Daniel Grimley
Biographic Data
| ID | 1016068 |
|---|---|
| NAME | Daniel Grimley |
| GIVEN NAMES | Daniel |
| FAMILY NAME | Grimley |
| SIGNATURE | GRIMLEY D |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Being Musically Attuned
How does music change the way we feel? What is the quality or nature of the relationship between listening subject, environment, and acoustic signal that determines the rate or status of such transformation, and what aspects of music’s affective agency are involved in this process? These are the underlying questions posed by Erik Wallrup’s thoughtfully reflective new study. His monograph appears at a particularly prescient moment. In recent years…
Carl Nielsen and the Idea of Modernism
A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Nielsen's music and his rich literary and artistic contexts. Drawing extensively on contemporary writing, criticism, and the newly completed Carl Nielsen Edition , the book pre…
Organicism, Form and Structural Decay
Berwald family
Berwald family
Organicism, Form and Structural Decay
Carl Nielsen and the Idea of Modernism
A critical re-evaluation of the music of Carl Nielsen which examines its context and relationship to musical modernism. Carl Nielsen (1865-1931) remains arguably the most underrated composer of his international generation. This book offers a critical re-evaluation of Carl Nielsen's music and his rich literary and artistic contexts. Drawing extensively on contemporary writing, criticism, and the newly completed Carl Nielsen Edition , the book pre…
Being Musically Attuned
How does music change the way we feel? What is the quality or nature of the relationship between listening subject, environment, and acoustic signal that determines the rate or status of such transformation, and what aspects of music’s affective agency are involved in this process? These are the underlying questions posed by Erik Wallrup’s thoughtfully reflective new study. His monograph appears at a particularly prescient moment. In recent years…
Art (3 works) · Musicology and Musical Analysis (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Art history (2 works) · Epistemology (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Sociology (2 works) · 1865-1931 (1 work)