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Milos M Velimirovic

Biographic Data

ID1013163
NAMEMilos M Velimirovic
GIVEN NAMESMilos M
FAMILY NAMEVelimirovic
SIGNATUREVELIMIROVIC M M
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR1995
H-INDEX1
  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Cited by: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

  • Giovanni Sebenico

    Open Access•Milos M Velimirovic•ARTICLE•Musicological Annual•1965

    V italijanskih in agleških glasbenozgodovinskih virih iz druge polovice sedemnajstega stoletja srečujemo ime Giovanni Sebenico, ki se omenja kot zelo dober tenorist, kot orglavec, »maestro di capella« in končno kot skladatelj dveh oper. Ker je Sebenico živel določen čas v Benetkah in ker so najstarejši poznani podatki o njem iz tega mesta, so seveda vsi poznejši leksikografi mislili, da gre pač za skladatelja, ki je rojen v Benetkah. Vendar pa, k…

  • Byzantine Elements in Early Slavic Chant

    Joseph Smits Van Waesberghe, Milos Velimirovic et al.•ARTICLE•Vigiliae Christianae•1962

  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Cited by: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

  • Byzantine Elements in Early Slavic Chant

    Joseph Smits Van Waesberghe, Milos Velimirovic et al.•ARTICLE•Vigiliae Christianae•1962

  • Giovanni Sebenico

    Open Access•Milos M Velimirovic•ARTICLE•Musicological Annual•1965

    V italijanskih in agleških glasbenozgodovinskih virih iz druge polovice sedemnajstega stoletja srečujemo ime Giovanni Sebenico, ki se omenja kot zelo dober tenorist, kot orglavec, »maestro di capella« in končno kot skladatelj dveh oper. Ker je Sebenico živel določen čas v Benetkah in ker so najstarejši poznani podatki o njem iz tega mesta, so seveda vsi poznejši leksikografi mislili, da gre pač za skladatelja, ki je rojen v Benetkah. Vendar pa, k…

  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Cited by: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

Art (3 works) · Ancient and Medieval Archaeology Studies (1 work) · Ancient history (1 work) · Archaeology (1 work) · Balkan and Eastern European Studies (1 work) · Biblical studies (1 work) · Byzantine architecture (1 work) · Byzantine studies (1 work) · Christianity (1 work) · Classics (1 work)

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