost Opera, Concerto for String Orchestra and pipas and Crouching Tiger Concerto are analyzed. The authors consider in detail various types of interaction between traditional Chinese instruments and Western ones in terms of their influence on the general artistic idea of Tang Dong's wor…
On the technical and expressive features of Chinese cello music, using the example of the cycle "Seven Tunes Heard in China" by Sheng Zongliang (Bright Sheng)
The subject of research in this article is the suite Seven Tunes Heard in China by Sheng Zongliang (Bright Sheng), considered in two aspects: as one of the outstanding works of contemporary Chinese composers for cello and as an example of musical multiculturalism. Particular attention is paid to the synthesis of various stylistic influences, which is manifested in all components of the musical language of the work: modal organization, rhythm, tex…
Aesthetics (1 work) · Art (1 work) · Diverse Musicological Studies (1 work) · Engineering (1 work) · Linguistics (1 work) · Multiculturalism (1 work) · Musical (1 work) · Musicology and Musical Analysis (1 work) · Pedagogy (1 work) · Philosophy (1 work)