Nina Yu Sputnitskaya
Biographic Data
| ID | 10169111 |
|---|---|
| NAME | Nina Yu Sputnitskaya |
| GIVEN NAMES | Nina Yu |
| FAMILY NAME | Sputnitskaya |
| SIGNATURE | SPUTNITSKAYA N Y |
| AFFILIATIONS | Russian State University of Cinematography named after SA Gerasimov |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The USSR State Leader in the U.S. Superhero Comic Strips in the 1980s
Introduction. There has been a rich tradition of using stereotypes and cliches of Russians in U.S. comic strips since the 1940s. Russian characters represent statehood, cultural dominants, and ethnic stereotypes. They convey the political agenda and civic values and demonstrate reactions to historical cataclysms. The leaders of the USSR represent the state as a political system in comic strips. In the 1980s, the interpretation of the “Russian thr…
The Thaw Doll. “Completing” the Fairy Tale About Pinocchio in Soviet Children’s Screen Culture of the 1950s - 1960s
The article is based on documentary materials on the film “The Adventures of Pinocchio” (A. Ivanov-Vano, D. Babichenko). During the years of the Thaw, cinematographers argued about the need for a film based on the fairy tale story by A. Tolstoy. By this time, stereotypes had formed in solving the image of Pinocchio, which were gradually revised in Soviet children’s culture: in theater, illustrations, comics, filmstrips. The new film adaptation wa…
Contemporary Approaches to the Study of Soviet and Post-Soviet Screen Culture. Based on the Material of 53rd Aseees Congress, USA
The article is devoted to the study of the works of researchers from the USA, based on the material of the 53rd Association for Slavic, East European, and Eurasian Studies (ASEEES) International Annual Congress, which belong to various branches of humanitarian knowledge, but directly related to the study of Soviet and modern screen culture in Russia or other countries (Eastern Europe, India, Cuba, etc.) that have experienced its direct or indirec…
American Baby Boom and the Soviet Pioneer Camp
In the article the evolution of the image of the enemy in two cinemas is examined on the material of the Soviet and North American children’s and family films of 1936–1966 years in the following areas: representations of images of a political enemy in the movie, the critics of the axiological analysis of the discourse of a hostile culture, representation of the axiological discourse of their own culture. The analysis of publications on the topic …
A Technological Phenomenon. Humanitarian Aspects
The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches. There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator a…
No prominent works on this page.
American Baby Boom and the Soviet Pioneer Camp
In the article the evolution of the image of the enemy in two cinemas is examined on the material of the Soviet and North American children’s and family films of 1936–1966 years in the following areas: representations of images of a political enemy in the movie, the critics of the axiological analysis of the discourse of a hostile culture, representation of the axiological discourse of their own culture. The analysis of publications on the topic …
A Technological Phenomenon. Humanitarian Aspects
The authors of the article reflect on the processes of technical modernization of modern culture and on the modern reflection on the increasingly active introduction of new technologies in the field of art and art researches. There is an increasingly widespread nature of creativity and the inevitability of a long-term adaptation of a person to the results of his own creativity — which is another round of the eternal conflict between the creator a…
Contemporary Approaches to the Study of Soviet and Post-Soviet Screen Culture. Based on the Material of 53rd Aseees Congress, USA
The article is devoted to the study of the works of researchers from the USA, based on the material of the 53rd Association for Slavic, East European, and Eurasian Studies (ASEEES) International Annual Congress, which belong to various branches of humanitarian knowledge, but directly related to the study of Soviet and modern screen culture in Russia or other countries (Eastern Europe, India, Cuba, etc.) that have experienced its direct or indirec…
The Thaw Doll. “Completing” the Fairy Tale About Pinocchio in Soviet Children’s Screen Culture of the 1950s - 1960s
The article is based on documentary materials on the film “The Adventures of Pinocchio” (A. Ivanov-Vano, D. Babichenko). During the years of the Thaw, cinematographers argued about the need for a film based on the fairy tale story by A. Tolstoy. By this time, stereotypes had formed in solving the image of Pinocchio, which were gradually revised in Soviet children’s culture: in theater, illustrations, comics, filmstrips. The new film adaptation wa…
The USSR State Leader in the U.S. Superhero Comic Strips in the 1980s
Introduction. There has been a rich tradition of using stereotypes and cliches of Russians in U.S. comic strips since the 1940s. Russian characters represent statehood, cultural dominants, and ethnic stereotypes. They convey the political agenda and civic values and demonstrate reactions to historical cataclysms. The leaders of the USSR represent the state as a political system in comic strips. In the 1980s, the interpretation of the “Russian thr…
Art (4 works) · History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Computer Science (3 works) · Literature (3 works) · Media studies (3 works) · Politics (3 works) · Aesthetics (2 works)