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Amnon Shiloah

Biographic Data

ID101064
NAMEAmnon Shiloah
GIVEN NAMESAmnon
FAMILY NAMEShiloah
SIGNATURESHILOAH A
AFFILIATIONSHôpital de la Croix-Rousse
VERIFIEDNo
TOTAL WORKS41
TOTAL CITATIONS38
AUTHOR COUNT41
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR2015
H-INDEX3
  • Henry George Farmer and the First International Congress of Arab Music (Cairo 1932)

    Israel J Katz, Israel Katz et al.•BOOK•Henry George Farmer and the First…•2015•Cited by: 2

    Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, we…

  • Musical Concepts in the Works of Saadia Gaon

    Amnon Shiloah•ARTICLE•Aleph•2004

    ι Saadia Gaon, the major figure in Jewish thought during the Geonic period, is the author of the oldest known text on music written by a Jew. This is a paragraph at the end of the tenth treatise of his Kitab alamanat waDl ictiqadat (Book of beliefs and opinions). This text was written in 933, at a time and place that knew the highest blossoming of music and musical theory in Islamic civilization. It seems appropriate, therefore, to examine Saadia…

  • Réflexions sur quelques particularités du patrimoine musical juif

    Amnon Shiloah•ARTICLE•Confluences Méditerranée•2004

    On peut définir le patrimoine musical juif comme une pluralité se manifestant au sein d’une unité culturelle. Il s’est constitué à partir de diverses traditions musicales qui forment le trésor commun à toutes les communautés de la diaspora et se fondent sur la cantillation biblique, les prières, les chants sacrés et profanes, les chants pour hommes et pour femmes, ceux du shabbat , des fêtes, des jours sanctifiés, bref de tous les événements qui …

  • Kurdish music

    Stephen Blum, Dieter Christensen et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Arab music

    Owen Wright, Christian Poche et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Arab folk music

    Amnon Shiloah•CHAPTER•The new Grove dictionary of music…•2001

  • Israel

    Jehoash Hirshberg, Natan Shahar et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Enchanting Powers: Music in the World's Religions

    Amnon Shiloah, Lawrence E Sullivan et al.•ARTICLE•Ethnomusicology•2000•Cited by: 7

    The Confucian Sacrificial Ceremony, the Choctaw ball game, and the drum history of the Dagbamba, are some of the topics addressed in this collection of essays, which consider the intersection and interconnection of musics and religions in different world cultures

  • Les traditions musicales Juives

    Olivier Tourny, Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1999

  • Music and Religion in Islam

    Amnon Shiloah•ARTICLE•Acta Musicologica•1997

    Dans cet article, l'A. presente divers courants de la musique islamique ainsi que les positions ideologiques des autorites religieuses, en particulier les juristes et les traditionalistes, sur la pratique musicale. Le Coran n'offre aucune position clairement definie quant a des interdictions ou restrictions eventuelles sur les pratiques musicales malgre de nombreuses ambivalences. S'il n'existe pas de musique religieuse officielle (jouee lors des…

  • Music in the World of Islam: A Socio-Cultural Study

    Stephen Blum, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1996

  • The Dimension of Music in Islamic and Jewish Culture

    Albert Arazi, Amnon Shiloah•ARTICLE•Studia Islamica•1995

    Contents: Preface Un ancien traite sur le 'ud d'Abu Yusuf al Kindi The 'ud and the origin of music The epistle on music of the Ikhwan al-Safa The passage in ibn Ezra's 'Book of the Garden' Ibn Hindu, le medicin et la musique Musical modes and the medical dimension: the Arabic sources (c.900-c.1600) Deux textes arabes inedits sur la musique Un probleme musical inconnu de Thabit ibn Qurra The Arabic concept of mode Music in the pre-Islamic period a…

  • Israël: Chants judéo-espagnols de la Méditerranée orientale

    Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1995

    L’anthologie Chants judeo-espagnols de la Mediterranee orientale comprend vingt-cinq chants monodiques appartenant a cinq genres representatifs de cette tradition. Ils sont interpretes a tour de role en solo et sans aucun accompagnement, par deux chanteuses vivant en Israel : Bienvenida « Berta » Aguado, originaire de Turquie, et Loretta « Dora » Gerassi, de Bulgarie. Le choix de restreindre l’anthologie a une region stylistique definie du riche …

  • Jewish Musical Traditions

    Miriam Gerberg, Amnon Shiloah•ARTICLE•Ethnomusicology•1995

  • The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II

    Open Access•Amnon Shiloah, Philip V Bohlman•ARTICLE•Notes•1994

  • Jewish Musical Traditions

    Johanna Spector, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1994

  • Notions d'esthétique dans: Les traités arabes sur la musique

    Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1994

    Dans son apercu de « La musique de l’Islam (The New Oxford Hitory, vol. I, p. 433), Henry George Farmer dit: « La conception islamique ignorait l’esthetique en tant que science du beau. La raison principale etait que l’Orient [....] avait une confiance inebranlable en le ta’thīr (influence) dans la musique, un dogme que les Grecs appelaient l’ethos ». La doctrine de l’ethos exclue-t-elle reellement l’esthetique, la science du beau, ou plutot le c…

  • Music Performance Practice in the Early ʿAbbāsid Era, 132-320 AH/750-932 A.D. George Dimitri Sawa

    Amnon Shiloah•ARTICLE•Speculum•1993

  • Round Table IV: The Meeting of Christian, Jewish and Muslim Musical Cultures on the Iberian Peninsula (Before 1492)

    Amnon Shiloah•ARTICLE•Acta Musicologica•1991

  • La voix et les techniques vocales chez les Arabes

    Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1991•Cited by: 3

    La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…

  • Persian Classical Music in Israel: A Preliminary Report

    Bruno Nettl, Amnon Shiloah•ARTICLE•Asian Music•1986•Cited by: 1

    musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…

  • The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A

    Salwa El-Shawan, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1985

  • Major trends of change in Jewish Oriental ethnic music in Israel

    Open Access•Erik Cohen, Amnon Shiloah•ARTICLE•Popular Music•1985•Cited by: 8•References: 4

    In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…

  • "A propos d'un "petit livre arabe de musique

    Amnon Shiloah, Annie Berthier•ARTICLE•Revue de musicologie•1985

  • The Musical Tradition of Iraqi Jews: Selection of Piyyutim and Songs

    Philip V Bohlman, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1984

Next
  • The Dynamics of Change in Jewish Oriental Ethnic Music in Israel

    Amnon Shiloah, Erik Cohen•ARTICLE•Ethnomusicology•1983•Cited by: 16•References: 1

  • Major trends of change in Jewish Oriental ethnic music in Israel

    Open Access•Erik Cohen, Amnon Shiloah•ARTICLE•Popular Music•1985•Cited by: 8•References: 4

    In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…

  • Enchanting Powers: Music in the World's Religions

    Amnon Shiloah, Lawrence E Sullivan et al.•ARTICLE•Ethnomusicology•2000•Cited by: 7

    The Confucian Sacrificial Ceremony, the Choctaw ball game, and the drum history of the Dagbamba, are some of the topics addressed in this collection of essays, which consider the intersection and interconnection of musics and religions in different world cultures

  • La voix et les techniques vocales chez les Arabes

    Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1991•Cited by: 3

    La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…

  • Henry George Farmer and the First International Congress of Arab Music (Cairo 1932)

    Israel J Katz, Israel Katz et al.•BOOK•Henry George Farmer and the First…•2015•Cited by: 2

    Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, we…

  • Persian Classical Music in Israel: A Preliminary Report

    Bruno Nettl, Amnon Shiloah•ARTICLE•Asian Music•1986•Cited by: 1

    musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…

  • The Status of Traditional Art Music in Muslim Nations

    Amnon Shiloah•ARTICLE•Asian Music•1980•Cited by: 1

  • Réflexions sur la danse artistique musulmane au moyen âge

    Amnon Shiloah•ARTICLE•Cahiers de civilisation médiévale•1962

  • The Simsimiyya: A Stringed Instrument of the Red Sea Area

    Amnon Shiloah•ARTICLE•Asian Music•1972

    In August 1968 I participated in the first field trip to the Sinai Peninsula organized by the Hebrew University whose object was the recording of Bedouin Music.1 In the course of this field work we visited the southwest area from the coast of the Bay of Suez inland to the splendid oasis of Firan. In this area live a large part of the seven tribes who are scattered over the vast desert and whose number is 7,000 to 8,000 souls. Due to the brevity o…

  • Jewish Music

    Abraham A Schwadron, Abraham Schwadron et al.•ARTICLE•Ethnomusicology•1973

  • Le Poète-Musicien Et La Création Poético-Musicale Au Moyen Orient

    Open Access•Amnon Shiloah•ARTICLE•Yearbook of the International…•1974

    La création poético-musicale populaire au Proche et Moyen-Orient est sans doute intimement liée à ces individus exceptionnels qu'il convient d'appeler poètes-musiciens grâce à leur double talent. Le poètemusicien joue le rôle de divertisseur public, d'artiste créateur, de conservateur des traditions de son milieu et de commentateur des événements courants. I] est appelé sa ‘er- poète, qawwā l- celui qui dit, ou faiseur de paroles, hādī faiseur de…

  • Yuval. Studies of the Jewish Music Research Centre, Volume II

    Simha Arom, Amnon Shiloah et al.•ARTICLE•Revue de musicologie•1975

  • An Early Arabic Songbook for Schools

    Amnon Shiloah•ARTICLE•Asian Music•1979

    In 1921, the principal of the Normal school in Jerusalem undertook the publication of an Arabic book of songs for schools. Taking into account the time and place of the publication one may consider it as a special event worth being brought to the attention of the scholars interested in Near Eastern music. It should be emphasized that while at that time a great many songbooks existed in Europe and the U.S., the collection under discussion seems to…

  • Recent Ethnomusicological Sound Recordings from Israel

    Mark Slobin, Andre Hajdu et al.•ARTICLE•Asian Music•1979

  • Beduin Music of Southern Sinai

    Uri Sharvit, Amnon Shiloah•ARTICLE•Ethnomusicology•1979

  • Morasha: Traditional Jewish Musical Heritage

    Uri Sharvit, Amnon Shiloah•ARTICLE•Ethnomusicology•1979

  • The Status of Traditional Art Music in Muslim Nations

    Amnon Shiloah•ARTICLE•Asian Music•1980•Cited by: 1

  • Musicology in Israel, 1960-1980

    Amnon Shiloah, Edith Gerson-Kiwi•ARTICLE•Acta Musicologica•1981

  • The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A

    Don Michael Randel, Amnon Shiloah•ARTICLE•Ethnomusicology•1982

  • "Shiloah's "Ikhwān al-Ṣafā' on Music

    Leon Nemoy, Amnon Shiloah•ARTICLE•The Jewish Quarterly Review•1982

  • The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A., Vol. Bx, Repertoire International des Sources musicales (Rism)

    Lois Ibsen Al Faruqi, Amnon Shiloah•ARTICLE•Asian Music•1983

  • The Dynamics of Change in Jewish Oriental Ethnic Music in Israel

    Amnon Shiloah, Erik Cohen•ARTICLE•Ethnomusicology•1983•Cited by: 16•References: 1

  • Greek-Jewish Musical Traditions

    Israel J Katz, Amnon Shiloah et al.•ARTICLE•Ethnomusicology•1983

  • The Musical Tradition of Iraqi Jews: Selection of Piyyutim and Songs

    Philip V Bohlman, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1984

  • The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U. S. A

    Salwa El-Shawan, Amnon Shiloah•ARTICLE•Yearbook for Traditional Music•1985

  • Major trends of change in Jewish Oriental ethnic music in Israel

    Open Access•Erik Cohen, Amnon Shiloah•ARTICLE•Popular Music•1985•Cited by: 8•References: 4

    In this article we report some findings of our research into the inter-relationship of social and musical change among Jewish Oriental ethnic groups in Israel. This research is based on a broad approach to the ethnomusicological study of change which can be conceived as follows: the ethnomusicological study of musical change endeavours to analyse musicologically significant processes of change in terms of anthropologically or sociologically signi…

  • "A propos d'un "petit livre arabe de musique

    Amnon Shiloah, Annie Berthier•ARTICLE•Revue de musicologie•1985

  • Persian Classical Music in Israel: A Preliminary Report

    Bruno Nettl, Amnon Shiloah•ARTICLE•Asian Music•1986•Cited by: 1

    musical culture of immigrant populations, studying their relationship to the music of countries of origin or home countries, and of host countries, assessing degrees and kinds of change and stability resulting from their immigrant and, normally, also their minority status. A considerable body of knowledge has been built up about the folklore and folk music of non-English speaking immigrant groups in the United States and Canada, producing hypothe…

  • Round Table IV: The Meeting of Christian, Jewish and Muslim Musical Cultures on the Iberian Peninsula (Before 1492)

    Amnon Shiloah•ARTICLE•Acta Musicologica•1991

  • La voix et les techniques vocales chez les Arabes

    Amnon Shiloah•ARTICLE•Cahiers de musiques traditionnelles•1991•Cited by: 3

    La voix, reflet de l'âme« L'homme a un penchant naturel pour la voix » écrit le grand maître du soufisme Majd al-din al-Ghazali (m.1121), ajoutant dans le même ouvrage : « La voix du chanteur est un indice de la vie divine qui émane des profondeurs du mystère » 1 .Nous pensons que les deux éléments de cet énoncé se trouvent dans un rapport de cause à effet.L'homme a un penchant naturel pour la voix parce qu'elle reflète les mystères de l'âme huma…

  • Music Performance Practice in the Early ʿAbbāsid Era, 132-320 AH/750-932 A.D. George Dimitri Sawa

    Amnon Shiloah•ARTICLE•Speculum•1993

  • The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II

    Open Access•Amnon Shiloah, Philip V Bohlman•ARTICLE•Notes•1994

Art (32 works) · History (23 works) · Jewish and Middle Eastern Studies (14 works) · Archaeology (13 works) · Islamic Studies and History (13 works) · Judaism (11 works) · Literature (11 works) · Musical (11 works) · Philosophy (11 works) · Diverse Musicological Studies (10 works)

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