Akinde T E
Biographic Data
| ID | 10131405 |
|---|---|
| NAME | Akinde T E |
| GIVEN NAMES | Akinde |
| FAMILY NAME | T E |
| SIGNATURE | E A T |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Waste Phenomenology in Nigeria’s Postmodern Art
Globally, the paradigm shift from modern to postmodern art is actively traceable to the 1970s. This shift is known as postmodernism, a movement that embraces limitless enquiry in art, exemplified in “mass culture”; that is synthesis from any and every materials including waste. In Nigeria, this shift emerges in 2000, which became active and clearer in 2003 with Uche Onyishi’s “Ants” masterfully rendered from calabash, cup and wire wastes. Today t…
Potteryscaping Bruce Onobrakpeya’s Feminine Plastograph
This study is on Potteryscape1 as exemplified in selected Bruce Onobrakpeya’s feminine plastographs. Bruce, an artist cum nonagenarian from Urhobo extraction of Nigeria, born in the early 1930s and trained in the late 1950s through to early 1960s. He is, to say the least, an eclectic experimentalist, exponential arbiter and living legend. Bruce is noted for his incredible vigour for breaking new ground, significantly plastograph. He is arguably, …
No prominent works on this page.
Waste Phenomenology in Nigeria’s Postmodern Art
Globally, the paradigm shift from modern to postmodern art is actively traceable to the 1970s. This shift is known as postmodernism, a movement that embraces limitless enquiry in art, exemplified in “mass culture”; that is synthesis from any and every materials including waste. In Nigeria, this shift emerges in 2000, which became active and clearer in 2003 with Uche Onyishi’s “Ants” masterfully rendered from calabash, cup and wire wastes. Today t…
Potteryscaping Bruce Onobrakpeya’s Feminine Plastograph
This study is on Potteryscape1 as exemplified in selected Bruce Onobrakpeya’s feminine plastographs. Bruce, an artist cum nonagenarian from Urhobo extraction of Nigeria, born in the early 1930s and trained in the late 1950s through to early 1960s. He is, to say the least, an eclectic experimentalist, exponential arbiter and living legend. Bruce is noted for his incredible vigour for breaking new ground, significantly plastograph. He is arguably, …
Art (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 works) · Architecture, Art, Education (1 works) · Art Education and Development (1 works) · Art history (1 works) · Crafts, Textile, and Design (1 works) · Cultural Industries and Urban Development (1 works) · Digital Media and Visual Art (1 works)