Charles Hamm
Biographic Data
| ID | 101495 |
|---|---|
| NAME | Charles Hamm |
| GIVEN NAMES | Charles |
| FAMILY NAME | Hamm |
| SIGNATURE | HAMM C |
| AFFILIATIONS | Universidade Federal de Santa Maria |
| ORCID | 0000-0002-4922-3825 |
| VERIFIED | Yes |
| TOTAL WORKS | 38 |
| TOTAL CITATIONS | 35 |
| AUTHOR COUNT | 38 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
Sobre o direito da necessidade e o limite da razão
Gadamer, leitor de Kant: "Experiência Estética" vs "Experiência Da Arte"
A adicionar
On the needs of theoretical and practical reason
Pensar além dos limites do possível conhecimento empírico requer uma razão subjetiva para legitimar seus juízos. De acordo com Kant, esta reside no sentimento de uma "necessidade da razão", que, por sua vez (para distingui-la de impulsos "não-racionais"), deve ser justificado como tal. Para isto, é reclamado um especial "direito da necessidade" da razão, como “fundamento subjetivo para supor e admitir algo [...] que ela com fundamento objetivo nã…
Musical theater in the United States
Popular music in the United States
Sobre a sistematizabilidade da filosofia da história de Kant
São muitas e, até hoje, muito controvertidas as opiniões referentes à função e ao lugar sistemático da filosofia da história de Kant no todo do seu projeto crítico-transcendental; nem há consenso quanto à importância ou relevância filosófica dos diversos escritos em que Kant aborda e defende os seus teoremas histórico- políticos. – No presente trabalho, pretende-se interpretar a “doutrina” histórico-filosófica kantiana – não obstante o seu caráte…
The Firebrand of New York: Kurt Weill and his ‘Broadway Operetta’
Journal Article The Firebrand of New York: Kurt Weill and his ‘Broadway Operetta’ Get access Charles Hamm Charles Hamm Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 85, Issue 2, May 2004, Pages 239–254, https://doi.org/10.1093/ml/85.2.239 Published: 01 May 2004
Popular Music and Historiography
A study of the proliferation, institutionalization and legitimization of the study of popular music over the past several decades
Sources, manuscript: Renaissance polyphony
Sources, manuscript
Putting Popular Music in Its Place
Alexander and His Band
Genre, performance and ideology in the early songs of Irving Berlin
Irving Berlin's 200-odd songs written between 1907, the date of the first one, and late 1914, when his first complete show for the musical stage (Watch Your Step) opened at New York's Globe Theatre, are virtually identical to one another in their published piano/vocal format. Like other Tin Pan Alley songs of the early twentieth century, most of them consist of a brief piano introduction, a few bars of vamp, then several verses, each followed by …
John Cage Revisited
As Thousands Cheer: The Life of Irving Berlin
The constant companion of man: Separate Development, Radio Bantu and music
It is a common argument by now that the modern mass media and the music they disseminate have been 'used by economically and politically powerful interests within the state to support the capitalist relations of production and to legitimise the social, economic and political organisation of society' (Tomaselli et al. 1986, p. 19). Criticism directed more specifically at radio has focused chiefly on capitalist societies in which there are multiple…
Music and Radio in the People's Republic of China
Afro-American Music, South Africa, and Apartheid
Afro-American Music, South Africa, and Apartheid
Graceland revisited
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Music in the New World
Music in the New World
Resources of American Music History
Rock 'n' roll in a very strange society
An investigation of the reception and perception of early rock 'n' roll in various parts of the world may tell us little new about the music itself, but it can inform us on contemporary issues and attitudes in these places, and remind us of the ways in which popular music has been utilised by commercial and political forces controlling the mass media
Cage
The constant companion of man: Separate Development, Radio Bantu and music
It is a common argument by now that the modern mass media and the music they disseminate have been 'used by economically and politically powerful interests within the state to support the capitalist relations of production and to legitimise the social, economic and political organisation of society' (Tomaselli et al. 1986, p. 19). Criticism directed more specifically at radio has focused chiefly on capitalist societies in which there are multiple…
Graceland revisited
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Rock 'n' roll in a very strange society
An investigation of the reception and perception of early rock 'n' roll in various parts of the world may tell us little new about the music itself, but it can inform us on contemporary issues and attitudes in these places, and remind us of the ways in which popular music has been utilised by commercial and political forces controlling the mass media
Genre, performance and ideology in the early songs of Irving Berlin
Irving Berlin's 200-odd songs written between 1907, the date of the first one, and late 1914, when his first complete show for the musical stage (Watch Your Step) opened at New York's Globe Theatre, are virtually identical to one another in their published piano/vocal format. Like other Tin Pan Alley songs of the early twentieth century, most of them consist of a brief piano introduction, a few bars of vamp, then several verses, each followed by …
The fourth audience
Billy Joel's song 'It's Still Rock and Roll to Me', which rose to the top of Billboard magazine's 'Hot 100' chart in July of 1980, was intended as entertainment, not criticism. But it makes a more accurate statement about the present state of rock music in the USA than have the writings of certain journalists and critics over the past decade. Against a stripped-down instrumental accompaniment, parodying the 'minimalism' of much new wave music, Jo…
Sobre a sistematizabilidade da filosofia da história de Kant
São muitas e, até hoje, muito controvertidas as opiniões referentes à função e ao lugar sistemático da filosofia da história de Kant no todo do seu projeto crítico-transcendental; nem há consenso quanto à importância ou relevância filosófica dos diversos escritos em que Kant aborda e defende os seus teoremas histórico- políticos. – No presente trabalho, pretende-se interpretar a “doutrina” histórico-filosófica kantiana – não obstante o seu caráte…
Popular Music and Historiography
A study of the proliferation, institutionalization and legitimization of the study of popular music over the past several decades
Music and Radio in the People's Republic of China
The Manuscript San Pietro B80
A Group of Anonymous English Pieces in Trent 87
A GROUP OF ANONYMOUS ENGLISH PIECES IN TRENT 87 Get access CHARLES HAMM CHARLES HAMM Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 41, Issue 3, July 1960, Pages 211–215, https://doi.org/10.1093/ml/41.3.211 Published: 01 July 1960
The Chapins and Sacred Music in the South and West
METCALF, in the course of his work with American sacred music of the late eighteenth and early nineteenth centuries,1 noticed that many pieces from the period were attributed to Chapin. He knew that a Yankee singing master named Amzi Chapill had been active during this period and he tentatively identified him as the composer of these pieces, without being able to verify this identification. Later scholars have been no more successful in identifyi…
Anonymous English Pieces in Trent 87’
Journal Article ‘ANONYMOUS ENGLISH PIECES IN TRENT 87’ Get access CHARLES HAMM CHARLES HAMM Newcomb College, Tulane UniversityNew Orleans, Louisiana Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 42, Issue 3, July 1961, Pages 295–296, https://doi.org/10.1093/ml/42.3.295 Published: 01 July 1961
Manuscript Structure in the Dufay Era
A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice
A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice
Andrew Law, American Psalmodist
Folk Music in the United States: An Introduction
Yesterdays: Popular Song in America
The fourth audience
Billy Joel's song 'It's Still Rock and Roll to Me', which rose to the top of Billboard magazine's 'Hot 100' chart in July of 1980, was intended as entertainment, not criticism. But it makes a more accurate statement about the present state of rock music in the USA than have the writings of certain journalists and critics over the past decade. Against a stripped-down instrumental accompaniment, parodying the 'minimalism' of much new wave music, Jo…
Yesterdays; Popular Song in America
Yesterdays: Popular Song in America
Cage
Resources of American Music History
Rock 'n' roll in a very strange society
An investigation of the reception and perception of early rock 'n' roll in various parts of the world may tell us little new about the music itself, but it can inform us on contemporary issues and attitudes in these places, and remind us of the ways in which popular music has been utilised by commercial and political forces controlling the mass media
Music in the New World
Music in the New World
Graceland revisited
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Afro-American Music, South Africa, and Apartheid
Afro-American Music, South Africa, and Apartheid
The constant companion of man: Separate Development, Radio Bantu and music
It is a common argument by now that the modern mass media and the music they disseminate have been 'used by economically and politically powerful interests within the state to support the capitalist relations of production and to legitimise the social, economic and political organisation of society' (Tomaselli et al. 1986, p. 19). Criticism directed more specifically at radio has focused chiefly on capitalist societies in which there are multiple…
Music and Radio in the People's Republic of China
John Cage Revisited
As Thousands Cheer: The Life of Irving Berlin
Art (23 works) · History (20 works) · Music History and Culture (16 works) · Visual arts (10 works) · Art history (8 works) · Musicology and Musical Analysis (8 works) · Literature (7 works) · Theater, Performance, and Music History (7 works) · Computer Science (6 works) · History (6 works)