Lisa Tickner
Biographic Data
| ID | 1012206 |
|---|---|
| NAME | Lisa Tickner |
| GIVEN NAMES | Lisa |
| FAMILY NAME | Tickner |
| SIGNATURE | TICKNER L |
| AFFILIATIONS | Middlesex Polytechnic |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 412 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 3 |
Mapping the Futures: Local Cultures, Global Change
Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.
Being British and Going … Somewhere
Paul Nash, in his article on ‘Going Modern and Being British’ in 1932, famously sought to reconcile these two disparate and puzzling qualities.1 He saw, and marvelled at, incompatibilities such as ‘internationalism versus the pastoral; the functional versus the futile’: Britishness was a ragbag of ancient quiddities and modernity something thrust upon it. Perhaps an appeal to the continuous and fluctuating nature of the present would provide the …
Export Britain’: Pop Art, Mass Culture and the Export Drive
Bohemianism and the Cultural Field: Trilby and Tarr
The Kasmin Gallery
Journal Article The Kasmin Gallery Get access Lisa Tickner Lisa Tickner Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 30, Issue 2, June 2007, Pages 233–268, https://doi.org/10.1093/oxartj/kcm007 Published: 01 June 2007
Travellers' Tales: Narratives of Home and Displacement
Feminism and art
A Strange Alchemy: Cornelia Parker
Cornelia Parker was nominated for the Turner Prize in 1997 and has exhibited widely in Britain, Europe and America, including a solo exhibition at the Serpentine Gallery in 1998. In conversation with Lisa Tickner, she discusses the impact of her early training and explores in detail sculptures and installations produced and exhibited since 1989. These include Thirty Pieces of Silver (1998), Cold Dark Matter: An Exploded View (1991) and The Maybe …
Mediating Generation: The mother–daughter plot
Virginia Woolf famously claimed that: ‘We think back through our mothers if we are women‘ and yet feminine creativity required the murder of the Angel in the House. Woolf and her sister Vanessa Bell could square this circle by drawing on Julia Margaret Cameron’s photographs of their mother – her niece and namesake – as a way of memorializing her while staking a claim to a specifically matrilineal artistic heritage. For Harold Bloom, on the other …
Vanessa Bell: "Studland Beach, Domesticity, and "Significant Form
VANESSA BELL'S STUDLAND BEACH (C. 1912) has been described its move towards abstraction ... [as] one of most radical works of time in England.' It is indeed a striking, spare, and reticent image, but not perhaps fully accountable in these terms. It belongs with a small body of paintings and photographs derived from Bell's trips to Studland, England, between 1909 and 1912. At same time it is clearly a studio picture, intended to have a particular …
Futurenatural: Nature, Science, Culture
Now and Then: The Hieratic Head of Ezra Pound
Journal Article Now and Then: The Hieratic Head of Ezra Pound Get access LISA TICKNER LISA TICKNER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 2, 1993, Pages 55–61, https://doi.org/10.1093/oxartj/16.2.55 Published: 01 December 1993
Men's Work? Masculinity and Modernism
Research Article| November 01 1992 Men's Work? Masculinity and Modernism Lisa Tickner Lisa Tickner Lisa Tickner is Professor of Art History at Middlesex University. She is the author of The Spectacle of Women: Imagery of the Suffrage Campaign 1907-1914 (Chicago: U of Chicago P, 1988) and is currently working on a study of British modernism before the First World War. Search for other works by this author on: This Site Google differences (1992) 4 …
The Spectacle of Women
Kroppspolitiken
Det passiva kvinnoidealet har speglats också i den erotiska konsten. Denna har hittills varit helt manlig och patriarkaliskt definierad. Men kvinnornas 1970-talskonst visar nu fram en självmedveten kvinnlig sexualitet. Bland uttrycken finns mannen som motiv och en vaginal ikonologi
The Obstacle Race: The Fortunes of Women Painters and Their Work
Part 1 The obstacles: family love the illusion of success humiliation dimension primitivism the disappearing oeuvre. Part 2 How they ran: the cloister the Renaissance the magnificent exception the Bolognese phenomenon still life and flower painting the portraitists the amateurs the age of academies
One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey
One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey Get access LISA TICKNER LISA TICKNER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 3, Issue 1, April 1980, Pages 58–73, https://doi.org/10.1093/oxartj/3.1.58 Published: 01 April 1980
The Body Politic: Female Sexuality & Women Artists since 1970
Mapping the Futures: Local Cultures, Global Change
Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.
Futurenatural: Nature, Science, Culture
The Body Politic: Female Sexuality & Women Artists since 1970
Vanessa Bell: "Studland Beach, Domesticity, and "Significant Form
VANESSA BELL'S STUDLAND BEACH (C. 1912) has been described its move towards abstraction ... [as] one of most radical works of time in England.' It is indeed a striking, spare, and reticent image, but not perhaps fully accountable in these terms. It belongs with a small body of paintings and photographs derived from Bell's trips to Studland, England, between 1909 and 1912. At same time it is clearly a studio picture, intended to have a particular …
The Kasmin Gallery
Journal Article The Kasmin Gallery Get access Lisa Tickner Lisa Tickner Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 30, Issue 2, June 2007, Pages 233–268, https://doi.org/10.1093/oxartj/kcm007 Published: 01 June 2007
A Strange Alchemy: Cornelia Parker
Cornelia Parker was nominated for the Turner Prize in 1997 and has exhibited widely in Britain, Europe and America, including a solo exhibition at the Serpentine Gallery in 1998. In conversation with Lisa Tickner, she discusses the impact of her early training and explores in detail sculptures and installations produced and exhibited since 1989. These include Thirty Pieces of Silver (1998), Cold Dark Matter: An Exploded View (1991) and The Maybe …
Mediating Generation: The mother–daughter plot
Virginia Woolf famously claimed that: ‘We think back through our mothers if we are women‘ and yet feminine creativity required the murder of the Angel in the House. Woolf and her sister Vanessa Bell could square this circle by drawing on Julia Margaret Cameron’s photographs of their mother – her niece and namesake – as a way of memorializing her while staking a claim to a specifically matrilineal artistic heritage. For Harold Bloom, on the other …
Now and Then: The Hieratic Head of Ezra Pound
Journal Article Now and Then: The Hieratic Head of Ezra Pound Get access LISA TICKNER LISA TICKNER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 2, 1993, Pages 55–61, https://doi.org/10.1093/oxartj/16.2.55 Published: 01 December 1993
The Body Politic: Female Sexuality & Women Artists since 1970
The Obstacle Race: The Fortunes of Women Painters and Their Work
Part 1 The obstacles: family love the illusion of success humiliation dimension primitivism the disappearing oeuvre. Part 2 How they ran: the cloister the Renaissance the magnificent exception the Bolognese phenomenon still life and flower painting the portraitists the amateurs the age of academies
One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey
One for Sorrow, Two for Mirth: The Performance Work of Rose Finn-Kelcey Get access LISA TICKNER LISA TICKNER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 3, Issue 1, April 1980, Pages 58–73, https://doi.org/10.1093/oxartj/3.1.58 Published: 01 April 1980
Kroppspolitiken
Det passiva kvinnoidealet har speglats också i den erotiska konsten. Denna har hittills varit helt manlig och patriarkaliskt definierad. Men kvinnornas 1970-talskonst visar nu fram en självmedveten kvinnlig sexualitet. Bland uttrycken finns mannen som motiv och en vaginal ikonologi
The Spectacle of Women
Men's Work? Masculinity and Modernism
Research Article| November 01 1992 Men's Work? Masculinity and Modernism Lisa Tickner Lisa Tickner Lisa Tickner is Professor of Art History at Middlesex University. She is the author of The Spectacle of Women: Imagery of the Suffrage Campaign 1907-1914 (Chicago: U of Chicago P, 1988) and is currently working on a study of British modernism before the First World War. Search for other works by this author on: This Site Google differences (1992) 4 …
Now and Then: The Hieratic Head of Ezra Pound
Journal Article Now and Then: The Hieratic Head of Ezra Pound Get access LISA TICKNER LISA TICKNER Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 16, Issue 2, 1993, Pages 55–61, https://doi.org/10.1093/oxartj/16.2.55 Published: 01 December 1993
Futurenatural: Nature, Science, Culture
Vanessa Bell: "Studland Beach, Domesticity, and "Significant Form
VANESSA BELL'S STUDLAND BEACH (C. 1912) has been described its move towards abstraction ... [as] one of most radical works of time in England.' It is indeed a striking, spare, and reticent image, but not perhaps fully accountable in these terms. It belongs with a small body of paintings and photographs derived from Bell's trips to Studland, England, between 1909 and 1912. At same time it is clearly a studio picture, intended to have a particular …
Mediating Generation: The mother–daughter plot
Virginia Woolf famously claimed that: ‘We think back through our mothers if we are women‘ and yet feminine creativity required the murder of the Angel in the House. Woolf and her sister Vanessa Bell could square this circle by drawing on Julia Margaret Cameron’s photographs of their mother – her niece and namesake – as a way of memorializing her while staking a claim to a specifically matrilineal artistic heritage. For Harold Bloom, on the other …
Feminism and art
A Strange Alchemy: Cornelia Parker
Cornelia Parker was nominated for the Turner Prize in 1997 and has exhibited widely in Britain, Europe and America, including a solo exhibition at the Serpentine Gallery in 1998. In conversation with Lisa Tickner, she discusses the impact of her early training and explores in detail sculptures and installations produced and exhibited since 1989. These include Thirty Pieces of Silver (1998), Cold Dark Matter: An Exploded View (1991) and The Maybe …
Travellers' Tales: Narratives of Home and Displacement
The Kasmin Gallery
Journal Article The Kasmin Gallery Get access Lisa Tickner Lisa Tickner Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 30, Issue 2, June 2007, Pages 233–268, https://doi.org/10.1093/oxartj/kcm007 Published: 01 June 2007
Bohemianism and the Cultural Field: Trilby and Tarr
Mapping the Futures: Local Cultures, Global Change
Contributors: David Harvey, Ashraf Ghani, Meaghan Morris, Steven Conner, Micha Bandini, Ruth Levitas, Robert Hewison, Dick Hebdige, Stuart Hall, Doreen Massey, Francis Mulhern, Neil Smith, Iain Chambers, Mike Featherstone, Peter Jackson, Tim Putnam, Jon Bird.
Being British and Going … Somewhere
Paul Nash, in his article on ‘Going Modern and Being British’ in 1932, famously sought to reconcile these two disparate and puzzling qualities.1 He saw, and marvelled at, incompatibilities such as ‘internationalism versus the pastoral; the functional versus the futile’: Britishness was a ragbag of ancient quiddities and modernity something thrust upon it. Perhaps an appeal to the continuous and fluctuating nature of the present would provide the …
Export Britain’: Pop Art, Mass Culture and the Export Drive
Art (13 works) · Art history (11 works) · Sociology (9 works) · Computer Science (8 works) · History (6 works) · Political science (6 works) · Citation (5 works) · Law (5 works) · Gender Studies (4 works) · Historical Gender and Feminism Studies (4 works)