Luydmila A Vasilyeva
Biographic Data
| ID | 10148823 |
|---|---|
| NAME | Luydmila A Vasilyeva |
| GIVEN NAMES | Luydmila A |
| FAMILY NAME | Vasilyeva |
| SIGNATURE | VASILYEVA L A |
| AFFILIATIONS | Institute of Oriental Studies |
| ORCID | 0000-0002-2466-3832 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
«Силки разума» и смыслы газели Галиба
В настоящей статье продолжается начатый в предыдущей работе филологический перевод газелей Мирзы Галиба из его сборника на урду «Диван Галиба». В статье представлен текст в транслитерации, перевод газелей с 9 по 15 и комментарий к каждому стиху (ше'р). Особое внимание во вступительной статье и комментариях уделено анализу комментаторской литературы на языке урду, известной как шарх. Практика комментирования литературных текстов имеет глубокие кор…
"Snares of Reason" and the Meanings of Ghalib's Ghazal
The first ghazal of the Divan of Ghalib
The article offers a multi-dimensional analysis of the first ghazal from the Urdu Divan by the Indian classic poet Mirza Ghalib (1797–1869). Ghalib wrote in two languages – Urdu and Persian, but it was the completion of the Urdu Divan that made him a great poet. The article presents the history of the creation and publication of the Divan, as well as discusses its sources. The authors focus on the complexity of the style and the richness of poeti…
Motif of paper garment in Ghalib’s and his predecessors’ verses
The article deals with matla‘ (first she‘r – two-line couplet – in a ghazal) of the first ghazal in the Divan by Mirza Asadulla-khan Ghalib (1792–1869) written in Urdu. One of the items usually commented there is the garment made of paper (kāġhażī peirahan). It used to be worn in ancient times by the complainers who appealed to the ruler. The range of complaints in the poetry of Ghalib as well as by other Urdu and Persian poets was wide, however,…
The ghazal of Mir Taqi Mir
Mir Taqi Mir is a classic Urdu poet of the 18th century, an outstanding master of ghazal genre. With his work, Mir Taqi Mir proved that his native Urdu language possessed a vocabulary fit to express the finest nuances of poetic speech. He also made evident that the ghazals written in Urdu were not entirely imitations of those written in Persian, which formed the poetical basis of Urdu poetry. The article argues that the Mir Taqi Mir's heritage ca…
“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad
The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Az…
Urdu Language, Its Role and Status in Pakistan
The article deals with a set of questions concerning Urdu – the national language of Pakistan and the fourth language in the world in terms of number of Urdu-speakers. In the history of the Hindustan subcontinent Urdu was set to play a specific role of “a playing-card” in the intricate Anglo–Indo–Muslim political game started over two hundred years ago. Through the years it turned into a conflict between Hindu and Muslim communities of British In…
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The ghazal of Mir Taqi Mir
Mir Taqi Mir is a classic Urdu poet of the 18th century, an outstanding master of ghazal genre. With his work, Mir Taqi Mir proved that his native Urdu language possessed a vocabulary fit to express the finest nuances of poetic speech. He also made evident that the ghazals written in Urdu were not entirely imitations of those written in Persian, which formed the poetical basis of Urdu poetry. The article argues that the Mir Taqi Mir's heritage ca…
“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad
The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Az…
Urdu Language, Its Role and Status in Pakistan
The article deals with a set of questions concerning Urdu – the national language of Pakistan and the fourth language in the world in terms of number of Urdu-speakers. In the history of the Hindustan subcontinent Urdu was set to play a specific role of “a playing-card” in the intricate Anglo–Indo–Muslim political game started over two hundred years ago. Through the years it turned into a conflict between Hindu and Muslim communities of British In…
The first ghazal of the Divan of Ghalib
The article offers a multi-dimensional analysis of the first ghazal from the Urdu Divan by the Indian classic poet Mirza Ghalib (1797–1869). Ghalib wrote in two languages – Urdu and Persian, but it was the completion of the Urdu Divan that made him a great poet. The article presents the history of the creation and publication of the Divan, as well as discusses its sources. The authors focus on the complexity of the style and the richness of poeti…
Motif of paper garment in Ghalib’s and his predecessors’ verses
The article deals with matla‘ (first she‘r – two-line couplet – in a ghazal) of the first ghazal in the Divan by Mirza Asadulla-khan Ghalib (1792–1869) written in Urdu. One of the items usually commented there is the garment made of paper (kāġhażī peirahan). It used to be worn in ancient times by the complainers who appealed to the ruler. The range of complaints in the poetry of Ghalib as well as by other Urdu and Persian poets was wide, however,…
«Силки разума» и смыслы газели Галиба
В настоящей статье продолжается начатый в предыдущей работе филологический перевод газелей Мирзы Галиба из его сборника на урду «Диван Галиба». В статье представлен текст в транслитерации, перевод газелей с 9 по 15 и комментарий к каждому стиху (ше'р). Особое внимание во вступительной статье и комментариях уделено анализу комментаторской литературы на языке урду, известной как шарх. Практика комментирования литературных текстов имеет глубокие кор…
"Snares of Reason" and the Meanings of Ghalib's Ghazal
Art (6 works) · History (5 works) · Literature (5 works) · Philosophy (5 works) · Urdu (5 works) · Poetry (4 works) · Politics and Conflicts in Afghanistan, Pakistan, and Middle East (4 works) · Islamic Studies and History (3 works) · Linguistics (3 works) · Aesthetics (2 works)