Renee Riese Hubert
Biographic Data
| ID | 1010477 |
|---|---|
| NAME | Renee Riese Hubert |
| GIVEN NAMES | Renee Riese |
| FAMILY NAME | Hubert |
| SIGNATURE | HUBERT R R |
| AFFILIATIONS | University of California, Irvine |
| VERIFIED | No |
| TOTAL WORKS | 28 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 28 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 1 |
"Georges Perec's and Paolo Boni's "Metaux
The Book, the Museum, and Public Art
Gustav Klimt and Emilie Floge: An Artist and His Muse
Magnifying Mirrors: Women, Surrealism, and Partnership
'Professor Hubert gives us a whole new understanding of Surrealism and of the way male and female artists of the movement worked together or side by side to produce astonishing works. Hubert has opened up a vast area that will surely be a subject of major discussion in the years to come' - Marjorie Perloff, author of Futurist Moment. Although notorious for their idiosyncrasies, the surrealists revived artistic collaboration as an honorable and pr…
Derrida, Dupin, Adami: Il faut etre plusieurs pour ecrire
Reading Pictures, Viewing Texts
Theatre et poesie surrealistes
Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation
IT OCCURS quite frequently in our century that two recognized artists live and work together. I could provide an impressive list of partnerships, easily amplified by other critics. The artistic scene has undoubtedly evolved, for women artists with or without partners have acquired greater freedom and articulated more heatedly and also more persuasively their demands. Because of the undermining and discarding of no longer relevant social habits an…
Surrealism and the Book
Gertrude Stein and the Making of Frenchmen
cultural scene alone, any more than Beckett's can be appreciated in sole conjunction with his native Ireland. Paris was the scene of Stein's choice, and English her language. For years she was practically compelled to publish her writings in France and to promote them by finding French writers to translate them. Yet not only did she assert again and again that English was her language and associate with Ernest Hemingway, Sherwood Anderson and oth…
Surrealism and the Book
The Tableau-Poeme: Open Work
Max Ernst: The Displacement of the Visual and the Verbal
The Other Wordly Landscapes of E.A. Poe and Rene Magritte
Several critics have found most intriguing Rene Magritte's outspoken admiration for Edgar Allen Poe. 1 Hammacher recounts that the painter, during his only trip to the U.S. absolutely insisted on a visit to the Poe shrine. The most obvious signs of the painter's interest in the writer are the titles of his paintings: Le Demon de la Perversion, 1928(The Imp of the Perverse) and Le Domaine d'Arnheim 1949 and 1963 (The Domain of Arnheim).2 Neither i…
Aurora: Adventure in Word and Image
Michel Leiris' Aurora, seemingly prompted by the unleashing of verbal forces and the powers of imagination, paradoxically owes its existence to the narrator's precarious resistance to boredom, the most redoubtable enemy of inspiration. The writer, referring repeatedly to boredom or spleen, fears spiritual inertia or acedia, as everyman dreads death and immorbility. Beaudelairian spleen, which prevents man from making distinctions and from shaking…
The Invasions of Poetry
Au-dela de l'Ephemere
Petit bestiaire
The Fabulous Fiction of Two Surrealist Artists: Giorgio de Chirico and Max Ernst
GIORGIO DE CHIRICO, noted for his metaphysical paintings of deserted squares, uninhabited buildings in haunted dream worlds, is also the author of a novel which appeared in 1929, at the time of his association with surrealism. Max Ernst, an artist of far greater range, whose paintings, by their bold revelations and the dark humor of their associations, produce so disturbing an effect on the spectator, wrote an important manifesto, Au-dela de la p…
Mother Goose in Rags and Riches
L'univers de Jules Supervielle.
Onze Etudes sur la poesie moderne
The Evolution of Apollinaire's Poetics, 1901-1914
Miro and Breton
Le Dossier d'Alcools
Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation
IT OCCURS quite frequently in our century that two recognized artists live and work together. I could provide an impressive list of partnerships, easily amplified by other critics. The artistic scene has undoubtedly evolved, for women artists with or without partners have acquired greater freedom and articulated more heatedly and also more persuasively their demands. Because of the undermining and discarding of no longer relevant social habits an…
Max Ernst: The Displacement of the Visual and the Verbal
Miro and Breton
Three Women Poets: Renee Rivet, Joyce Mansour, Yvonne Caroutch
The Fleeting World of Humor from Watteau to Fragonard
Jules Supervielle in Stageland
Le Dossier d'Alcools
Miro and Breton
The Evolution of Apollinaire's Poetics, 1901-1914
L'univers de Jules Supervielle.
Onze Etudes sur la poesie moderne
Mother Goose in Rags and Riches
Au-dela de l'Ephemere
Petit bestiaire
The Fabulous Fiction of Two Surrealist Artists: Giorgio de Chirico and Max Ernst
GIORGIO DE CHIRICO, noted for his metaphysical paintings of deserted squares, uninhabited buildings in haunted dream worlds, is also the author of a novel which appeared in 1929, at the time of his association with surrealism. Max Ernst, an artist of far greater range, whose paintings, by their bold revelations and the dark humor of their associations, produce so disturbing an effect on the spectator, wrote an important manifesto, Au-dela de la p…
The Invasions of Poetry
Aurora: Adventure in Word and Image
Michel Leiris' Aurora, seemingly prompted by the unleashing of verbal forces and the powers of imagination, paradoxically owes its existence to the narrator's precarious resistance to boredom, the most redoubtable enemy of inspiration. The writer, referring repeatedly to boredom or spleen, fears spiritual inertia or acedia, as everyman dreads death and immorbility. Beaudelairian spleen, which prevents man from making distinctions and from shaking…
The Other Wordly Landscapes of E.A. Poe and Rene Magritte
Several critics have found most intriguing Rene Magritte's outspoken admiration for Edgar Allen Poe. 1 Hammacher recounts that the painter, during his only trip to the U.S. absolutely insisted on a visit to the Poe shrine. The most obvious signs of the painter's interest in the writer are the titles of his paintings: Le Demon de la Perversion, 1928(The Imp of the Perverse) and Le Domaine d'Arnheim 1949 and 1963 (The Domain of Arnheim).2 Neither i…
The Tableau-Poeme: Open Work
Max Ernst: The Displacement of the Visual and the Verbal
Gertrude Stein and the Making of Frenchmen
cultural scene alone, any more than Beckett's can be appreciated in sole conjunction with his native Ireland. Paris was the scene of Stein's choice, and English her language. For years she was practically compelled to publish her writings in France and to promote them by finding French writers to translate them. Yet not only did she assert again and again that English was her language and associate with Ernest Hemingway, Sherwood Anderson and oth…
Surrealism and the Book
Surrealism and the Book
Theatre et poesie surrealistes
Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation
IT OCCURS quite frequently in our century that two recognized artists live and work together. I could provide an impressive list of partnerships, easily amplified by other critics. The artistic scene has undoubtedly evolved, for women artists with or without partners have acquired greater freedom and articulated more heatedly and also more persuasively their demands. Because of the undermining and discarding of no longer relevant social habits an…
Reading Pictures, Viewing Texts
Derrida, Dupin, Adami: Il faut etre plusieurs pour ecrire
Gustav Klimt and Emilie Floge: An Artist and His Muse
Art (21 works) · Art history (8 works) · Art, Politics, and Modernism (8 works) · Historical and Literary Analyses (5 works) · History (5 works) · Literature (5 works) · Computer Science (4 works) · French Literature and Criticism (4 works) · Historical and Literary Studies (4 works) · Law (4 works)