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Gem Cherian

Biographic Data

ID10132788
NAMEGem Cherian
GIVEN NAMESGem
FAMILY NAMECherian
SIGNATURECHERIAN G
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Migration Within Frames

    Open Access•Basil Thomas, Gem Cherian•ARTICLE•ShodhKosh: Journal of Visual and…•2024

    The present study assumes that cartoons, as a visual product of culture, wraps social reality in humour. The cartoonists from Keralam have actively and consistently represented the socio-cultural evolution of the state. The transformation of agrarian economy into a Gulf remittance economy can be visualized in the cartoon series in the decades of 1970s and 1980s. Migration refers to the flow or movement of people to a new country for several reaso…

  • The Politics of Cuisine

    Open Access•Gem Cherian, Basil Thomas•ARTICLE•ShodhKosh: Journal of Visual and…•2023

    Culture is a way of living encoded in dress, food, religion, values, and more subjectively practised in a human society. As a medium of portraying the everyday cultural and social happenings in the society, cartoons serve as a subtle and satiric critique of the same. Cuisine is a multisensory experience, inevitable as a daily need but often undervalued in the semiotic signification it entails. Food defines communal as well as territorial or regio…

  • Scribbling With Male Ego

    Open Access•Basil Thomas, Gem Cherian Gem Cherian et al.•ARTICLE•ShodhKosh: Journal of Visual and…•2023

    Male cartoonists dominated the cartoon industry of Keralam in the second half of the twentieth century. Women stereotypes are highlighted in the discourse of cartoons, probably like any other artform in the world. This paper is an attempt to analyse the representation of women folk in the cartoons of Keralam, during the post independent period of India. The cartoons of veteran male cartoonists namely Cartoonist Toms, Cartoonist Yesudasan and Cart…

  • Visual Representation of Dalits in the Cartoons of Keralam

    Open Access•Basil Thomas, Basil Thomas Dr Basil Thomas et al.•ARTICLE•ShodhKosh: Journal of Visual and…•2022

    Power and hierarchy have always been intertwined with the social transactions in every culture, and this is true not only in the larger social institutions like religion and education, but even in the smaller social units like family and neighborhood as well. One’s position in the hierarchy has been the criterion for exploitation and discrimination in the society, and this has been especially true in the case of Dalits in India. Even in aesthetic…

No prominent works on this page.

  • Visual Representation of Dalits in the Cartoons of Keralam

    Open Access•Basil Thomas, Basil Thomas Dr Basil Thomas et al.•ARTICLE•ShodhKosh: Journal of Visual and…•2022

    Power and hierarchy have always been intertwined with the social transactions in every culture, and this is true not only in the larger social institutions like religion and education, but even in the smaller social units like family and neighborhood as well. One’s position in the hierarchy has been the criterion for exploitation and discrimination in the society, and this has been especially true in the case of Dalits in India. Even in aesthetic…

  • The Politics of Cuisine

    Open Access•Gem Cherian, Basil Thomas•ARTICLE•ShodhKosh: Journal of Visual and…•2023

    Culture is a way of living encoded in dress, food, religion, values, and more subjectively practised in a human society. As a medium of portraying the everyday cultural and social happenings in the society, cartoons serve as a subtle and satiric critique of the same. Cuisine is a multisensory experience, inevitable as a daily need but often undervalued in the semiotic signification it entails. Food defines communal as well as territorial or regio…

  • Scribbling With Male Ego

    Open Access•Basil Thomas, Gem Cherian Gem Cherian et al.•ARTICLE•ShodhKosh: Journal of Visual and…•2023

    Male cartoonists dominated the cartoon industry of Keralam in the second half of the twentieth century. Women stereotypes are highlighted in the discourse of cartoons, probably like any other artform in the world. This paper is an attempt to analyse the representation of women folk in the cartoons of Keralam, during the post independent period of India. The cartoons of veteran male cartoonists namely Cartoonist Toms, Cartoonist Yesudasan and Cart…

  • Migration Within Frames

    Open Access•Basil Thomas, Gem Cherian•ARTICLE•ShodhKosh: Journal of Visual and…•2024

    The present study assumes that cartoons, as a visual product of culture, wraps social reality in humour. The cartoonists from Keralam have actively and consistently represented the socio-cultural evolution of the state. The transformation of agrarian economy into a Gulf remittance economy can be visualized in the cartoon series in the decades of 1970s and 1980s. Migration refers to the flow or movement of people to a new country for several reaso…

Political science (4 works) · South Asian Cinema and Culture (4 works) · Art (2 works) · Cartoonist (2 works) · Gender Studies (2 works) · Law (2 works) · Media studies (2 works) · Psychology (2 works) · Social Psychology (2 works) · Sociology (2 works)

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