Shrawan K Sharma
Biographic Data
| ID | 10090155 |
|---|---|
| NAME | Shrawan K Sharma |
| GIVEN NAMES | Shrawan K |
| FAMILY NAME | Sharma |
| SIGNATURE | SHARMA S K |
| AFFILIATIONS | Gurukul Kangri Vishwavidyalaya |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Epistemic Violence of Colonialism and Nineteenth-Century Bengal
Even though colonialism is seen as the political and cultural hegemony of Western nations over the non-Western, leading to colonised suffering due to the draining of resources from the non-West to the West, the tangible manifestation of colonial violence can be seen at the epistemic level, where the hegemonic presence of Western scientific knowledge, discourse, ideology, and ways of interpreting and understanding the world is seen as the only val…
Colonial Ambivalence and Lal Behari Day’s Concern With Folk Tales
Lal Behari Day's collection of folktales from Bengal was the first printed book of folk narratives from Bengal. Its impact on later collections of Bengali folktales has been substantial. Richard Carnac Temple's suggestion to assemble such an edition occasioned the compilation of these tales. However, the distinctive ambivalences in Lal Behari's collection of tales stem from his unique identity as a native Christian preacher. The paper “Colonial A…
The Journey from Aesthetic Intuition to Vision of Reality in Shakespeare’s Hamlet
Man begins his journey of creation with phenomenal activity, attains the purpose of his being and ultimately becomes a part of the eternal process. The same process is followed in artistic activity. In this process, the poet performs, realizes and attains the state of pure knowledge with perfect awareness of his energy as the identity of his being. The act of the poet has a universal effect which imparts rasa (aesthetic pleasure), in which the sa…
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The Journey from Aesthetic Intuition to Vision of Reality in Shakespeare’s Hamlet
Man begins his journey of creation with phenomenal activity, attains the purpose of his being and ultimately becomes a part of the eternal process. The same process is followed in artistic activity. In this process, the poet performs, realizes and attains the state of pure knowledge with perfect awareness of his energy as the identity of his being. The act of the poet has a universal effect which imparts rasa (aesthetic pleasure), in which the sa…
Epistemic Violence of Colonialism and Nineteenth-Century Bengal
Even though colonialism is seen as the political and cultural hegemony of Western nations over the non-Western, leading to colonised suffering due to the draining of resources from the non-West to the West, the tangible manifestation of colonial violence can be seen at the epistemic level, where the hegemonic presence of Western scientific knowledge, discourse, ideology, and ways of interpreting and understanding the world is seen as the only val…
Colonial Ambivalence and Lal Behari Day’s Concern With Folk Tales
Lal Behari Day's collection of folktales from Bengal was the first printed book of folk narratives from Bengal. Its impact on later collections of Bengali folktales has been substantial. Richard Carnac Temple's suggestion to assemble such an edition occasioned the compilation of these tales. However, the distinctive ambivalences in Lal Behari's collection of tales stem from his unique identity as a native Christian preacher. The paper “Colonial A…
Archaeology (2 works) · Art (2 works) · Colonialism (2 works) · History (2 works) · Aesthetics (1 work) · African history and culture analysis (1 work) · Ambivalence (1 work) · Ancient history (1 work) · Anthropological Studies and Insights (1 work) · BENGAL (1 work)