Babuli Naik
Biographic Data
| ID | 10129340 |
|---|---|
| NAME | Babuli Naik |
| GIVEN NAMES | Babuli |
| FAMILY NAME | Naik |
| SIGNATURE | NAIK B |
| AFFILIATIONS | University of Delhi |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Convergence of Aesthetic Experience, Transcendental Bliss, and Śiva in Abhinavagupta’s Philosophy
Abhinavagupta, a preeminent scholar in the tradition of Kashmir Śaivism and a pivotal figure in Indian aesthetics, offers a profound synthesis of aesthetic experience (rasa), transcendental bliss (ānanda), and ultimate reality (Śiva). His interpretation of rasa, as expounded in the Abhinavabhāratī, the most authoritative commentary on Bharata’s Nāṭyaśāstra, extends beyond conventional aesthetic theory and integrates seamlessly into the non-dualis…
Language and Cognition
The Buddhist theory of Apoha (exclusion) offers a distinct and non-essentialist approach to meaning and cognition by rejecting intrinsic universals and elucidating linguistic categorization through negation. Rooted in the epistemological and logical traditions of Indian Buddhism, Apoha was systematically formulated by Dignāga and Dharmakīrti as a counterargument to realist theories of meaning, which assert the existence of inherent essences corre…
Who Speaks for Whom
This paper interrogates the contested politics of embodiment and voice within contemporary Indian theatre, with particular attention to the ethical stakes of casting practices as they intersect with structures of caste, gender, and queer identity. Framed by the critical provocation— “Who speaks for whom?”—the study situates the theatrical stage as a charged site of cultural mediation where questions of visibility, authority, and legitimacy are co…
Bibhatsa Rasa and the Aesthetics of Purification
This study examines the philosophical and aesthetic significance of Bibhatsa Rasa—the sentiment of disgust—within the framework of Sanskrit dramaturgy, focusing on its exposition in Bharata's Nāṭyaśāstra and its elaboration by Abhinavagupta in the Abhinavabhāratī. Traditionally perceived as a negative emotion, disgust is recontextualized in Indian aesthetic theory as a vital component of the rasa experience, contributing to the spectator's moral …
No prominent works on this page.
Who Speaks for Whom
This paper interrogates the contested politics of embodiment and voice within contemporary Indian theatre, with particular attention to the ethical stakes of casting practices as they intersect with structures of caste, gender, and queer identity. Framed by the critical provocation— “Who speaks for whom?”—the study situates the theatrical stage as a charged site of cultural mediation where questions of visibility, authority, and legitimacy are co…
Bibhatsa Rasa and the Aesthetics of Purification
This study examines the philosophical and aesthetic significance of Bibhatsa Rasa—the sentiment of disgust—within the framework of Sanskrit dramaturgy, focusing on its exposition in Bharata's Nāṭyaśāstra and its elaboration by Abhinavagupta in the Abhinavabhāratī. Traditionally perceived as a negative emotion, disgust is recontextualized in Indian aesthetic theory as a vital component of the rasa experience, contributing to the spectator's moral …
The Convergence of Aesthetic Experience, Transcendental Bliss, and Śiva in Abhinavagupta’s Philosophy
Abhinavagupta, a preeminent scholar in the tradition of Kashmir Śaivism and a pivotal figure in Indian aesthetics, offers a profound synthesis of aesthetic experience (rasa), transcendental bliss (ānanda), and ultimate reality (Śiva). His interpretation of rasa, as expounded in the Abhinavabhāratī, the most authoritative commentary on Bharata’s Nāṭyaśāstra, extends beyond conventional aesthetic theory and integrates seamlessly into the non-dualis…
Language and Cognition
The Buddhist theory of Apoha (exclusion) offers a distinct and non-essentialist approach to meaning and cognition by rejecting intrinsic universals and elucidating linguistic categorization through negation. Rooted in the epistemological and logical traditions of Indian Buddhism, Apoha was systematically formulated by Dignāga and Dharmakīrti as a counterargument to realist theories of meaning, which assert the existence of inherent essences corre…
Aesthetics (3 works) · Art (3 works) · Philosophy (3 works) · Computer Science (2 works) · Emotions and Moral Behavior (2 works) · Epistemology (2 works) · Indian and Buddhist Studies (2 works) · Indian History and Philosophy (2 works) · Mindfulness and Compassion Interventions (2 works) · Psychology (2 works)