Rajesh Cherian
Biographic Data
| ID | 10133684 |
|---|---|
| NAME | Rajesh Cherian |
| GIVEN NAMES | Rajesh |
| FAMILY NAME | Cherian |
| SIGNATURE | CHERIAN R |
| AFFILIATIONS | Government of Kerala |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Subaltern Speech
This article addresses the mechanisms of silencing women’s stories— the critical silences that dwell the interstices of masculinist, genealogical and hegemonic discourses of the family and community-- through a reading of By the River Pampa I Stood. It examines the way the text uses the trope of "silence" to problematise the potentially productive and apparently problematic processes of writing subaltern histories "from below." Jose’s narrative, …
Encountering the World
This article is an attempt to explore the subject of the outsider-protagonist in Adoor Gopalakrishnan’s early films, Swayamvaram (One’s Own Choice), Kodiyettam (The Ascent) and Elippathayam (The Rat-Trap). It also tries to examine the relationship between individual and society in his films fashioned by the circumstances and contexts in which his characters find themselves in. The films bear testimony to the fact that the engagement of the indivi…
No prominent works on this page.
Subaltern Speech
This article addresses the mechanisms of silencing women’s stories— the critical silences that dwell the interstices of masculinist, genealogical and hegemonic discourses of the family and community-- through a reading of By the River Pampa I Stood. It examines the way the text uses the trope of "silence" to problematise the potentially productive and apparently problematic processes of writing subaltern histories "from below." Jose’s narrative, …
Encountering the World
This article is an attempt to explore the subject of the outsider-protagonist in Adoor Gopalakrishnan’s early films, Swayamvaram (One’s Own Choice), Kodiyettam (The Ascent) and Elippathayam (The Rat-Trap). It also tries to examine the relationship between individual and society in his films fashioned by the circumstances and contexts in which his characters find themselves in. The films bear testimony to the fact that the engagement of the indivi…
Close reading (1 work) · Feature film (1 work) · Feminism (1 work) · Hegemony (1 work) · Indigenous Cultures and History (1 work) · Latin American and Latino Studies (1 work) · Michel foucault (1 work) · Naturalisation (1 work) · Politics and Society in Latin America (1 work) · Social and Economic Development in India (1 work)