Amungwa Veronica Nganshi
Biographic Data
| ID | 10148084 |
|---|---|
| NAME | Amungwa Veronica Nganshi |
| GIVEN NAMES | Amungwa Veronica |
| FAMILY NAME | Nganshi |
| SIGNATURE | NGANSHI A V |
| AFFILIATIONS | University of Buea |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Religious Consciousness in Joseph Conrad’s Heart of Darkness and James Joyce’s A Portrait of the Artist as a Young Man
The paper examines religious consciousness in the modernist novels of Joseph Conrad’s 1902 Heart of Darkness and James Joyce’s 1916 A Portrait of the Artist as a Young Man with the objective of illustrating that though these writers apparently rejected the Catholic faith, they were still spiritually conscious and were thus able to detect and question religious values that were repressive. This consciousness is enriched by autobiographical element…
The Roman Catholic Religion in Ireland and Cameroon
This paper explores how the Roman Catholic religion has influenced the writer in Ireland and Cameroon as projected in James Joyce’s 1916 novel A Portrait of the Artist as a Young Man and Nkemngong Nkengasong’s 2014 novel God Was African. The aim is to demonstrate that although Joyce is European and his work traces the development of a potential artist in a colonised Ireland and Nkengasong is African and projects the experiences of a scholar in a …
No prominent works on this page.
Religious Consciousness in Joseph Conrad’s Heart of Darkness and James Joyce’s A Portrait of the Artist as a Young Man
The paper examines religious consciousness in the modernist novels of Joseph Conrad’s 1902 Heart of Darkness and James Joyce’s 1916 A Portrait of the Artist as a Young Man with the objective of illustrating that though these writers apparently rejected the Catholic faith, they were still spiritually conscious and were thus able to detect and question religious values that were repressive. This consciousness is enriched by autobiographical element…
The Roman Catholic Religion in Ireland and Cameroon
This paper explores how the Roman Catholic religion has influenced the writer in Ireland and Cameroon as projected in James Joyce’s 1916 novel A Portrait of the Artist as a Young Man and Nkemngong Nkengasong’s 2014 novel God Was African. The aim is to demonstrate that although Joyce is European and his work traces the development of a potential artist in a colonised Ireland and Nkengasong is African and projects the experiences of a scholar in a …
Art (2 works) · Art history (2 works) · Literature (2 works) · Philosophy (2 works) · Portrait (2 works) · Theology (2 works) · Aesthetics (1 work) · African studies and sociopolitical issues (1 work) · Anthropological Studies and Insights (1 work) · Consciousness (1 work)