Amnon Shiloah
Biographic Data
| ID | 101064 |
|---|---|
| NAME | Amnon Shiloah |
| GIVEN NAMES | Amnon |
| FAMILY NAME | Shiloah |
| SIGNATURE | SHILOAH A |
| AFFILIATIONS | Hôpital de la Croix-Rousse |
| VERIFIED | No |
| TOTAL WORKS | 41 |
| TOTAL CITATIONS | 38 |
| AUTHOR COUNT | 41 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1962 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 3 |
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932)
Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, we…
Musical Concepts in the Works of Saadia Gaon
ι Saadia Gaon, the major figure in Jewish thought during the Geonic period, is the author of the oldest known text on music written by a Jew. This is a paragraph at the end of the tenth treatise of his Kitab alamanat waDl ictiqadat (Book of beliefs and opinions). This text was written in 933, at a time and place that knew the highest blossoming of music and musical theory in Islamic civilization. It seems appropriate, therefore, to examine Saadia…
Réflexions sur quelques particularités du patrimoine musical juif
On peut définir le patrimoine musical juif comme une pluralité se manifestant au sein d’une unité culturelle. Il s’est constitué à partir de diverses traditions musicales qui forment le trésor commun à toutes les communautés de la diaspora et se fondent sur la cantillation biblique, les prières, les chants sacrés et profanes, les chants pour hommes et pour femmes, ceux du shabbat , des fêtes, des jours sanctifiés, bref de tous les événements qui …
Kurdish music
Arab music
Arab folk music
Israel
Enchanting Powers: Music in the World's Religions
The Confucian Sacrificial Ceremony, the Choctaw ball game, and the drum history of the Dagbamba, are some of the topics addressed in this collection of essays, which consider the intersection and interconnection of musics and religions in different world cultures
Les traditions musicales Juives
Music and Religion in Islam
Dans cet article, l'A. presente divers courants de la musique islamique ainsi que les positions ideologiques des autorites religieuses, en particulier les juristes et les traditionalistes, sur la pratique musicale. Le Coran n'offre aucune position clairement definie quant a des interdictions ou restrictions eventuelles sur les pratiques musicales malgre de nombreuses ambivalences. S'il n'existe pas de musique religieuse officielle (jouee lors des…
Music in the World of Islam: A Socio-Cultural Study
The Dimension of Music in Islamic and Jewish Culture
Contents: Preface Un ancien traite sur le 'ud d'Abu Yusuf al Kindi The 'ud and the origin of music The epistle on music of the Ikhwan al-Safa The passage in ibn Ezra's 'Book of the Garden' Ibn Hindu, le medicin et la musique Musical modes and the medical dimension: the Arabic sources (c.900-c.1600) Deux textes arabes inedits sur la musique Un probleme musical inconnu de Thabit ibn Qurra The Arabic concept of mode Music in the pre-Islamic period a…
Israël: Chants judéo-espagnols de la Méditerranée orientale
L’anthologie Chants judeo-espagnols de la Mediterranee orientale comprend vingt-cinq chants monodiques appartenant a cinq genres representatifs de cette tradition. Ils sont interpretes a tour de role en solo et sans aucun accompagnement, par deux chanteuses vivant en Israel : Bienvenida « Berta » Aguado, originaire de Turquie, et Loretta « Dora » Gerassi, de Bulgarie. Le choix de restreindre l’anthologie a une region stylistique definie du riche …
Jewish Musical Traditions
The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II
Jewish Musical Traditions
Notions d'esthétique dans: Les traités arabes sur la musique
Dans son apercu de « La musique de l’Islam (The New Oxford Hitory, vol. I, p. 433), Henry George Farmer dit: « La conception islamique ignorait l’esthetique en tant que science du beau. La raison principale etait que l’Orient [....] avait une confiance inebranlable en le ta’thīr (influence) dans la musique, un dogme que les Grecs appelaient l’ethos ». La doctrine de l’ethos exclue-t-elle reellement l’esthetique, la science du beau, ou plutot le c…
Music Performance Practice in the Early ʿAbbāsid Era, 132-320 AH/750-932 A.D. George Dimitri Sawa
Round Table IV: The Meeting of Christian, Jewish and Muslim Musical Cultures on the Iberian Peninsula (Before 1492)
La voix et les techniques vocales chez les Arabes
La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…
Persian Classical Music in Israel: A Preliminary Report
musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…
The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A
Major trends of change in Jewish Oriental ethnic music in Israel
In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…
"A propos d'un "petit livre arabe de musique
The Musical Tradition of Iraqi Jews: Selection of Piyyutim and Songs
The Dynamics of Change in Jewish Oriental Ethnic Music in Israel
Major trends of change in Jewish Oriental ethnic music in Israel
In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…
Enchanting Powers: Music in the World's Religions
The Confucian Sacrificial Ceremony, the Choctaw ball game, and the drum history of the Dagbamba, are some of the topics addressed in this collection of essays, which consider the intersection and interconnection of musics and religions in different world cultures
La voix et les techniques vocales chez les Arabes
La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932)
Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, we…
Persian Classical Music in Israel: A Preliminary Report
musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…
The Status of Traditional Art Music in Muslim Nations
Réflexions sur la danse artistique musulmane au moyen âge
The Simsimiyya: A Stringed Instrument of the Red Sea Area
In August 1968 I participated in the first field trip to the Sinai Peninsula organized by the Hebrew University whose object was the recording of Bedouin Music.1 In the course of this field work we visited the southwest area from the coast of the Bay of Suez inland to the splendid oasis of Firan. In this area live a large part of the seven tribes who are scattered over the vast desert and whose number is 7,000 to 8,000 souls. Due to the brevity o…
Jewish Music
Le Poète-Musicien Et La Création Poético-Musicale Au Moyen Orient
La création poético-musicale populaire au Proche et Moyen-Orient est sans doute intimement liée à ces individus exceptionnels qu'il convient d'appeler poètes-musiciens grâce à leur double talent. Le poètemusicien joue le rôle de divertisseur public, d'artiste créateur, de conservateur des traditions de son milieu et de commentateur des événements courants. I] est appelé sa ‘er- poète, qawwā l- celui qui dit, ou faiseur de paroles, hādī faiseur de…
Yuval. Studies of the Jewish Music Research Centre, Volume II
An Early Arabic Songbook for Schools
In 1921, the principal of the Normal school in Jerusalem undertook the publication of an Arabic book of songs for schools. Taking into account the time and place of the publication one may consider it as a special event worth being brought to the attention of the scholars interested in Near Eastern music. It should be emphasized that while at that time a great many songbooks existed in Europe and the U.S., the collection under discussion seems to…
Recent Ethnomusicological Sound Recordings from Israel
Beduin Music of Southern Sinai
Morasha: Traditional Jewish Musical Heritage
The Status of Traditional Art Music in Muslim Nations
Musicology in Israel, 1960-1980
The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A
"Shiloah's "Ikhwān al-Ṣafā' on Music
The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A., Vol. Bx, Repertoire International des Sources musicales (Rism)
The Dynamics of Change in Jewish Oriental Ethnic Music in Israel
Greek-Jewish Musical Traditions
The Musical Tradition of Iraqi Jews: Selection of Piyyutim and Songs
The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A
Major trends of change in Jewish Oriental ethnic music in Israel
In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…
"A propos d'un "petit livre arabe de musique
Persian Classical Music in Israel: A Preliminary Report
musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…
Round Table IV: The Meeting of Christian, Jewish and Muslim Musical Cultures on the Iberian Peninsula (Before 1492)
La voix et les techniques vocales chez les Arabes
La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…
Music Performance Practice in the Early ʿAbbāsid Era, 132-320 AH/750-932 A.D. George Dimitri Sawa
The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II
Art (32 works) · History (23 works) · Jewish and Middle Eastern Studies (14 works) · Archaeology (13 works) · Islamic Studies and History (13 works) · Judaism (11 works) · Literature (11 works) · Musical (11 works) · Philosophy (11 works) · Diverse Musicological Studies (10 works)