Robert Stevenson
Biographic Data
| ID | 101793 |
|---|---|
| NAME | Robert Stevenson |
| GIVEN NAMES | Robert |
| FAMILY NAME | Stevenson |
| SIGNATURE | STEVENSON R |
| AFFILIATIONS | University of California, Los Angeles |
| ORCID | 0000-0001-7464-0009 |
| VERIFIED | Yes |
| TOTAL WORKS | 93 |
| TOTAL CITATIONS | 31 |
| AUTHOR COUNT | 92 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1948 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
Music in Aztec and Inca Territory
Hill, Ureli Corelli
Perspectives on Violence and Violent Death
This book examines violence. It looks at the nature and types of violence, the causes of violence, and the emotional wake left by violent episodes. In the twentieth century, the world experienced two world wars and countless other wars. Many millions died violent deaths from murder, death squads, purges, riots, revolutions, ethnic cleansing, rape, robbery, domestic violence, suicide, gang violence, terrorist acts, genocide, and in many other ways…
To Win the Battle: The 1st Australian Division in the Great War 1914–1918
In 1915 the 1st Australian Division led the way ashore at Gallipoli. In 1916 it achieved the first Australian victory on the Western Front at Pozières. It was still serving with distinction in the battles that led to the defeat of the German army in 1918. To Win the Battle explains how the division rose from obscurity to forge a reputation as one of the great fighting formations of the British Empire during the First World War, forming a central …
Miguel Querol Gavaldá (1912-2002)
Manaus (opera)
Nebra (Blasco), José (opera)
Mexico (opera)
Havana (opera)
Chile (opera)
Caracas (opera)
San Diego (opera)
Belém (opera)
Malcher, José Cândido da Gama (opera)
Spain
Zipoli, Domenico
Seville
Revueltas, Silvestre
Guerrero, Francisco (i)
Fernández (Hidalgo), Gutierre
Peraza, Jerónimo de (i)
Peraza, Francisco de (i)
Vázquez, Alida
Torrejón y Velasco, Tomás de
Soto de Langa, Francisco
Music in Aztec and Inca Territory
The Music of Peru; Aboriginal and Viceroyal Epochs
Mexico City Cathedral Music: 1600-1750
Although Mexico City was the foremost cultural center in North America before 1800, the musical history of this capital has been strangely neglected. Not until 1946, when Lota M. Spell published a pioneer article on music in the Conquest century, was a first attempt made at bringing the viceregal music to international attention. Four years later Francisco Curt Lange translated her article into Spanish. In 1952 Jesús Bal y Gay handsomely edited w…
Music in Aztec & Inca Territory
Christmas Music from Baroque Mexico
Written Sources for Indian Music until 1882
lthough not widely reviewed when in 1882 Breitkopf und Hartel published Theodore Baker's Leipzig dissertation, Uber die Musik der nordamerikanischen Wilden, it soon came to be accepted on both sides of the Atlantic as definitive survey of the prior literature as well as record of close personal research. In this paper, Baker's sources are reassessed and new material not known by him is for the first time evaluated in an ethnomusicological context…
Music in Aztec and Inca Territory
Music in Quito: Four Centuries
T HE FIRST TEACHERS of European music at Quito were the Flemish Franciscans who arrived in 1534 and established their convents in 1535, Josse [=Jodocus=Jodoco] de Rycke of Malines, and Pierre Gosseal of Louvain.1 In addition to teaching the Indians how to read and write, Fray Jodoco taught them to play various keyboard and string instruments, also sackbuts and shawms, flutes, trumpets, and cornetts, and the science of mensural music and plainchan…
English Sources for Indian Music until 1882
Colonial Music in Colombia
The list of memorable European musicians working in New Granada begins with a chance arrival at Cartagena in 1537—Juan Pérez Materano. Dispatched from Spain with a royal appointment to head the music in a Mexican or Central American cathedral, he landed first at Cartagena. In a letter to Charles V dated October 7, 1537, the Cartagena civil officials laud his voice and bearing: these have proved so agreeable during his stopover that they have prev…
Watts in America
Dr. Henry Sloane Coffin in a recent address told of a student at Union Theological Seminary who persistently refused to come to chapel. Queried on his absence by Dr. Coffin, the student replied that he could not approve the hymns which were sung in James Chapel because many of them did not teach sound doctrine. In order to satisfy the student's conscience, Dr. Coffin suggested he come on a day when only the hymns of Watts would be used. The stude…
Dr. Watts' “Flights of Fancy”
The year 1948 drew to a close with a spate of articles appearing in religious magazines honoring the memory of Watts. Along with the King James Version, Dr. Watts' hymns have become a symbol of Protestantism's underlying unity in a day of proliferating denominations. Around his hymns there now cluster historic associations and fond memories that endear Watts to the entire Protestant community
Bach's Religious Environment: The Well Springs of Religious Emotion That Nourished the Creative Life of Protestantism's Greatest Composer
Music in Mexico
The "Distinguished Maestro" of New Spain: Juan Gutiérrez de Padilla
STUDENTS of cultural life in the colonial Americas have long been aware of the achievements of such Mexican painters as the Jua'rezes, the elder Echave, and Correa. In architecture, similarly, certain names such as that of the Celaya master, Tresguerras, are widely known. But evTen competent Mexican historians have until recently categorized Neo-Hispanic music as a blank. The reasons for ignoring it, or for assuming that music in colonial Mexico,…
Telemann's Collected Works
Journal Article TELEMANN'S COLLECTED WORKS Get access ROBERT STEVENSON ROBERT STEVENSON University of CaliforniaLos Angeles 24, California Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXVIII, Issue 1, January 1957, Pages 111–112, https://doi.org/10.1093/ml/XXXVIII.1.111 Published: 01 January 1957
Coin Hoards in Scotland, 1955
Los orígenes del arte musical en Chile. Historia de la música en Chile (1850-1900)
The Music of Peru; Aboriginal and Viceroyal Epochs
Early Peruvian Folk Music
O UR best informant on sixteenth-century indigenous folklore-Huaman Poma de Ayala-enjoyed the double advantage of being himself an egoistic Andean of pure blood and of being an adept illustrator of his own text. His 1179-page Nueva coronica y buen gobierno (finished in 1613) reeks with the pride of a native who considers his own Lucanas lineage worthier than even that of the Incas: for after all the Incas were but parvenus unjustly seizing power …
A Propos de la Sarabande
A canção brasileira
Canción nacional de Chile: Edición Crítica De La Letra
Canto, danza y musica precortesianos
Canto, danza y música precortesianos
Colonial Music in Colombia
The list of memorable European musicians working in New Granada begins with a chance arrival at Cartagena in 1537—Juan Pérez Materano. Dispatched from Spain with a royal appointment to head the music in a Mexican or Central American cathedral, he landed first at Cartagena. In a letter to Charles V dated October 7, 1537, the Cartagena civil officials laud his voice and bearing: these have proved so agreeable during his stopover that they have prev…
The Music of Peru; Aboriginal and Viceroyal Epochs
Historia de la musica en la Argentina, 1536-1900
Music in Quito: Four Centuries
T HE FIRST TEACHERS of European music at Quito were the Flemish Franciscans who arrived in 1534 and established their convents in 1535, Josse [=Jodocus=Jodoco] de Rycke of Malines, and Pierre Gosseal of Louvain.1 In addition to teaching the Indians how to read and write, Fray Jodoco taught them to play various keyboard and string instruments, also sackbuts and shawms, flutes, trumpets, and cornetts, and the science of mensural music and plainchan…
Historia de la música en la Argentina, 1536-1900Pablo Rosquellas y los orígines de la ópera en Buenos Aires
Mexico City Cathedral Music: 1600-1750
Although Mexico City was the foremost cultural center in North America before 1800, the musical history of this capital has been strangely neglected. Not until 1946, when Lota M. Spell published a pioneer article on music in the Conquest century, was a first attempt made at bringing the viceregal music to international attention. Four years later Francisco Curt Lange translated her article into Spanish. In 1952 Jesús Bal y Gay handsomely edited w…
Domenico Zipoli: Vida Y Obra
The Dance of the Conquest of Guatemala
Investigación folklórica en México. Materiales
La canción mexicana. Ensayo de clasificación y antología
Art (54 works) · Geography (36 works) · History (23 works) · Latin American history and culture (17 works) · Art history (14 works) · Computer Science (14 works) · Humanities (14 works) · Visual arts (13 works) · Archaeology (12 works) · Historical Art and Architecture Studies (12 works)