A D Nuttall
Biographic Data
| ID | 1010205 |
|---|---|
| NAME | A D Nuttall |
| GIVEN NAMES | A D |
| FAMILY NAME | Nuttall |
| SIGNATURE | NUTTALL A D |
| AFFILIATIONS | University of Sussex |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Using Latent Class Analysis to Characterize Sickness Signaling in Relation to Familism and Public and Private Religiosity in a Stratified US Sample
BACKGROUND: In response to contracting an infection, individuals usually display a suite of external signs (including sickness behavior) as an outward indication of illness. This context-dependent phenomenon seems to weigh the benefits and costs of eliciting sympathy by indicating sickness versus hiding signs of illness to avoid exposing others to potential infection. In a dynamically social species like humans, non-kin may be as likely to respon…
Action at a Distance: Shakespeare and the Greeks
Ben Jonson successfully persuaded the centuries which followed that Shakespeare had many virtues but that classical learning was not among them. Jonson's poem of commendation, prefixed to the First Folio of Shakespeare's plays, is a psychologically tormented affair, masquerading, as is usual with Jonson, as bluff benevolence. The opening words splinter as we read them. To draw no envy (Shakespeare) on thy name Am I thus ample to thy book, and fam…
The alternative trinity: Gnostic heresy in Marlowe, Milton, and Blake
Milton
Milton — long thought to be England's second-greatest poet, author of the principal English justification of God the Creator, systematic misogynist, classicist, Puritan — presents himself in De Doctrina Christiana as an Arian heretic, that is, far from exalting the Son above the Father, as earlier figures in this book have done, he violently reverses the picture; he erases the egalitarian orthodox Trinity and exalts the Father above the Son. This…
Openings: Narrative Beginnings From the Epic to the Novel
What is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously 'read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever t…
Gulliver among the Horses
Gulliver, newly landed on unknown soil, some leagues south of Nuyts Land, sees in a field a group of repulsive animals. Revolted by the sight he eagerly pursues his way along the beaten road, hoping to find some human habitation. But, almost at once, he meets with one of the unpleasant creatures, full in his path: The ugly Monster, when he saw me, distorted several Ways every Feature of his Visage, and stared as at an Object he had never seen bef…
"Pope's "Essay on Man
A New Mimesis: Shakespeare and the Representation of Reality
The Great Code: The Bible and Literature
Considered by many to be Northrop Frye's magnum opus, The Great Code (1982) reflects a lifetime of thinking about the patterns and meanings of the Bible. In this new edition of The Great Code, Alvin A. Lee presents a corrected and fully annotated version of Frye's text, as well as a comprehensive introduction to help contextualize this important work and guide readers through its allusive passages. Lee's introduction provides a synoptic account o…
Realistic convention and conventional realism in Shakespeare
(1981). Realistic convention and conventional realism in Shakespeare. History of European Ideas: Vol. 1, No. 3, pp. 237-248
"Dostoevsky's "Crime and Punishment: Murder as Philosophic Experiment
William Empson and the Philosophy of Literary Criticism
Journal Article Book Reviews Get access William Empson and the Philosophy of Literary Criticism. By Christopher Norris, with a postscript by William Empson. (University of London: The Athlone Press. 1978. Pp. x+222. Price £8.95) A. D. Nuttall A. D. Nuttall Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 29, Issue 117, October 1979, Pages 380–381, https://doi.org/10.2307/2219465 Publishe…
"Dostoevsky's "Crime and Punishment: Murder as Philosophic Experiment
A Common Sky: Philosophy and the Literary Imagination
‘Measure for Measure’: The Bed-trick
Helena won Bertram by a trick; in response he submitted formally to the contract, told his bride how he despised her and fled, preferring the grim visage of war to Helena’s fair face; she pursued him and, by another trick, won him once more, and at last acquainted him with the felicity he seemed unable to perceive for himself. Claudio got Juliet with child before their marriage contract had been solemnized, and so became liable to the biting laws…
A Common Sky: Philosophy and the Literary Imagination
Journal Article Book Reviews Get access A Common Sky: Philosophy and the Literary Imagination. By A. D. Nuttall. ( Chatto & Windus for Sussex University Press. 1974. Pp. 298. Price £3.95) David Pole David Pole Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 25, Issue 99, April 1975, Pages 188–189, https://doi.org/10.2307/2217647 Published: 01 April 1975
Did Meursault mean to kill the Arab?‐The Intentional FaIlacy Fallacy
The Argument about Shakespeare's Characters
The Argument about Shakespeare's Characters
Did Meursault mean to kill the Arab?‐The Intentional FaIlacy Fallacy
‘Measure for Measure’: The Bed-trick
Helena won Bertram by a trick; in response he submitted formally to the contract, told his bride how he despised her and fled, preferring the grim visage of war to Helena’s fair face; she pursued him and, by another trick, won him once more, and at last acquainted him with the felicity he seemed unable to perceive for himself. Claudio got Juliet with child before their marriage contract had been solemnized, and so became liable to the biting laws…
A Common Sky: Philosophy and the Literary Imagination
Journal Article Book Reviews Get access A Common Sky: Philosophy and the Literary Imagination. By A. D. Nuttall. ( Chatto & Windus for Sussex University Press. 1974. Pp. 298. Price £3.95) David Pole David Pole Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 25, Issue 99, April 1975, Pages 188–189, https://doi.org/10.2307/2217647 Published: 01 April 1975
A Common Sky: Philosophy and the Literary Imagination
William Empson and the Philosophy of Literary Criticism
Journal Article Book Reviews Get access William Empson and the Philosophy of Literary Criticism. By Christopher Norris, with a postscript by William Empson. (University of London: The Athlone Press. 1978. Pp. x+222. Price £8.95) A. D. Nuttall A. D. Nuttall Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 29, Issue 117, October 1979, Pages 380–381, https://doi.org/10.2307/2219465 Publishe…
"Dostoevsky's "Crime and Punishment: Murder as Philosophic Experiment
"Dostoevsky's "Crime and Punishment: Murder as Philosophic Experiment
Realistic convention and conventional realism in Shakespeare
(1981). Realistic convention and conventional realism in Shakespeare. History of European Ideas: Vol. 1, No. 3, pp. 237-248
The Great Code: The Bible and Literature
Considered by many to be Northrop Frye's magnum opus, The Great Code (1982) reflects a lifetime of thinking about the patterns and meanings of the Bible. In this new edition of The Great Code, Alvin A. Lee presents a corrected and fully annotated version of Frye's text, as well as a comprehensive introduction to help contextualize this important work and guide readers through its allusive passages. Lee's introduction provides a synoptic account o…
A New Mimesis: Shakespeare and the Representation of Reality
"Pope's "Essay on Man
Gulliver among the Horses
Gulliver, newly landed on unknown soil, some leagues south of Nuyts Land, sees in a field a group of repulsive animals. Revolted by the sight he eagerly pursues his way along the beaten road, hoping to find some human habitation. But, almost at once, he meets with one of the unpleasant creatures, full in his path: The ugly Monster, when he saw me, distorted several Ways every Feature of his Visage, and stared as at an Object he had never seen bef…
Openings: Narrative Beginnings From the Epic to the Novel
What is the difference between a natural beginning and the beginning of a story? Some deny that there are any beginnings in nature, except perhaps for the origin of the universe itself, suggesting that elsewhere we have only a continuum of events, into which beginnings are variously 'read' by different societies. This book argues that history is full of real beginnings but that poets and novelists are indeed free to begin their stories wherever t…
The alternative trinity: Gnostic heresy in Marlowe, Milton, and Blake
Milton
Milton — long thought to be England's second-greatest poet, author of the principal English justification of God the Creator, systematic misogynist, classicist, Puritan — presents himself in De Doctrina Christiana as an Arian heretic, that is, far from exalting the Son above the Father, as earlier figures in this book have done, he violently reverses the picture; he erases the egalitarian orthodox Trinity and exalts the Father above the Son. This…
Action at a Distance: Shakespeare and the Greeks
Ben Jonson successfully persuaded the centuries which followed that Shakespeare had many virtues but that classical learning was not among them. Jonson's poem of commendation, prefixed to the First Folio of Shakespeare's plays, is a psychologically tormented affair, masquerading, as is usual with Jonson, as bluff benevolence. The opening words splinter as we read them. To draw no envy (Shakespeare) on thy name Am I thus ample to thy book, and fam…
Using Latent Class Analysis to Characterize Sickness Signaling in Relation to Familism and Public and Private Religiosity in a Stratified US Sample
BACKGROUND: In response to contracting an infection, individuals usually display a suite of external signs (including sickness behavior) as an outward indication of illness. This context-dependent phenomenon seems to weigh the benefits and costs of eliciting sympathy by indicating sickness versus hiding signs of illness to avoid exposing others to potential infection. In a dynamically social species like humans, non-kin may be as likely to respon…
Art (12 works) · Philosophy (12 works) · Literature (8 works) · History (6 works) · Art history (5 works) · Psychology (5 works) · Aesthetics (4 works) · Classics (4 works) · Epistemology (4 works) · Social Psychology (4 works)