Nicholas Penny
Biographic Data
| ID | 1012282 |
|---|---|
| NAME | Nicholas Penny |
| GIVEN NAMES | Nicholas |
| FAMILY NAME | Penny |
| SIGNATURE | PENNY N |
| AFFILIATIONS | University of Manchester |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2007 |
| H-INDEX | 1 |
Histoire de l'histoire de l'art en Grande-Bretagne: Grandes Tendances Et Nouveaux Débats
Stephen Bann | Histoire de l'histoire de l'art en Grande-Bretagne : grandes tendances et nouveaux debats Apres l'apport des historiens de l'art europeens arrives en Angleterre dans les annees 1930, ou en est l'histoire de l'art en Grande-Bretagne ? Pour comprendre l'evolution recente de l'historiographie britannique (ou anglo-saxonne ?), s'est rapidement impose l'interet de traduire l'article de Stephen Bann (« The History of Art History in Brita…
Introduction: Toothpicks and green hangings
Antique, the
Statue
Raphael
Bust
Tomb
The Materials of Sculpture
Surveying the sculpture of many civilizations from ancient Egypt to 20th-century North America, this book provides a basic introduction to the nature of materials used by sculptors, examining how these were regarded as well as how they were worked in different periods and in different cultures
Raphael before Rome
James Beck, ed. Raphael before Rome. (National Gallery of Art, Washington, Studies in the History of Art, 17.) Hanover-London: University Press of New England, 1986. 210 pp. $27.50. - Volume 46 Issue 1
Chantrey, Westmacott and Casts After the Antique
The collection of casts from the studio of Sir Francis Chantrey entered the newly built University Galleries (now the Ashmolean Museum) in Oxford in the 1840s. This paper describes the circumstances of their arrival, the method of display adopted, and the manner in which they were gradually driven from the main galleries into the basement in response to pressure from other parts of the collection, most notably the plaster casts after the Antique …
Shorter Notices
Journal Article Shorter Notices Get access NICHOLAS PENNY NICHOLAS PENNY Ashmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIV, Issue CCCCXII, July 1989, Pages 748–749, https://doi.org/10.1093/ehr/CIV.CCCCXII.748 Published: 01 July 1989
Shorter Notices
Journal Article Shorter Notices Get access NICHOLAS PENNY NICHOLAS PENNY Asbmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CI, Issue CCCC, July 1986, Pages 737–738, https://doi.org/10.1093/ehr/CI.CCCC.737 Published: 01 July 1986
Short Notices
Short Notices Get access NICHOLAS PENNY NICHOLAS PENNY Ashmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume C, Issue CCCXCVII, October 1985, Pages 906–907, https://doi.org/10.1093/ehr/C.CCCXCVII.906 Published: 01 October 1985
Short Notices
Short Notices Get access NICHOLAS PENNY NICHOLAS PENNY University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVIII, Issue CCCLXXXVIII, July 1983, Pages 670b–671, https://doi.org/10.1093/ehr/XCVIII.CCCLXXXVIII.670b Published: 01 July 1983
Short Notices
Journal Article Short Notices Get access N. B. PENNY N. B. PENNY University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVII, Issue CCCLXXXII, January 1982, Pages 209-a–209, https://doi.org/10.1093/ehr/XCVII.CCCLXXXII.209-a Published: 01 January 1982
Reply to Alex Potts
Reply to Alex Potts Get access NICHOLAS PENNY NICHOLAS PENNY Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 5, Issue 1, 1982, Pages 74–76, https://doi.org/10.1093/oxartj/5.1.74 Published: 01 March 1982
The Classical Tradition and the Garden Ornament
French Sculptors of the 17th and 18th Centuries — The Reign of Louis XIV by François Souchal , vol. I (A‐F), London: Faber, 1977, 391 pp., over 1,000 ills, £60; vol. II (G‐L), London: Faber, 1981, 464 pp., over 1,000 ills, £70 La Tradition classique et l'esprit romantique by Antoinette Le Normand , Rome: Edizioni dell'Elefante, 1981, 378 pp., 99 ills, c. £25
English Sculpture and the First World War
Journal Article English Sculpture and the First World War Get access NICHOLAS PENNY NICHOLAS PENNY Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 4, Issue 2, November 1981, Pages 36–43, https://doi.org/10.1093/oxartj/4.2.36 Published: 01 November 1981
The Whig Cult of Fox in Early Nineteenth-Century Sculpture
THE WHIG CULT OF FOX IN EARLY NINETEENTH-CENTURY SCULPTURE Get access N. B. Penny N. B. Penny University of Manchester Search for other works by this author on: Oxford Academic Google Scholar Past & Present, Volume 70, Issue 1, February 1976, Pages 94–105, https://doi.org/10.1093/past/70.1.94 Published: 01 February 1976
The Macabre Garden at Denbies and Its Monument
The Commercial Garden Necropolis of the Early Nineteenth Century and Its Critics
Ruskin's Ideas on Growth in Architecture and Ornament
RUSKIN'S IDEAS ON GROWTH IN ARCHITECTURE AND ORNAMENT Get access Nicholas Penny Nicholas Penny Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 13, Issue 3, SUMMER 1973, Pages 276–286, https://doi.org/10.1093/bjaesthetics/13.3.276 Published: 01 March 1973
The Whig Cult of Fox in Early Nineteenth-Century Sculpture
THE WHIG CULT OF FOX IN EARLY NINETEENTH-CENTURY SCULPTURE Get access N. B. Penny N. B. Penny University of Manchester Search for other works by this author on: Oxford Academic Google Scholar Past & Present, Volume 70, Issue 1, February 1976, Pages 94–105, https://doi.org/10.1093/past/70.1.94 Published: 01 February 1976
The Commercial Garden Necropolis of the Early Nineteenth Century and Its Critics
Ruskin's Ideas on Growth in Architecture and Ornament
RUSKIN'S IDEAS ON GROWTH IN ARCHITECTURE AND ORNAMENT Get access Nicholas Penny Nicholas Penny Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 13, Issue 3, SUMMER 1973, Pages 276–286, https://doi.org/10.1093/bjaesthetics/13.3.276 Published: 01 March 1973
The Commercial Garden Necropolis of the Early Nineteenth Century and Its Critics
The Macabre Garden at Denbies and Its Monument
The Whig Cult of Fox in Early Nineteenth-Century Sculpture
THE WHIG CULT OF FOX IN EARLY NINETEENTH-CENTURY SCULPTURE Get access N. B. Penny N. B. Penny University of Manchester Search for other works by this author on: Oxford Academic Google Scholar Past & Present, Volume 70, Issue 1, February 1976, Pages 94–105, https://doi.org/10.1093/past/70.1.94 Published: 01 February 1976
English Sculpture and the First World War
Journal Article English Sculpture and the First World War Get access NICHOLAS PENNY NICHOLAS PENNY Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 4, Issue 2, November 1981, Pages 36–43, https://doi.org/10.1093/oxartj/4.2.36 Published: 01 November 1981
Short Notices
Journal Article Short Notices Get access N. B. PENNY N. B. PENNY University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVII, Issue CCCLXXXII, January 1982, Pages 209-a–209, https://doi.org/10.1093/ehr/XCVII.CCCLXXXII.209-a Published: 01 January 1982
Reply to Alex Potts
Reply to Alex Potts Get access NICHOLAS PENNY NICHOLAS PENNY Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 5, Issue 1, 1982, Pages 74–76, https://doi.org/10.1093/oxartj/5.1.74 Published: 01 March 1982
The Classical Tradition and the Garden Ornament
French Sculptors of the 17th and 18th Centuries — The Reign of Louis XIV by François Souchal , vol. I (A‐F), London: Faber, 1977, 391 pp., over 1,000 ills, £60; vol. II (G‐L), London: Faber, 1981, 464 pp., over 1,000 ills, £70 La Tradition classique et l'esprit romantique by Antoinette Le Normand , Rome: Edizioni dell'Elefante, 1981, 378 pp., 99 ills, c. £25
Short Notices
Short Notices Get access NICHOLAS PENNY NICHOLAS PENNY University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVIII, Issue CCCLXXXVIII, July 1983, Pages 670b–671, https://doi.org/10.1093/ehr/XCVIII.CCCLXXXVIII.670b Published: 01 July 1983
Short Notices
Short Notices Get access NICHOLAS PENNY NICHOLAS PENNY Ashmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume C, Issue CCCXCVII, October 1985, Pages 906–907, https://doi.org/10.1093/ehr/C.CCCXCVII.906 Published: 01 October 1985
Shorter Notices
Journal Article Shorter Notices Get access NICHOLAS PENNY NICHOLAS PENNY Asbmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CI, Issue CCCC, July 1986, Pages 737–738, https://doi.org/10.1093/ehr/CI.CCCC.737 Published: 01 July 1986
Shorter Notices
Journal Article Shorter Notices Get access NICHOLAS PENNY NICHOLAS PENNY Ashmolean MuseumOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIV, Issue CCCCXII, July 1989, Pages 748–749, https://doi.org/10.1093/ehr/CIV.CCCCXII.748 Published: 01 July 1989
Chantrey, Westmacott and Casts After the Antique
The collection of casts from the studio of Sir Francis Chantrey entered the newly built University Galleries (now the Ashmolean Museum) in Oxford in the 1840s. This paper describes the circumstances of their arrival, the method of display adopted, and the manner in which they were gradually driven from the main galleries into the basement in response to pressure from other parts of the collection, most notably the plaster casts after the Antique …
Raphael before Rome
James Beck, ed. Raphael before Rome. (National Gallery of Art, Washington, Studies in the History of Art, 17.) Hanover-London: University Press of New England, 1986. 210 pp. $27.50. - Volume 46 Issue 1
The Materials of Sculpture
Surveying the sculpture of many civilizations from ancient Egypt to 20th-century North America, this book provides a basic introduction to the nature of materials used by sculptors, examining how these were regarded as well as how they were worked in different periods and in different cultures
Antique, the
Statue
Raphael
Bust
Tomb
Introduction: Toothpicks and green hangings
Histoire de l'histoire de l'art en Grande-Bretagne: Grandes Tendances Et Nouveaux Débats
Stephen Bann | Histoire de l'histoire de l'art en Grande-Bretagne : grandes tendances et nouveaux debats Apres l'apport des historiens de l'art europeens arrives en Angleterre dans les annees 1930, ou en est l'histoire de l'art en Grande-Bretagne ? Pour comprendre l'evolution recente de l'historiographie britannique (ou anglo-saxonne ?), s'est rapidement impose l'interet de traduire l'article de Stephen Bann (« The History of Art History in Brita…
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