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Kathryn Gutzwiller

Biographic Data

ID1012912
NAMEKathryn Gutzwiller
GIVEN NAMESKathryn
FAMILY NAMEGutzwiller
SIGNATUREGUTZWILLER K
AFFILIATIONSUniversity of Cincinnati
VERIFIEDNo
TOTAL WORKS40
TOTAL CITATIONS80
AUTHOR COUNT40
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2020
H-INDEX5
  • The Epigrams of Crinagoras of Mytilene: Introduction, Text, Commentary ed. by Maria Ypsilanti

    Kathryn Gutzwiller•ARTICLE•The Classical World•2020

    Reviewed by: The Epigrams of Crinagoras of Mytilene: Introduction, Text, Commentary ed. by Maria Ypsilanti Kathryn Gutzwiller Maria Ypsilanti (ed.). The Epigrams of Crinagoras of Mytilene: Introduction, Text, Commentary. Oxford: Oxford University Press, 2018. Pp. xi, 578. $130.00. ISBN 978-0-19-956582-5. More than a half century ago the field of Greek literary epigram was made accessible to a wider range of scholars and readers by two editions wi…

  • Under the Sign of the Distaff: Aetia 1.5, Spinning and Erinna

    Open Access•Kathryn Gutzwiller•ARTICLE•The Classical Quarterly•2020•References: 18

    Scholars continue to make progress addressing the lacunae in our papyrological sources for Callimachus’ prologue to the Aetia , both by lending additional support to old supplements and by discounting others or demonstrating their weaknesses. To the first category belongs the crucial verb at the end of line 5, where, in my view, Callimachus first characterizes the making of his poetry ( Aet . 1–6): πολλάκι μοι Τελχῖνες ἐπιτρύζουσιν ἀοιδῇ, νήιδες …

  • Leonidas of Tarentum

    Open Access•Kathryn Gutzwiller•CHAPTER•The Encyclopedia of Ancient History•2019

    Leonidas of Tarentum (first half of the third century bce ) was one of the major Hellenistic epigrammatists. Attributed to him are 103 epigrams, mostly in elegiac meter.

  • Callimachus’ Lock of Berenice: Fantasy, Romance, And Propaganda

    Kathryn Gutzwiller•CHAPTER•Greek Literature in the…•2018

    This chapter argues that Callimachus’ Lock of Berenice was composed as part of a program of imagery reflecting all the concerns of the queen, his young compatriot from Cyrene. In analyzing the poem, the focus will be on the rhetorical strategies devised by Callimachus to propagate a fantasy arising from female experience; it is these, responding to a woman's vision and yet arising from a man's perspective, that lend the poem its unusual and even …

  • Lyricism in Hellenistic Epigram

    Kathryn Gutzwiller•ARTICLE•Trends in Classics•2017•References: 1

    The paper explores the lyrical qualities of Hellenistic epigram not only by linking it to the lyric poems and tropes of the past but primarily by drawing on the modern understanding of lyric as genre or mode. Taking as a point of departure the notion of lyric subjectivity, it discusses the degree to which the poet’s voice is involved in the different types of epigram, namely dedicatory, sepulchral and erotic. An in-depth reading of selected epigr…

  • Fantasy and Metaphor in Meleager

    Kathryn Gutzwiller•ARTICLE•TAPA•2015•References: 9

    Fantasy and Metaphor in Meleager Kathryn Gutzwiller meleager of gadara is one of those increasingly rare greek authors whose works are somewhat known to many classicists but whose influence on ancient and later literature remains underappreciated. Meleager’s anthology of Greek epigrams called the Garland produced Latin imitations shortly after its creation in the early first century b.c.e., and allusions to Meleager’s own, mostly erotic poems are…

  • Poetic Meaning, Place, and Dialect in the Epigrams of Meleager

    Kathryn Gutzwiller•CHAPTER•Hellenistic Studies at a Crossroads•2014

  • Anacreon, Hellenistic Epigram and the Anacreontic Poet

    Open Access•Kathryn Gutzwiller•CHAPTER•Imitate Anacreon!•2014

    Among the Greek lyric poets, only Anacreon came to inspire a minor poetic genre in which anonymous poets inhabit the very spirit of their model and illustrate the philosophie de vie fostered by his poetry. 1 The formation of our Anacreontic collection was late, incorporating poems composed even at the end of the imperial age; however, the earliest of the surviving Anacreontic poems are believed to be Hellenistic or early imperial in date. 2 Even …

  • Leonidas of Tarentum

    Open Access•Kathryn Gutzwiller•CHAPTER•The Encyclopedia of Ancient History•2012

    Leonidas of Tarentum (first half of the third century BCE ) was one of the major Hellenistic epigrammatists. Attributed to him are 103 epigrams, mostly in elegiac meter. He specialized in dedications and epitaphs, although most of his epigrams appear to be literary rather than inscriptional. Dedications of spoils from the Lucanians ( Anth. Pal . 6.129, 6.131) provide historical references (before 272 BCE ). In a self‐epitaph ( Anth. Pal . 7.715),…

  • Catullus and the Garland of Meleager

    Open Access•Kathryn Gutzwiller•CHAPTER•Catullus•2012

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  • The Hecale and Hellenistic Conceptions of Short Hexameter Narratives

    Kathryn Gutzwiller•CHAPTER•Brill's companion to Greek and…•2012

  • Catullus: Poems, Books, Readers

    Open Access•A J Woodman, Ian Du Quesnay et al.•BOOK•Catullus•2012

    In this book, a sequel to Traditions and Contexts in the Poetry of Horace (Cambridge University Press, 2002), ten leading Latin scholars provide specially commissioned in-depth discussions of the poetry of Catullus, one of ancient Rome's most favourite and best loved poets. Some chapters focus on the collection as a whole and the interrelationship of various poems; others deal with intertextuality and translation and Catullus' response to his Gre…

  • New Menander Mosaics from Antioch

    Kathryn Gutzwiller, Ömer Çelik•ARTICLE•American Journal of Archaeology•2012•Cited by: 7•References: 32

    A large mosaic pavement excavated in 2007 at ancient Daphne, a suburb of Antioch-on-the-Orontes, includes four figured panels representing scenes from comedies by Menander. Inscribed with the name of the play and the number of the act, the panels depict Perikeiromene, act 1; Philadelphoi, act 1; Synaristosai, act 1; and Theophoroumene, act 3. This article integrates archaeological, iconographical, and literary approaches in order to evaluate the …

  • All in the Family: Forgiveness and Reconciliation in New Comedy

    Open Access•Kathryn Gutzwiller•CHAPTER•Ancient Forgiveness•2011

    From the modern perspective, forgiveness is in its core form an interpersonal act in which a person consciously gives up resentment or settled anger toward another after a sincere expression of contrition. The closest Greek equivalent to forgiveness is sungnōmē , which, however, has a broader range of meaning including recognition, understanding, forbearance, pardon, and excuse. The fundamentally cognitive aspect of the Greek concept is evident i…

  • Images poétiques et réminiscences artistiques dans les épigrammes de Méléagre

    Open Access•Kathryn Gutzwiller•CHAPTER•Métamorphoses du regard ancien•2010

    En nous livrant deux séries d’épigrammes consacrées à l’évocation de gemmes et de statues, la publication du nouveau papyrus de Milan, dont la paternité est attribuée à Posidippe, nous a montré que les épigrammes relatives aux beaux-arts constituaient déjà un sous-genre bien établi au début de la période hellénistique. Parmi les épigrammes ecphrastiques qui furent composées au cours de l’époque hellénistique, certaines ont pris place dans la Cour…

  • Métamorphoses du regard ancien

    Open Access•Kathryn Gutzwiller, Regina Höschele et al.•BOOK•Métamorphoses du regard ancien•2010

    Cet ouvrage s’intéresse à la culture visuelle de l’époque hellénistique et romaine et à la réception des collections artistiques auprès des lettrés de ces deux périodes. À partir d’un éventail de documents qui vont du IIIe siècle avant J.-C. à l’Antiquité tardive, il cherche à montrer comment les œuvres d’art pouvaient constituer, pour les Anciens, les supports d’un discours, que celui-ci soit d’ordre esthétique, idéologique ou même érotique. Les…

  • The Paradox of Amatory Epigram

    Kathryn Gutzwiller, Kathryn J Gutzwiller•CHAPTER•Brill's Companion to Hellenistic…•2007

  • A Guide to Hellenistic Literature

    Open Access•Kathryn Gutzwiller•BOOK•Guide to Hellenistic Literature•2007•Cited by: 17

    Preface. List of Illustrations. 1 History and Culture. 1.1 The Successors. 1.2 Macedonia and Greece. 1.3 Seleucid Asia. 1.4 Attalid Pergamum. 1.5 Ptolemaic Egypt. 2 Aesthetics and Style. 2.1 Aesthetic Principles. 2.2 Meter, Dialect, and Diction. 2.3 Literature as Artefact. 3 Authors and Genres. 3.1 Menander. 3.2 Callimachus. 3.3 Apollonius. 3.4 Theocritus and the Other Bucolic Poets. 3.5 Didactic Poetry. 3.6 Epigrams. 3.7 Dramatic Poetry. 3.8 Par…

  • The Herdsman in Greek Thought

    Kathryn Gutzwiller•CHAPTER•Brill's Companion to Greek and…•2006

  • The Bucolic Problem

    Kathryn Gutzwiller•ARTICLE•Classical Philology•2006•Cited by: 1•References: 15

  • Seeing Thought: Timomachus' Medea and Ecphrastic Epigram

    Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•The American Journal of Philology•2004•Cited by: 16•References: 26

    From the time of Lessing, Timomachus' Medea, poised in a moment of agonizing indecision, has exemplified the essential qualities of art, its spatial fixity and indeterminacy of meaning. I study this famous painting, based on a surviving Euripidean passage and still knowable through Roman descendants, as a rare example of transmutation from text to image and then again from image to text. The principal literary texts concerning the painting are a …

  • Posidippo di Pella: Epigrammi

    Kathryn Gutzwiller, Guido Bastianini et al.•ARTICLE•The Classical World•2003

  • Die Epigramme Des Dichters Straton Von Sardes: Ein Beitrag Zum Griechischen Paiderotischen Epigramm

    Kathryn Gutzwiller, Walter Steinbichler•ARTICLE•The Classical World•1999

  • Poetic Garlands: Hellenistic Epigrams in Context

    Alessandro Barchiesi, Kathryn Gutzwiller•REVIEW•The Classical World•1999

    Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellen…

  • What Is Pastoral

    Kathryn Gutzwiller, Paul Alpers et al.•ARTICLE•The Classical World•1998

Next
  • A Guide to Hellenistic Literature

    Open Access•Kathryn Gutzwiller•BOOK•Guide to Hellenistic Literature•2007•Cited by: 17

    Preface. List of Illustrations. 1 History and Culture. 1.1 The Successors. 1.2 Macedonia and Greece. 1.3 Seleucid Asia. 1.4 Attalid Pergamum. 1.5 Ptolemaic Egypt. 2 Aesthetics and Style. 2.1 Aesthetic Principles. 2.2 Meter, Dialect, and Diction. 2.3 Literature as Artefact. 3 Authors and Genres. 3.1 Menander. 3.2 Callimachus. 3.3 Apollonius. 3.4 Theocritus and the Other Bucolic Poets. 3.5 Didactic Poetry. 3.6 Epigrams. 3.7 Dramatic Poetry. 3.8 Par…

  • Seeing Thought: Timomachus' Medea and Ecphrastic Epigram

    Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•The American Journal of Philology•2004•Cited by: 16•References: 26

    From the time of Lessing, Timomachus' Medea, poised in a moment of agonizing indecision, has exemplified the essential qualities of art, its spatial fixity and indeterminacy of meaning. I study this famous painting, based on a surviving Euripidean passage and still knowable through Roman descendants, as a rare example of transmutation from text to image and then again from image to text. The principal literary texts concerning the painting are a …

  • Callimachus' Lock of Berenice: Fantasy, Romance, and Propaganda

    Kathryn Gutzwiller•ARTICLE•The American Journal of Philology•1992•Cited by: 15

  • Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome

    Kathryn Gutzwiller, Paul Allen Miller et al.•ARTICLE•The Classical World•1996•Cited by: 14

  • New Menander Mosaics from Antioch

    Kathryn Gutzwiller, Ömer Çelik•ARTICLE•American Journal of Archaeology•2012•Cited by: 7•References: 32

    A large mosaic pavement excavated in 2007 at ancient Daphne, a suburb of Antioch-on-the-Orontes, includes four figured panels representing scenes from comedies by Menander. Inscribed with the name of the play and the number of the act, the panels depict Perikeiromene, act 1; Philadelphoi, act 1; Synaristosai, act 1; and Theophoroumene, act 3. This article integrates archaeological, iconographical, and literary approaches in order to evaluate the …

  • Vergil and the Date of the Theocritean Epigram Book

    Kathryn Gutzwiller•ARTICLE•Philologus•1996•Cited by: 3

  • Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos

    Kathryn Gutzwiller, Therese Fuhrer•ARTICLE•The American Journal of Philology•1995•Cited by: 2

  • Anyte's Epigram Book

    Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•Syllecta classica•1993•Cited by: 2•References: 8

  • Beginnings in Classical Literature

    Kathryn Gutzwiller, Francis M Dunn et al.•ARTICLE•The Classical World•1993•Cited by: 2

  • The Bucolic Problem

    Kathryn Gutzwiller•ARTICLE•Classical Philology•2006•Cited by: 1•References: 15

  • The Lover and the Lena: Propertius 4.5

    Open Access•Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•Ramus•1985•Cited by: 1•References: 4

    In Propertius 4.5 the lena (‘procuress’) Acanthis gives advice to nostra arnica (‘my girlfriend’, 63), almost certainly Cynthia, to cultivate rich lovers and avoid the poet who offers only verses. For Georg Luck the purpose of Propertius' ‘caricature’ of Acanthis is a moralizing condemnation of Rome's decadent demi-monde . According to Judith Hallett, ‘Propertius and his ideals are vindicated’ when at the close of 4.5 ‘Acanthis dies penniless and…

  • Studies in the Hellenistic Epyllion

    Jerry Clack, Kathryn Gutzwiller et al.•ARTICLE•The Classical World•1982

  • The Lover and the Lena: Propertius 4.5

    Open Access•Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•Ramus•1985•Cited by: 1•References: 4

    In Propertius 4.5 the lena (‘procuress’) Acanthis gives advice to nostra arnica (‘my girlfriend’, 63), almost certainly Cynthia, to cultivate rich lovers and avoid the poet who offers only verses. For Georg Luck the purpose of Propertius' ‘caricature’ of Acanthis is a moralizing condemnation of Rome's decadent demi-monde . According to Judith Hallett, ‘Propertius and his ideals are vindicated’ when at the close of 4.5 ‘Acanthis dies penniless and…

  • Comparative Mythology

    Kathryn Gutzwiller, Kathryn J Gutzwiller et al.•ARTICLE•The Classical World•1989

  • Views of Clytemnestra, Ancient and Modern

    Kathryn Gutzwiller, Sally Macewen•ARTICLE•The Classical World•1991

  • Women's History and Ancient History

    Kathryn Gutzwiller, Sarah B Pomeroy•ARTICLE•The Classical World•1992

  • Callimachus' Lock of Berenice: Fantasy, Romance, and Propaganda

    Kathryn Gutzwiller•ARTICLE•The American Journal of Philology•1992•Cited by: 15

  • Anyte's Epigram Book

    Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•Syllecta classica•1993•Cited by: 2•References: 8

  • Callimachus and Hedylus a Note On Catullus 66.13-14

    Kathryn Gutzwiller•ARTICLE•Mnemosyne•1993

  • Beginnings in Classical Literature

    Kathryn Gutzwiller, Francis M Dunn et al.•ARTICLE•The Classical World•1993•Cited by: 2

  • Homeric Soundings: The Shaping of the Iliad

    Kathryn Gutzwiller, Oliver Taplin•ARTICLE•The Classical World•1994

  • Theocritus' Pastoral Analogies: The Formation of a Genre

    Robert Schmiel, Robert C Schmiel et al.•ARTICLE•Phoenix•1994

  • Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos

    Kathryn Gutzwiller, Therese Fuhrer•ARTICLE•The American Journal of Philology•1995•Cited by: 2

  • Bakhtin and Ancient Studies: Dialogues and Dialogics

    Kathryn Gutzwiller, John Peradotto•ARTICLE•The Classical World•1996

  • Vergil and the Date of the Theocritean Epigram Book

    Kathryn Gutzwiller•ARTICLE•Philologus•1996•Cited by: 3

  • Lyric Texts and Lyric Consciousness: The Birth of a Genre from Archaic Greece to Augustan Rome

    Kathryn Gutzwiller, Paul Allen Miller et al.•ARTICLE•The Classical World•1996•Cited by: 14

  • What Is Pastoral

    Kathryn Gutzwiller, Paul Alpers et al.•ARTICLE•The Classical World•1998

  • Die Epigramme Des Dichters Straton Von Sardes: Ein Beitrag Zum Griechischen Paiderotischen Epigramm

    Kathryn Gutzwiller, Walter Steinbichler•ARTICLE•The Classical World•1999

  • Poetic Garlands: Hellenistic Epigrams in Context

    Alessandro Barchiesi, Kathryn Gutzwiller•REVIEW•The Classical World•1999

    Epigrams, the briefest of Greek poetic forms, had a strong appeal for readers of the Hellenistic period (323-31 B.C.). One of the most characteristic literary forms of the era, the epigram, unlike any other ancient or classical form of poetry, was not only composed for public recitation but was also collected in books intended for private reading. Brief and concise, concerned with the personal and the particular, the epigram emerged in the Hellen…

  • Posidippo di Pella: Epigrammi

    Kathryn Gutzwiller, Guido Bastianini et al.•ARTICLE•The Classical World•2003

  • Seeing Thought: Timomachus' Medea and Ecphrastic Epigram

    Kathryn Gutzwiller, Kathryn J Gutzwiller•ARTICLE•The American Journal of Philology•2004•Cited by: 16•References: 26

    From the time of Lessing, Timomachus' Medea, poised in a moment of agonizing indecision, has exemplified the essential qualities of art, its spatial fixity and indeterminacy of meaning. I study this famous painting, based on a surviving Euripidean passage and still knowable through Roman descendants, as a rare example of transmutation from text to image and then again from image to text. The principal literary texts concerning the painting are a …

  • The Herdsman in Greek Thought

    Kathryn Gutzwiller•CHAPTER•Brill's Companion to Greek and…•2006

  • The Bucolic Problem

    Kathryn Gutzwiller•ARTICLE•Classical Philology•2006•Cited by: 1•References: 15

  • The Paradox of Amatory Epigram

    Kathryn Gutzwiller, Kathryn J Gutzwiller•CHAPTER•Brill's Companion to Hellenistic…•2007

  • A Guide to Hellenistic Literature

    Open Access•Kathryn Gutzwiller•BOOK•Guide to Hellenistic Literature•2007•Cited by: 17

    Preface. List of Illustrations. 1 History and Culture. 1.1 The Successors. 1.2 Macedonia and Greece. 1.3 Seleucid Asia. 1.4 Attalid Pergamum. 1.5 Ptolemaic Egypt. 2 Aesthetics and Style. 2.1 Aesthetic Principles. 2.2 Meter, Dialect, and Diction. 2.3 Literature as Artefact. 3 Authors and Genres. 3.1 Menander. 3.2 Callimachus. 3.3 Apollonius. 3.4 Theocritus and the Other Bucolic Poets. 3.5 Didactic Poetry. 3.6 Epigrams. 3.7 Dramatic Poetry. 3.8 Par…

  • Images poétiques et réminiscences artistiques dans les épigrammes de Méléagre

    Open Access•Kathryn Gutzwiller•CHAPTER•Métamorphoses du regard ancien•2010

    En nous livrant deux séries d’épigrammes consacrées à l’évocation de gemmes et de statues, la publication du nouveau papyrus de Milan, dont la paternité est attribuée à Posidippe, nous a montré que les épigrammes relatives aux beaux-arts constituaient déjà un sous-genre bien établi au début de la période hellénistique. Parmi les épigrammes ecphrastiques qui furent composées au cours de l’époque hellénistique, certaines ont pris place dans la Cour…

Art (35 works) · Classical Antiquity Studies (31 works) · Literature (22 works) · History (20 works) · Philosophy (18 works) · Historical, Religious, and Philosophical Studies (11 works) · History (9 works) · Philosophy (9 works) · Poetry (9 works) · Byzantine Studies and History (7 works)

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