Livia Traesar
Biographic Data
| ID | 10114485 |
|---|---|
| NAME | Livia Traesar |
| GIVEN NAMES | Livia |
| FAMILY NAME | Traesar |
| SIGNATURE | TRAESAR L |
| AFFILIATIONS | Universitas Gadjah Mada |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Publishing Whiteness
This article examines how R. F. Kuang’s Yellowface portrays the contemporary U.S. publishing Industry as a racialized system shaped by market-driven diversity discourse. Although publishing institutions increasingly promote diversity, questions remain about whether such initiatives distribute narrative authority or merely repackage inequality. The research addresses this problem by analyzing how the novel represents authorship, cultural appr…
The Portrayal of Female Villains
The portrayal of female villains in media and movies has evolved significantly, as evidenced through the lens of Stuart Hall's representation theory and film analysis concepts. Traditionally confined to one-dimensional roles perpetuating gender stereotypes, contemporary cinema showcases multi-dimensional characters like those in Cruella, challenging societal norms and defying traditional gender expectations. By employing narrative and non-narrati…
Women and Planters during American Revolution War as Narrated in Crèvecœur’s Letters from an American Farmer (1782)
The paper attempts to discover a historical fact of American women’s educational achievement and self-image as well as to unravel a psychological fact of American planters’ existential crisis in the historical period of Revolution War by means of information reported by Jean Hector St. John de Crèvecœur (1735-1813) in his famous Letters from an American Farmer (1782). To make the attempt successful, two literary criticisms are done by the writers…
No prominent works on this page.
Women and Planters during American Revolution War as Narrated in Crèvecœur’s Letters from an American Farmer (1782)
The paper attempts to discover a historical fact of American women’s educational achievement and self-image as well as to unravel a psychological fact of American planters’ existential crisis in the historical period of Revolution War by means of information reported by Jean Hector St. John de Crèvecœur (1735-1813) in his famous Letters from an American Farmer (1782). To make the attempt successful, two literary criticisms are done by the writers…
The Portrayal of Female Villains
The portrayal of female villains in media and movies has evolved significantly, as evidenced through the lens of Stuart Hall's representation theory and film analysis concepts. Traditionally confined to one-dimensional roles perpetuating gender stereotypes, contemporary cinema showcases multi-dimensional characters like those in Cruella, challenging societal norms and defying traditional gender expectations. By employing narrative and non-narrati…
Publishing Whiteness
This article examines how R. F. Kuang’s Yellowface portrays the contemporary U.S. publishing Industry as a racialized system shaped by market-driven diversity discourse. Although publishing institutions increasingly promote diversity, questions remain about whether such initiatives distribute narrative authority or merely repackage inequality. The research addresses this problem by analyzing how the novel represents authorship, cultural appr…
Art (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · Anguish (1 work) · Archaeology (1 work) · Asian American and Pacific Histories (1 work) · Contemporary Literature and Criticism (1 work) · Criticism (1 work) · Epistemology (1 work)