F O Ezeugwu
Biographic Data
| ID | 10170084 |
|---|---|
| NAME | F O Ezeugwu |
| GIVEN NAMES | F |
| FAMILY NAME | O Ezeugwu |
| SIGNATURE | EZEUGWU F O |
| ORCID | 0000-0002-8904-8443 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Musical Mediation, Social Integration and Peace Building in Nigeria
Nigeria’s complex ethnic and religious landscape continues to generate tensions that demand culturally grounded approaches to peacebuilding. This study examines Yemi Alade’s Stand Together, a pan‐African collaborative song released during the COVID‐19 pandemic, to explore how contemporary popular music can contribute to conflict transformation and social integration. Drawing on theories of musical mediation, conflict transformation, and African c…
Igbo-Language Opera
The absence of Igbo‐language opera in Nigerian art‐music history presents a significant but unexplained cultural gap. While indigenous performance traditions possess rich dramaturgical resources, no sustained operatic practice has emerged. This study investigates the historical, institutional, and aesthetic conditions that shaped this non‐emergence and identifies pathways for future development. Using a qualitative, multi‐sited, and historically …
No prominent works on this page.
Musical Mediation, Social Integration and Peace Building in Nigeria
Nigeria’s complex ethnic and religious landscape continues to generate tensions that demand culturally grounded approaches to peacebuilding. This study examines Yemi Alade’s Stand Together, a pan‐African collaborative song released during the COVID‐19 pandemic, to explore how contemporary popular music can contribute to conflict transformation and social integration. Drawing on theories of musical mediation, conflict transformation, and African c…
Igbo-Language Opera
The absence of Igbo‐language opera in Nigerian art‐music history presents a significant but unexplained cultural gap. While indigenous performance traditions possess rich dramaturgical resources, no sustained operatic practice has emerged. This study investigates the historical, institutional, and aesthetic conditions that shaped this non‐emergence and identifies pathways for future development. Using a qualitative, multi‐sited, and historically …
Diverse Music Education Insights (2 works) · Diverse Musicological Studies (2 works) · Citizen journalism (1 work) · Commodification (1 work) · Consciousness (1 work) · Critical consciousness (1 work) · Empathy (1 work) · Extant taxon (1 work) · Igbo (1 work) · Indigenous (1 work)